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Jervis McEntee
Autumn Idle, Catskills, New York, October 23, 1885

1885

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A Day in June, Scene Eastchest, New York
By Edward B. Gay
Located in Missouri, MO
A Day in June, Scene Eastchest, New York Edward Gay (Irish, American, 1837-1928) Oil on Canvas Complimented by original frame in great condition Signed and Dated Lower Right Titled a...
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1890s Hudson River School Landscape Paintings

Materials

Canvas, Oil

Family Portrait
By Eugène Joseph Verboeckhoven
Located in Missouri, MO
Eugene Joseph Verboeckhoven (Belgian, 1798-1881) Family Portrait, 1871 Oil on Canvas Signed and Dated Lower Right 29 x 44 inches 34.5 x 49.5 inches with frame Verboeckhoven began dr...
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1870s Realist Animal Paintings

Materials

Canvas, Oil

The Little Red Lighthouse, New York
By Gustave Wolff
Located in Missouri, MO
The Little Red Lighthouse, New York By Gustave Wolff (1863-1935) Signed Lower Right Unframed: 14" x 19.25" Framed: 20.25" x 25.25" Painter Gustav Wolff ...
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Fishing Pier - St. Ives, Cornwall
By Richard Hayley Lever
Located in Missouri, MO
Richard Hayley Lever (1876 - 1958) "Fishing Pier - St. Ives, Cornwall Oil on Canvas Canvas: approx 6 1/3 x 9 1/3 inches Framed Size: approx. 11 x 14 inches Born in Adelaide, Austr...
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Early 20th Century Impressionist Landscape Paintings

Materials

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Les Quais et le Louvre
By Antoine Blanchard
Located in Missouri, MO
Antoine Blanchard "Le Quais et la Louvre" Oil on Canvas Signed Canvas Size: 13 x 18 inches Framed Size: 22.5 x 27.5 inches Antoine Blanchard French (1910-1...
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Late 20th Century Impressionist Figurative Paintings

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Winter Pasture
By Oscar Edmund Berninghaus
Located in Missouri, MO
Oscar E. Berninghaus (American, 1874-1952) "Winter Pasture" Oil on Canvas Unframed: 20 x 24 inches Framed: 25.5 x 29.5 inches Provo: Noonan-Kocian Gallery, St. Louis, Missouri, Dec. 23, 1954 (Copy of Original Receipt Included) * Will be included in Kodner Gallery's upcoming Oscar E. Berninghaus Research Project on the artist A founder in 1898 of the Taos Society of Artists, Oscar Berninghaus excelled at drawing animals and figures in contemporary garb in Southwestern landscapes. Many of his early paintings were Impressionistic, "suffused with color and light". (Gerdts 254) He was born in St. Louis, Missouri and developed an interest in art through his family's lithography business. He attended night classes at the St. Louis School of Fine Art. In 1898, he was on an illustration assignment for "McClure's" magazine, which took him for the first of many times into New Mexico and Arizona. He had heard of the special beauty of Taos and there met Bert Geer Phillips, who was already a resident, and Phillips invited him to return. This visit began a tradition of spending the winter months in St. Louis and the summers in Taos. He remained active in both communities, and for many years designed the costumes and floats for the Veiled Prophet parade, a famous annual event in St. Louis. He also did a series of western scenes commissioned by the Anheuser-Busch Brewing Association to promote a manly, ruggedness theme in their products and to enhance their image as good Americans, an image that was being attacked by suffragettes. In this capacity and without visiting the area, Berninghaus did a painting titled "Old Faithful, Yellowstone" in 1914, which was used as a calendar illustration in the series. Berninghaus was a sketch artist for the Denver and Rio Grande Railroad to depict landscape of Colorado...
Category

Early 20th Century Abstract Impressionist Landscape Paintings

Materials

Canvas, Oil

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George Henry Smillie East Hampton, New York, 1884 Signed lower left Dated lower right Oil on canvas 15 x 24 inches Provenance Cigna Museum and Art Collection Questroyal Fine Art T...
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"Harbour of Rio de Janeiro, Brazil, " Julius Montalant, Maritime Port Trade
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Julius Montalant (1823 - 1898) Harbour of Rio Janeiro, 1843-1850 Oil on canvas 17 x 24 inches Signed and dated lower right; conservator's inscription on the reverse Born in Virginia, probably Norfolk, Julius Montalant is known for his drawings and paintings inspired by his travels on board navy ships. Attached to the USS St. Louis around 1844-45, he sketched ports of call he visited, including Brazil, Chile, New Zealand, Australia, and China. Many of his works are held in the Museum of the U.S. Naval Academy. Navy records indicate his rank as 'C. Clerk', which may mean that he held a civilian position. During the 1850s he lived in Philadelphia, and in 1851-61 he exhibited at the Philadelphia Art Union and the Pennsylvania Academy of the Fine Arts. Included were paintings of North America, Greece...
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Located in New York, NY
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