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Jeremy Andrews
Dorset Landscape, Contemporary Welsh Artist, Oil Landscape

$4,977.94List Price

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The Path
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White Farm
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Two Pink Trees in a Yellow Field
By Zygmund Jankowski
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Iganacio Iturria, Hstorias Cotidianas, Oil on Canvas, Undated
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The artwork is signed on the front. One of the most recognized Uruguayan painters of his generation, Ignacio Iturria (Montevideo, Uruguay, b. 1949) is known for his surreal interpr...
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Carlos Hernández Guerra, Estelos, Oil on Canvas, 2015
Located in Miami, FL
The artwork is signed and dated on the front. Carlos Hernández Guerra Born in El Callao, state of Bolívar, in 1939. He studies at the School of Plastic and Applied Arts of Caracas in 1955-59, with such teachers as: Rafael Ramón González, Marcos Castillo, Pedro Angel González, Juan Martín Durbán, Juan Vicente Fabbiani and Alejandro Otero. In 1959 he is granted the Rome Prize of the 20th Venezuelan Official Art Salon. He travels to Paris in 1960, to study at the Higher School of Fine Arts of Paris, while taking simultaneous courses in Art Sociology at La Sorbonne University under the prestigious professor Pierre Francastel. In 1960 he obtains the Antonio Esteban Frías Prize, Official Art Salon, Caracas, and in 1961, the First Prize of the Annual Golden Fish Salon, Caracas. After returning from Paris, in 1962-64, he is incorporated to the teaching staff of the Armando Reverón School of Plastic Arts of Barcelona. In 1963 he participates in the “Three Awarded Young Men” show at the Mendoza Hall. Along with Manuel Espinoza, he is co-founder of the Experimental Art Center (CEA) of the University of the Andes (ULA), where he teaches drawing and painting and heads the center of painting technology from 1964 to 1968. In 1968 he enters the State School of Fine Arts of Berlin, in Germany, under Professor Hans Trier. In 1972 he takes part in the “Latin American Artists” exhibition carried out at the Museum of Modern Art of Paris. In 1973, he becomes a member of the teaching staff of the Cristóbal Rojas Art School while also teaching drawing at the Neumann Institute in Caracas. In 1977, along with Alirio Palacios...
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Carlos Hernández Guerra, Caligrafía de Llano, Oil on canvas, 2012
By Carlos Hernández Guerra
Located in Miami, FL
The artwork is signed and dated on the front. Carlos Hernández Guerra Born in El Callao, state of Bolívar, in 1939. He studies at the School of Plastic and Applied Arts of Caracas in 1955-59, with such teachers as: Rafael Ramón González, Marcos Castillo, Pedro Angel González, Juan Martín Durbán, Juan Vicente Fabbiani and Alejandro Otero. In 1959 he is granted the Rome Prize of the 20th Venezuelan Official Art Salon. He travels to Paris in 1960, to study at the Higher School of Fine Arts of Paris, while taking simultaneous courses in Art Sociology at La Sorbonne University under the prestigious professor Pierre Francastel. In 1960 he obtains the Antonio Esteban Frías Prize, Official Art Salon, Caracas, and in 1961, the First Prize of the Annual Golden Fish Salon, Caracas. After returning from Paris, in 1962-64, he is incorporated to the teaching staff of the Armando Reverón School of Plastic Arts of Barcelona. In 1963 he participates in the “Three Awarded Young Men” show at the Mendoza Hall. Along with Manuel Espinoza, he is co-founder of the Experimental Art Center (CEA) of the University of the Andes (ULA), where he teaches drawing and painting and heads the center of painting technology from 1964 to 1968. In 1968 he enters the State School of Fine Arts of Berlin, in Germany, under Professor Hans Trier. In 1972 he takes part in the “Latin American Artists” exhibition carried out at the Museum of Modern Art of Paris. In 1973, he becomes a member of the teaching staff of the Cristóbal Rojas Art School while also teaching drawing at the Neumann Institute in Caracas. In 1977, along with Alirio Palacios...
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Carlos Hernández Guerra, Chaparro, Oil on canvas, 2015
By Carlos Hernández Guerra
Located in Miami, FL
The artwork is signed and dated on the front. Carlos Hernández Guerra Born in El Callao, state of Bolívar, in 1939. He studies at the School of Plastic and Applied Arts of Caracas in 1955-59, with such teachers as: Rafael Ramón González, Marcos Castillo, Pedro Angel González, Juan Martín Durbán, Juan Vicente Fabbiani and Alejandro Otero. In 1959 he is granted the Rome Prize of the 20th Venezuelan Official Art Salon. He travels to Paris in 1960, to study at the Higher School of Fine Arts of Paris, while taking simultaneous courses in Art Sociology at La Sorbonne University under the prestigious professor Pierre Francastel. In 1960 he obtains the Antonio Esteban Frías Prize, Official Art Salon, Caracas, and in 1961, the First Prize of the Annual Golden Fish Salon, Caracas. After returning from Paris, in 1962-64, he is incorporated to the teaching staff of the Armando Reverón School of Plastic Arts of Barcelona. In 1963 he participates in the “Three Awarded Young Men” show at the Mendoza Hall. Along with Manuel Espinoza, he is co-founder of the Experimental Art Center (CEA) of the University of the Andes (ULA), where he teaches drawing and painting and heads the center of painting technology from 1964 to 1968. In 1968 he enters the State School of Fine Arts of Berlin, in Germany, under Professor Hans Trier. In 1972 he takes part in the “Latin American Artists” exhibition carried out at the Museum of Modern Art of Paris. In 1973, he becomes a member of the teaching staff of the Cristóbal Rojas Art School while also teaching drawing at the Neumann Institute in Caracas. In 1977, along with Alirio Palacios...
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Summer on the Seine, Mid 20th Century Art Deco Oil
Located in London, GB
Norman Lloyd Australian 1897 - 1985 Summer on the Seine Oil on canvas, signed lower right Image size: 30 x 38 inches Hand made frame Norman Lloyd was born in 1895 near Newcastle, New South Wales, where he attended school. He left school in 1911 and started to work and study painting with Julian Ashton and James R. Jackson in Sydney. On his 21st birthday in 1916 he enlisted with the Australian Imperial Forces. He was transported to Europe where he was seriously wounded in battle a year later. After returning to Sydney in February 1918, he took up painting lessons at the Julian Ashton Art School again. From 1921 to 1926, Lloyd exhibited with galleries in Sydney and Melbourne, showing landscapes and Sydney harbour scenes painted in the more traditional style of his teachers. From 1926 to 1929, Norman Lloyd visited Europe and travelled widely in Italy and France, exhibiting in the UK, France and Australia, culminating in a solo exhibition at Macquarie Galleries in Sydney. In the 1930s, Lloyd migrated to London with his wife Edith for good, setting up a boarding house in upmarket St Johns Wood and establishing himself quickly in the new society, being a kind, generous and interested man with a broad horizon. His mansion became a meeting point and home for many Australian expats, among them painters Will...
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Paris, Early 20th Century Urban Oil
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Located in London, GB
Sir Herbert James Gunn, RA, PRP 1893 - 1964 Paris Oil on canvas, signed lower right Image size: 36 x 28 inches (91.5 x 71 cm) Hand made frame An early work by Gunn probably from his first studying days in Paris around 1919. James Gunn was born in Glasgow and briefly studied art at Glasgow and Edinburgh before moving to the Académie Julian in Paris in 1911. After serving with the 10th Scottish...
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Kirkstall Abbey, 19th Century Romantic Moonlight Oil Landscape
Located in London, GB
William Henry James Boot 1848 - 1918 Kirkstall Abbey Oil on canvas, monogrammed lower right and dated 1876 Image size: 24 x 36 inches (61 x 91.5 cm) Exhibited Royal Academy, 1878 no. 692 Much like his contemporary, John Atkinson Grimshaw, Boot appears to have been influenced by the Pether family who were renowned painters of nocturnes. He was a book illustrator as well as a renowned oil and watercolour artist, producing engravings for the London Illustrated News and Art Journal. He wrote 'Trees and How to Paint Them' in 1883. Boot was born in Manchester. He exhibited at the Royal Academy from 1874 to 1884, showing mainly English and Continental landscapes. He is known to have travelled extensively in Germany, France and North Africa. Boot was a member of the Royal Society of British Artists and of the Arts Club, who listed him as a "painter and writer on Gothic architecture". Boot also painted domestic genre and interior scenes but tended to concentrate on landscapes. Boot lived and married in London. He is buried with his wife in Hampstead. The subject of this painting, Kirkstall Abbey in Yorkshire, was a place Boot often visited. Three figures to the right gaze admiringly at the view, with the moonlight reflected on the path they stand on. THIS PAINTING IS IN THE 'MOONLIGHT IN PAINTINGS AND WATERCOLOURS' EXHIBITION CURRENTLY SHOWING AT DARNLEY FINE ART...
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Pastoral Scene with Figures
Located in London, GB
Oil on canvas, signed lower left Image size: 23 1/4 x 23 1/2 inches (59 x 60 cm) Hand made contemporary style frame This exciting newly discovered work by Guthrie is quite a rarity....
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Hampshire Landscape 20th Century Oil Original Railway Artwork
By Eric Hesketh Hubbard
Located in London, GB
Eric Hesketh Hubbard 1892 - 1957 Hampshire Landscape Oil on canvas, signed bottom left Image size: 24 x 18 inches (61 x 46 cm) Contemporary style hand made frame This painting was c...
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Pembrokeshire Coast, Mid 20th Century Oil (Artwork for British Railways Poster)
By George Leech
Located in London, GB
George Leech 1894-1966 Pembrokeshire Coast Oil on canvas , signed Image Size: 39 x 49 inches This is an original artwork for the British Railways Western Region poster. The arti...
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