James Baker Pyne

View Of Florence At Sunset From The San Miniato Church, 19th Century

View of Toulon, France, dated 1848 signed indistinctly Large 19th Century view of Toulon, France, oil on canvas, signed indistinctly. Excellent quality and condition view of the a...

View Of Venice In The Moonlight, 19th Century French Impressionist School - Signed Indistinctly Large 19th century French Impressionist view of Venice in the moonlight, oil on can...

A delightful Grand Tour style study of Florence from a distance. Signed to the lower right. Well presented in a gilt frame with oak leaf strapwork. On paper.

This beautiful painting of Siena Italy is an oil on canvas, framed behind glass in its original gallery frame, by Susan Isabel Dacre. It was painted circa 1875. She was an early member of the Feminist movement and a member of the Manchester arts community. She travelled with Lord Leighton and exhibited widely. Indeed this painting retains an exhibition label for Manchester Art Gallery. This work shows influences of early British impressionism. The clarity and palette are light and airy. The painting depicts Siena in Tuscany, Italy, with houses dotted all around the hill with Saint Catherine's church on top. A superb Victorian painting by a noted female artist. Signed lower right. Provenance. Manchester Gallery label and number verso. Harnell and Son London Art Dealers. Condition. Oil on canvas. Image size 12 inches by 8 inches, canvas in original excellent condition. Housed in its original Harnell and Son London Gallery frame, behind glass, 17 by 13 inches, in good condition. Susan Isabel Dacre (1844 – 1933) was an English artist of the Victorian era. She was born in Leamington, Warwickshire, and was educated in Salford. For the decade of 1858–68 she lived in Paris. After a winter in Italy (1869), she returned to Paris, and was present during the Franco-Prussian War and the Paris Commune. She returned to England in 1871 and began studying art at the Manchester School of Art, where she won the Queen's Prize in 1875. She began a lifelong friendship with fellow artist Annie Swynnerton; the two women pursued their art studies in Rome and Paris between 1874 and 1880. Around 1872, Lord Leighton dictated notes and observations on his methods of painting and composing his pictures to Susan Dacre, during a stay on the island of Capri. From 1877-1880 she was in Paris at the Académie Julian with a fellow - pupil Marie Bashkirtseff...