Johan Jacob Bennetter

'White Cliffs of Dover' by Johan Jacob Bennetter (1822 - 1904) Norwegian

1822 - 1904

The North East Coast of England Stubbs Ralph Bridlington 1826 – Levisham 1879 English Painter Signature: Signed bottom right and dated 1861, verso stamp Dimensions: Image size 58,5...

Sailing the Waves Schlichting Waldemar Berlin 1896 – 1970 German Painter Signature: Signed bottom left Dimensions: Image size 61 x 81,50cm, frame size 69,50 x 89,50 cm Medium: Oil ...

Hubert Thornley British, (exh. 1858 -1898) Fresh Breeze off Scarborough Oil on canvas, signed Image size: 13.5 inches x 11.5 inches Size including frame: 19.5 inches x 17.5 inches A...

Alfred Copestick (1837–1859) Coastal Scene: New York, 1857 Oil on canvas, in the original giltwood frame 14 ¼ x 20 ⅛ in. (canvas) Signed lower right: A. Copestick NY 1857 Painted at just twenty years of age, Coastal Scene: New York demonstrates Alfred Copestick’s remarkable promise as a marine painter in antebellum America. The scene brims with energy: a single sailboat heels sharply into the wind, its rigging taut against the storm, while foamy waves break against a rugged shoreline. Above, clouds mass and dissolve, illuminated by shafts of storm-lit light. Copestick’s treatment is both romantic and naturalistic, conveying the sublime tension between man, sea, and sky. His confident brushwork captures atmosphere with an immediacy and sensitivity rarely found in so young an artist. The work survives in its original giltwood frame, richly carved in a mid-nineteenth-century American style, which not only underscores its historical authenticity but also heightens the tonal drama of the painting. Alfred Copestick came of age during a fertile moment in American painting, when marine art and landscape were central to cultural identity. Though little is known of his formal training, his works suggest familiarity with and admiration for leading marine painters such as James E. Buttersworth, famed for his racing yachts; Francis Augustus Silva, who later developed a luminist style of coastal painting; and earlier masters like Thomas Birch, whose shipwrecks and storm scenes set a precedent for drama at sea. Copestick also absorbed broader currents in American landscape painting. The Hudson River School, led by Thomas Cole, Asher B...