James Desvarreux-Larpenteur

The Shepherdess

Searching for Clams with the Horse Cart By. Gerhard Munthe (German, 1875-1927) Signed Lower Left Unframed: 11" x 14" Framed: 19" x 23" Born in Dusseldo...

Oscar E. Berninghaus (American, 1874-1952) "Winter Pasture" Oil on Canvas Unframed: 20 x 24 inches Framed: 25.5 x 29.5 inches Provo: Noonan-Kocian Gallery, St. Louis, Missouri, Dec. 23, 1954 (Copy of Original Receipt Included) * Will be included in Kodner Gallery's upcoming Oscar E. Berninghaus Research Project on the artist A founder in 1898 of the Taos Society of Artists, Oscar Berninghaus excelled at drawing animals and figures in contemporary garb in Southwestern landscapes. Many of his early paintings were Impressionistic, "suffused with color and light". (Gerdts 254) He was born in St. Louis, Missouri and developed an interest in art through his family's lithography business. He attended night classes at the St. Louis School of Fine Art. In 1898, he was on an illustration assignment for "McClure's" magazine, which took him for the first of many times into New Mexico and Arizona. He had heard of the special beauty of Taos and there met Bert Geer Phillips, who was already a resident, and Phillips invited him to return. This visit began a tradition of spending the winter months in St. Louis and the summers in Taos. He remained active in both communities, and for many years designed the costumes and floats for the Veiled Prophet parade, a famous annual event in St. Louis. He also did a series of western scenes commissioned by the Anheuser-Busch Brewing Association to promote a manly, ruggedness theme in their products and to enhance their image as good Americans, an image that was being attacked by suffragettes. In this capacity and without visiting the area, Berninghaus did a painting titled "Old Faithful, Yellowstone" in 1914, which was used as a calendar illustration in the series. Berninghaus was a sketch artist for the Denver and Rio Grande Railroad to depict landscape of Colorado...

Wooded Landscape with Cattle By James Desvarreux-Larpenteur (American, 1847-1937) Unframed: 22" x 18" Framed: 27.5" x 31.5" Signed Lower Right Born i...

Seagulls (Birds in Flight), 1982 By. Jim Palmer (American, b. 1941) Signed and Dated Lower Right Unframed: 32" x 36" Framed: 37" x 42.5" Born in 1941 in Columbia, South Carolina, Jim Palmer attended the University of South Carolina in 1960 before going on to study at the Atlanta School of Art in 1964. In 1966 he and his wife moved to Hilton Head Island, the second artist to do so during the Island's early years. Since living here, he designed the cover of the Chamber of Commerce' Islander Magazine, has been a contributing artist to the Island Events Magazine, and has painted many Low Country scenes that grace homes and businesses throughout the country. Palmer was the illustrator for two books written by local authors: A Corner of South Carolina and Moonshadows. His work has been included in exhibits at the Hunter Museum in Chattanooga, TN; Mint Museum, Charlotte, NC; Southeastern Artists Exhibition, Atlanta, GA; Greenville County Art Museum, Greenville, SC; Callaway Gardens, Pine Mountain, GA; and Bay Hills Club, Orlando, FL. His paintings are part of the private collections of C&S National Banks in Columbia and Hilton Head Island; Banker's Trust Tower, Columbia, SC; Palmetto State Bank, Bluffton, SC, among others. Several paintings are also included in the collections of former Presidents Jimmy Carter and Dwight Eisenhower, former South Carolina Governor Robert McNair and singer John Denver.

Deep pastel colors enliven this painting of a polar bear in the ice by listed California artist Helen Ray Harris (d.2001). Signed lower left corner "H. Harris". Unframed. Image, 16"H x 20"W. Helen Ray Harris, 20th Century, was born in England. She received her initial art training in her native England and immigrated to the United States at age 19. Prior to her arrival in the U.S., and shortly afterwards, she worked repairing and restoring antique furniture...

Step into the wild with Robert Fobear's captivating masterpiece, "Fight or Flight." This stunning oil on canvas painting, measuring an impressive 60x48 inches, draws viewers into a d...

LOOK FOR FREE SHIPPING AT CHECKOUT With Few Egrets shows the cattle on a Texas ranch. This was painted from a plein aire painting done on a ranch in South Texas near the Mexican border. It has an Impressionistic Style as seen in many of Virginia Vaughan's Texas paintings. She is know for her animal, Texas missions and Gulf Coast paintings...

BEST VIEWED ON MOBILE DEVICE One Flock Listens is part of newly released small works from V....Vaughan's collection of recent travels in Italy and France. V....Vaughan painted each of these on location "en plein air" It has an Impressionistic Style as seen in many of Virginia Vaughan's paintings. This was taken from a plein aire painting near the castle where V....Vaughan was giving a workshop in 2022. 18 x 22 framed. V....Vaughan is know for her animal, Texas missions Italy, France and Gulf Coast paintings. . Also shown in photos are other paintings by in the "Small Works" collection. Photos were taken to show the detail of each painting. Her paintings are part of the permanent collection of the Gadsen Museum of Art, the Bone Creek Museum of Agrarian Art and the Great Plains Art Museum as well as in countless private collections. In the fall 2023 she will teach a workshop at a castle in France, where artists will stay and enjoy the southern French food and scenes. I paint because it’s the best way I know to communicate, study, and observe creative work that’s how Texas painter V…. Vaughan (the first initial stands for Virginia) describes her drive to create fine art. “It’s a calling,” she says of her life’s work, which has taken several twists and turns but has, nevertheless, led her down the path toward fulfillment. A lifelong Texan, Vaughan grew up in the Austin area and today makes her home in Round Rock, a suburb of the capital city. As a child, she exhibited a love of making art and played the role of the creative one among the seven children in her family, eventually working for several of her siblings as a sign painter and designer. Her parents forever encouraged her to appreciate and mine her passion, instilling in her that it was not simply a passing fancy, but an innate gift. “It was always conveyed to me that this was a God-given talent,” she says. Somehow that made me feel like it was something I was supposed to do. It gave me permission to pursue it. Vaughan attended college on an athletic scholarship, though she filled her schedule with art classes and subsequently secured an internship at an advertising agency. That introduction to the corporate world set her off in a new direction—she left school to parlay the summer job into a full-time position. She continued to work as a commercial artist for many years after that, winning several prestigious ADDY Awards and working on high-profile accounts for Samsung, the Lady Bird Johnson...