James Emery Greer

The Sage Reclaims the Land (Near Marble, Colorado)

circa 1903-1990

"Waterways" is a stunning original oil painting by Carl Lindin (1869-1942), a Swedish-American artist known for his beautiful landscapes. This 1920s-1930s signed framed oil painting ...

"The Coast" is an original vintage oil painting from the mid-20th century (circa 1950s-1970s) by renowned New Mexico artist Marjorie Chambers (1923-2006). This stunning nocturnal marine landscape captures the serene beauty of the coast under a glowing moonlit sky. The artist masterfully uses a soothing palette of blues, greens, browns, and whites to create a tranquil, ethereal atmosphere. The painting is rendered on wood panel, signed by Chambers in the lower right corner, and titled on the reverse. It is presented in a custom frame with a dark finish and gold lip, with outer dimensions measuring 18 ¼ x 21 ¾ x 1 inches, and an image size of 11 x 15 inches. About the Artist: Marjorie Bell Chambers (also known as Marjorie Bell) was born in 1923 in New York. She became a prominent figure in both the arts and social activism, earning a degree in Art History and Political Science from Mount Holyoke College (1943) and a Master of Arts from Cornell University (1948). Chambers moved to Los Alamos, New Mexico, in the 1940s, where she raised her family and worked as a substitute teacher while her husband, William H. Chambers, worked at the Los Alamos National Laboratory. Along with her artistic pursuits, Chambers was a passionate advocate for women's rights and education. She earned a PhD in History and Political Science from the University of New Mexico in 1974, later serving as a faculty member and dean at Colorado Women's College. She was appointed to the National Advisory Council on Women's Educational Programs in 1976 and was vice-chair of President Carter...

A charming and colorful oil on board painting by acclaimed Mexican American folk artist Martin Saldaña (1874–1965), titled “Farm and Figures.” This unique 20th-century outsider artwo...

This original oil painting, titled Autumn Harvest by Edward Marecak (1919-1993), was created in 1987. It features a stunning autumnal landscape, with seven women actively engaged in ...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 h...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. Entitled “Birch,” this small-scale oil painting depicts a young birch sapling against an olive wood board. Restricting the composition to only a portion of the trunk, Surdo focuses on qualities that make the tree memorable - its narrow trunk...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

Oil on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist. Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system. I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me. I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…) Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin. My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.” 2 / Thierry Delcourt Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity : "Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.” 3 / Hélène Duclos ‘s biography : After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier...