
Jerusalem Modernist Landscape Oil Painting Israeli Bezalel Artist, Judaica Art
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Ivan SchwebelJerusalem Modernist Landscape Oil Painting Israeli Bezalel Artist, Judaica Art1985
1985
About the Item
- Creator:Ivan Schwebel (1932, Israeli)
- Creation Year:1985
- Dimensions:Height: 28.5 in (72.39 cm)Width: 32 in (81.28 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:Seller: 10121stDibs: LU3827219772
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Located in Surfside, FL
Framed 24.5 x 28.5 image 19.5 x 23 inches.
Franz Anton Coufal (Austrian, 1927 - 1999) Painter and sculptor known for figure painting, bronze sculpture, genre paintings and as a graphic artist.
After completing an apprenticeship as a locksmith, Franz Anton Coufal attended the Graphic Education and Research Institute in Vienna from 1947 to 1949 as a student of André Roder and from 1949 to 1953 took lessons from Ignaz Schönbrunner. From 1953 to 1959 he finally studied with Fritz Wotruba at the Academy of Fine Arts (diploma and master school award 1959).
Coufal then went on study trips to Germany and Italy and then settled in Vienna as a sculptor and graphic artist. His work bears the influence of Austrian Magic Realism and the artists Friedensreich Hundertwasser, Arik Erich Brauer and Ernst Fuchs. THis work also has Expressionist elements to it. He organized exhibitions in Vienna (from 1955), Paris (1962, 1970) and Brussels (1964) as well as in other Austrian cities. His most important works include the honorary grave for Leopold Figl in the central cemetery (1966). In 1979 he provided the design for the face of the silver 100 schilling coin "Festival and Congress House Bregenz", in 1980 he created the Lehár monument for the city park, and in 1987 he received the special prize in the "Danube Region Vienna" competition.
A select list of his sculptures in public spaces
"Standing youth" (19, Hameaustraße - Celtesgasse, urban residential complex; 1960)
"Reclining youth" (22, Kagran [Meißnergasse - Maißauer Gasse - Anton-Sattler-Gasse]; artificial stone, 1962)
"Flammender Turm" (16, Thaliastraße 159; marble)
Cubist marble sculpture (11, Molitorgasse at 15)
Drinking fountain (20, Adalbert-Stifter-Straße primary school; 1968)
Figldenkmal (1, Minoritenplatz, 1973)
Coufal created some of his later works for the "Harmonie" rest home for the blind in Unterdambach near Neulengbach (memorial for the 144 blind people who perished in concentration camps, unveiled in 2000; stone sculpture "Monument to Humanity" on the terrace; rose-thorn cross and tabernacle for the in-house Odilien- Chapel; bronze portrait sculpture by Robert Vogel in the entrance hall, unveiled July 3, 1994).
Bibliography
Rudolf Schmidt: Austrian artist lexicon. From the beginning to the present. Vienna: Tusch 1974-1980
Who's Who in the world. Volume 2: 1974-1975. New Providence, NJ: Marquis Who's Who 1974
Who's who in the world. Volume 3: 1976-1977. New Providence, NJ: Marquis Who's Who 1976
Who is Who in Austria with South Tyrol part (Hübner's "Blue Who is Who"). Zug: Who is who, Verlag für Personalenzyklopädien 12 1995
Otto Breicha: Franz Anton Coufal In: Franz Anton Coufal. Österreichische Staatsdruckerei, December 9-22, 1964. Vienna: Staatsdruckerei 1964
The press, July 30, 1963
Of the generation of Viennese artists Alois Mosbacher, Josef Mikl, Oswald Oberhuber, Christian Ludwig Attersee, Peter Sengl, Max Weiler, Franz Ringel, Gunter Brus, Hubert Schmalix, Wilhelm Kaufmann, Paul Flora, Oscar Larsen, Hans Staudacher, Siegfried Anzinger, Ernst Huber...
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This large painting depicts a man and woman, Adam and Eve, interlocked and embracing one another. The woman holds an enticing apple as they are thrusted from the Garden of Eden.
This is an original painting. Zamy Steynovitz was born in Liegnitz Poland, in 1951. He immigrated to Israel in 1957. The aspiration to be a painter stems from his childhood and before leaving Poland, he won the first prize in an art competition for children.
