Hiroshi Senju

Waterfall

2018

Robert Yasuda Sustain, 2020 Acrylic on fabric on wood 92 x 2.5 inches RY119 Robert Yasuda is known for luminous multi-panel paintings on carved wood tha...

Robert Yasuda Boundary, 2010-2020 Acrylic on fabric on wood 80 x 50 inches RY106 Robert Yasuda is known for luminous multi-panel paintings on carved woo...

Ricardo Mazal Biosa Te (Violet), 2023 Acrylic on natural silk, hand-dyed with cochineal grain and indigo, mounted on aluminum panel 18 x 19 inches RM531 Ricardo Mazal is perhaps bes...

Ricardo Mazal Xna (Red), 2023 Acrylic on natural silk, hand-dyed with Brazilian cherry, mounted on aluminum panel 18 x 19 inches RM542 Ricardo Mazal is perhaps best known for his ne...

Robert Yasuda Aloha, 2022 Acrylic on fabric on wood 48 x 32 inches RY111 Robert Yasuda is known for luminous multi-panel paintings on carved wood that transmit and transform light. Notable installations include large, site-specific paintings at MoMA PS1 in an exhibition organized by Alanna Heiss in 2016. The exhibition, titled Forty, was a collection of work by artists who were key participants in the 1970s alternative art spaces movement and the early years of P.S.1 Contemporary Art Center. During the 1970s, Yasuda’s work was showcased at the Museum of Contemporary Art, Chicago; the Clocktower Gallery, New York; and the Corcoran Gallery of Art, Washington, D.C. Early gallery exhibitions include solo shows at Galerie Bruno Bischofberger (Zurich and St. Moritz), 1968 and 1969, and in 1975, the first of five shows at Betty Parsons Gallery...

Ricardo Mazal Tee 2 (Beige 2), 2023 Acrylic on natural silk mounted on aluminum panel 18 x 19 inches RM541 Ricardo Mazal is perhaps best known for his near decade-long investigation...

A brilliant mauve opening framed in charcoal burns through the sky in this luminous painting by Jay Hodgins. The artist creates depth and light in the work using multiple layers of a...

A cloud of white and charcoal rises from a stormy horizon in this emotive acrylic painting by Jay Hodgins. Layers of glossy resin add depth and richness to the work. Integrating enc...

Dark clouds at a stormy horizon meet a violet sky in this emotive diptych by Jay Hodgins. Layers of curated colors coated in a glossy resin create depth and light in the atmospheric ...

Love Letters to Cornwall (III) by Mary Scott [2021] original and hand signed by the artist Acrylic and oil on wood panel Image size: H:40 cm x W:40 cm Complete Size of Unframed Work...

After the rain [2021] Signed by the artist Acrylic on wooden panel Image size: H:51 cm x W:51 cm x D:2cm Please note that insitu images are purely an indication of how a piece may look I have always been a bit obsessed with horizons and how a horizontal line on a painting becomes 'landscape' in the viewers mind. I love the idea of suggesting a landscape, but then abstracting the subject and using the materials in such a way that the texture and details made by the paint, and the grain of the wood panel, are as important if not more so than the subject itself." Rebecca enjoys balancing on the fine line between abstraction and representation, to imply a landscape with paint rather than accurately visually recording it. Her landscapes are somehow subliminal. Somehow ‘other’. Somewhere not quite real. An idea or a memory of a landscape. She aims to create an emotionally charged atmosphere with colour and texture and line, working with paint for paint’s sake. Rebecca Tucker...

Love Letters to Cornwall (I) [2021] Original Landscapes and seascapes Acrylic and oil on wood panel Image size: H:40 cm x W:40 cm Framed Size: H:44 cm x W:44 cm x D:3cm Sold Framed P...