Ivan Schwebel

Jerusalem Modernist Landscape Oil Painting Israeli Bezalel Artist, Judaica Art

1985

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem in contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. We have here a painter who, until the end of his life, was still in his full creative powers, and who continued to add to his impressive storehouse of artistic works. Hundreds of his paintings grace the homes of collectors in Israel and throughout the world, or hang in his private collection; they include Israel landscapes and, most importantly, cityscapes; an exquisite series of wild flowers; many portrait paintings; experimental wood sculptures; murals painted on wood panels; reliefs…, etc. All these are testimony to an artist who refuses to rest on his laurels, who forever reaches out to try his hand at new challenges, strikes out in novel directions, discovers innovative techniques, and experiments in all the dimensions of the plastic arts. On the Israel Museum website they have listed an exhibition of his Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz Arad, Dani Karavan, Reuven Rubin, Zvi Raphaely, Yossi Stern...

Morris Kantor, American, 1896-1974 Seaside View, 1930 Hand signed M. Kantor and dated 1930 lower right Oil on canvas 22 1/4 x 19 1/4 inches 24 1/2 x 21 (frame) Morris Kantor (Belarusian: Морыс Кантор) (1896-1974) was a Russian Empire-born American painter based in the New York City area. This is a beautiful boat scene with a river or lake probably on Long Island. Born in Minsk on April 15, 1896, Kantor was brought to the United States in 1906 at age 10, in order to join his father who had previously relocated to the states. He made his home in West Nyack, New York for much of his life, and died there in 1974. He produced a prolific and diverse body of work, much of it in the form of paintings, which is distinguished by its stylistic variety over his long career. Perhaps his most widely recognized work is the iconic painting "Baseball At Night", which depicts an early night baseball game played under artificial electric light. Although he is best known for his paintings executed in a realistic manner, over the course of his life he also spent time working in styles such as Cubism and Futurism, (influenced by the Art Deco movement) and produced a number of abstract or non-figural works. A famous cubist, Futurist, painting of his "Orchestra" brought over 500,000$ at Christie's auction house in 2018. Kantor found employment in the Garment District upon his arrival in New York City, and was not able to begin formal art studies until 1916, when he began courses at the now-defunct Independent School of Art. He studied landscape painting with Homer Boss (1882-1956). In 1928, after returning to New York City from a year in Paris, Kantor developed a style in which he combined Realism with Fantasy, often taking the streets of New York as his subject matter. He did some moody Surrealist Nude paintings and fantasy scenes. In the 1940's he turned towards figural studies. Later in his career, Kantor himself was an instructor at the Cooper Union and also at the Art Students League of New York in the 1940s, and taught many pupils who later became famous artists in their own right, such as Knox Martin, Robert Rauschenberg, Sigmund Abeles and Susan Weil...

Wonderful scene of the Moulin Rouge cabaret nightclub at Place Pigalle in Paris. Painted in wonderful moody blue and red colors. Size includes frame. Abram Abraham Krol was born Jan...

Colorful Italian cityscape which includes elements of both Rome and Milan, noted on the back of the painting. Signed in hebrew. Claire Szilard, a native of Hungary, is an Israeli painter and sculptor, but for the past 10 years she has again been living in Hungary. A short time after she married Pal Fusti in 1944, her sweetheart was conscripted into the work brigade, which engaged mostly in clearing mines. Like many others, Fusti never returned from the war and was declared missing. After she gave up all hope that her husband would return, Szilard immigrated first to Switzerland and several years later, came to Israel. She lived in the artists' village of Ein Hod and later spent many years in the artists' quarter in Old Jaffa. She quickly carved out a respected place for herself among Israeli artists. She was a pioneer in the art of working in glass (vitrage). Over the years, her glasswork has decorated 14 synagogues and a number of public buildings throughout Israel. Her paintings and sculptures have been exhibited in Switzerland, Paris, Rome and London. In 1985, she was chosen painter of the year in Brazil. Szilard lived in Israel for nearly 40 years, during which time she established a studio for herself in Paris as well, married and was widowed. After the change of regime in Hungary in 1990, she showed her works for the first time in Budapest, in the prestigious Vigado Gallery. That particular exhibition had unexpected results. When she was in Budapest she learned by chance that her first husband had not been killed in the war, but had fallen prisoner and had returned to Hungary after a number of years. He looked for his young wife, but didn't find her. He too married and was widowed. Forty years later, they met again. Their feelings for each other were renewed and they decided to join their lives - she at nearly 70, he at nearly 80. Pal Fusti did not feel himself in any condition to begin a new life in Israel, which was an unknown country for him, where he did not know the language and the customs. The couple thus remained in Hungary. Not too long ago, they celebrated in great style - all the "who's who" of the artistic world of the Hungarian capital was there - the 10th anniversary of their renewed meeting, her 80th birthday and his 90th. Studies: Free Academy Budapest; School of Fine Arts, Geneva; Fresco in Ravena, Italy; Prizes: 1969 Nordau Prize; 1984 Silver...

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

Kartick Chandra Pyne - Landscape - 42 x 36 inches (unframed size) Oil on Canvas Inclusive of shipment in roll form. Style : After graduating from the Government College of Art and C...

' Poolside Smiles ' 2010 oil on canvas 60 x 60 cm signed on reverse by artist. Unique work. About the artist : Katherine Russell is a London based Painter. Her current body of work seeks to deconstruct our daily encounter with media images. From war zones to deserts, from solitary figures to candle-lit night markets, her choice of source material is indiscriminate of specific content, yet resonant with the unfamiliar and unsettling nature of our media-driven age. Education: 2014-15 MA Fine Art Painting; City and Guilds London Art School 99-02: BA (Hons) Fine Art Degree; University of Northumbria at Newcastle 98-99: BTEC Diploma Foundation Studies in Art and Design; Wimbledon School of Art and Design Selected Exhibitions: 2019 Made In Britain 82 Painters of the 21st Century, The National Museum Gdańsk, Poland, 14 March - 2 June Contemporary British Painting An Exhibition of 34 Painters, The Hostry, Norwich Cathedral...