John Hulsey

Morning

Norberto Martini (1940-2007) From his studio on the Arno, dressed in a three-piece suit, Martini brought his experiences of his time singing opera coupled with being a devout Catholi...

"Bayou in Blue & Gold" by Max Flandorfer (American, b. 1962). Presented in a giltwood frame. Signed "Max Flandorfer" lower left. Titled "Bayou in Blue & Gold," dated "2015" and signed on verso. Image: 12"H x 16"W. Primarily a plein air painter, Max is an avid outdoorsman and is always seeking to capture the spiritual and humble quality of nature. His work evokes a restful, contemplative stillness that he seeks, both in life and his art. Growing up in Miami, he spent most weekends and summers outdoors in the Everglades, or on the water soaking up the rich color, and beauty of the tropical landscape. Flandorfer lived in California for over 20 years, and currently resides in Ocean Springs, Mississippi. Mostly self-taught, Max was forever drawing and sketching as a kid, but the beautiful landscape, and rich artistic heritage of the Monterey peninsula's artist colony was the deciding influence on his later works. An illustration instructor, Jane Miller of Monterey Peninsula College encouraged him to study early California greats such as Granville Redmond...

Vibrant oil on canvas abstracted coastline landscape by California artist Virginia Sevier Rogers (American, 1917-2015), 1995. Signed, dated, and titled "Coast V.R. 5/95" upper right....

"Sur la Terrace” Oil Painting 25.5" x 25.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan Gallery, Cairo: Annual exhibitions from 1999 to 2018 Galerie la Sirène, Le Mans 2010 Galerie Ghislaine Eonnet-Dupuy, St Briac 2008 2009 Green art gallery Dubai 2009 Galerie La Medina, Tunis 2001 Italian Cultural Institute, Cairo 1999 Gallery Lézard d'Ailleurs 1998 Influence Gallery 1997 Bruno Delarue Gallery Etretat 1997 Jolymont workshops in Brussels 1996 Gallery Lézard d'Ailleurs St Rémy de Provence 1995 Etienne Causans Gallery 1995 Gallery Art 50 1994 Gallery Art 50 1993 Anne Vignial Gallery 1992 Galerie Escalier Rouge, Ouagadougou 2002 City of Arts, Florence Foundation 1992 Galerie Peinture Fraiche...