
"Winter in New Hope"
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Jean H. Halter"Winter in New Hope"c. 1945
c. 1945
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Jim’s of Lambertville is proud to offer this artwork.
Signed lower left.
Complemented by a period frame.
Illustrated in "New Hope for American Art" by Jim Alterman and "The Philadelphia Impressionists" by Thomas C. Folk, pg, 102, plate 45
S. George Phillips (1890 - 1965)
Regarded by some as “a poor man’s Garber” (“poor” needing to be redefined these days), S. George Phillips painted rich and colorful landscapes depicting views of the Delaware River and the environs surrounding New Hope. An extremely competent artist, Samuel George Phillips was born in Pennsylvania in 1890. He studied at the Pennsylvania Academy of the Fine Arts under William Merritt Chase, Cecilia Beaux, Hugh Breckenridge, and Daniel Garber. He then traveled to Europe to continue his studies.
Phillips began his career as an illustrator and commercial artist. His work appeared in The Saturday Evening Post, The Ladies’ Home Journal, McCall’s, and The Liberty Magazine. His best known work as an illustrator was the Santa Claus logo he designed for the Whitman Candy Company.
Around 1915, Phillips established a portrait studio in Philadelphia. Soon he was to become one of Philadelphia’s pre-eminent portraitists, painting many prominent socialites, politicians, and academicians. For fifty years, he commuted from his home in Atlantic City to his Philadelphia studio. Like many artists, painting was Phillips’s livelihood and although landscape painting was his passion, the bills were paid by money earned for commissioned portraits and illustration work. Phillips found portrait painting to be stressful and landscape painting to be relaxing, and as a result, he would frequently spend weekends in Bucks County, taking part-time residence at the Point Pleasant...
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Jim’s of Lambertville is proud to offer this artwork.
Signed lower right.
Complemented by a hand carved and gilt frame.
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Henry Bayley Snell was born in Richmond, England, on September 29, 1858 and immigrated to the United States at the age of seventeen. He studied at the Art Students League in New York while working for an etching and engraving company where he began a lifelong friendship with fellow artists, William Langson Lathrop. While in New York Snell met another artist, named Florence Francis, also of English descent, whom he would eventually marry in 1888. It is believed that they first came to Bucks County in 1898 to visit the Lathrops at Phillips Mill.
Snell was a beloved teacher at the Philadelphia School of Design for Women from 1899 to 1943, and often took his art classes abroad during the summer. He would frequently visit his native England, spending time at the art colony of St. Ives on the coast of Cornwall. Snell would summer in Gloucester, Massachusetts, and Boothbay Harbor, Maine, where he also held painting classes. Almost all the women who exhibited with “The Philadelphia Ten” had studied with Snell either in Philadelphia or New England. Snell also taught on Saturdays at the Grand Central Galleries in New York City.
The Snells made many trips to New Hope before settling there permanently in 1925. They lived on the top floor of the Solebury National Bank Building where Henry also maintained a studio. This was located at the foot of the New Hope-Lambertville Bridge and many of Snell’s New Hope scenes were painted from this location. In 1943, Snell passed away in New Hope at the age of eighty-four.
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