Zamy was formally educated at the Art School in Tel-Aviv and at the Royal Academy of London. Upon completing his studies, Zamy earnestly pursued his career and establish his place in the art world by displaying his work in one man exhibits and arts fairs around the world.
His art displays chromatic and thematic richness and his choice of subjects has been strongly influenced by Jewish tradition, his Eastern European Jewish heritage and folklore. Zamy’s popular themes include Paris cafes, still-life, flowers, circuses and landscapes. Circus with acrobats and Harlequin. In the early stages of his career, he was partial to rich pastels and light brush strokes.
In the early 1980s, Zamy visited South America, where the new surroundings enhanced his work with local brightness and color. His art gained chromatic power and his palette became richer in tones as the textures became thicker and the background darker and more colorful. These changes coupled with his thematic persistence allowed him to develop into a sensitive and mature artist.
Zamy expresses a universal humanistic vision in his creations: man’s connection to his heritage and physical surroundings, two imperative aspects of our lives that should be heralded during these estranged technological times.
As a result of his devotion to world peace, Zamy is known in the circles of the Nobel Institute for Peace in Norway. He is acquainted with many Nobel Prize winners including Anwar Sadat, Menachem Begin, the Dalai Lama, Itzhak Rabin, Shimon Peres, Elie Wiesel, Desmond Tutu and Oscar Arias, the ex-President of Costa Rica, along with many other politicians and artists. Zamy tragically passed away in September 2000.
Exhibitions One Man Show
1970 - Museum - Ramat - Gan
1973 - Brussels - Gallery L'Angle Aigu
1974 - London - International Gallery
1974 - Paris - Grand Palais Gallery
1975 - Milan - Brera Gallery
1976 - N.Y. Valentino Gallery - N.Y. Hilton
1977 - N.Y. Valentino Gallery - N.Y. Hilton
1978 - Basel - Actual Gallery
1978 - Geneve - Bohren Gallery
1978 - Oslo - Nobel Peace Prize Exhibit
1979 - London - Hamilton Gallery
1979 - N.Y. - Art Israel Kalt - Waldinger Gallery
1979 - N.Y. - Canty Art Gallery
1979 - Amsterdam - Schipper Gallery
1979 - Washington - International Art Fair
1980 - Cleveland -Jewish Museum
1980 - Tel-Aviv - Habima National Art Fair
1981 - Abraham - Goodman House N.Y.
1981 - San Lucas Galley - Bogota
1982 - Pedro Gerson Gallery - Mexico City
1983 - Simon Bolivar...
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Morris Kantor New York (1896 - 1974)
Paris from the Ile St. Louis, 1927 (view of Eiffel Tower)
Oil painting on canvas
Hand Signed lower left.
Provenance: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution ( bears label verso)
Size: 20 3/4"H x 28 1/8"W (sight), 28.75 "H x 36"W (framed)
Morris Kantor (Belarusian: Морыс Кантор) (1896-1974) was a Russian Empire-born American painter based in the New York City area.
Born in Minsk on April 15, 1896, Kantor was brought to the United States in 1906 at age 10, in order to join his father who had previously relocated to the states. He made his home in West Nyack, New York for much of his life, and died there in 1974. He produced a prolific and diverse body of work, much of it in the form of paintings, which is distinguished by its stylistic variety over his long career. Perhaps his most widely recognized work is the iconic painting "Baseball At Night", which depicts an early night baseball game played under artificial electric light. Although he is best known for his paintings executed in a realistic manner, over the course of his life he also spent time working in styles such as Cubism and Futurism, and produced a number of abstract or non-figural works. A famous cubist, Futurist, painting of his "Orchestra" brought over 500,000$ at Christie's auction house in 2018
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Located in Surfside, FL
Morris Kantor, American, 1896-1974
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Hand signed M. Kantor and dated 1930 lower right
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Genre: Modern
Subject: Cityscape
Medium: Oil
Surface: Canvas
Country: Israel
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Dimensions w/Frame: 44 3/4" x 34"
Rare Modern Mid Century Israel landscape...
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