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John James Everard
Oil Painting by John James Everard “Coastal Scene by Moonlight”

1884

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"Near Tamerton Devon" by William Pitt
Located in Mere, GB
"Near Tamerton Devon" by William Pitt. William Pitt 1818-1900 was a fine midlands landscape painter of local scenes and south west views. A regular exhibitor at London and Birmingham...
Category

19th Century Victorian Landscape Paintings

Materials

Oil

"A Siamese Water Market" by Edwin Norbury
Located in Mere, GB
"A Siamese Water Market" by Edwin Norbury. Edwin Arthur Norbury. R.C.A 1849- 1918 was a founder member of the royal Cambrian academy visited Siam in 1892 to...
Category

19th Century Victorian Landscape Paintings

Materials

Oil

"Outside the Bell Inn" by Walter Williams
By Walter Williams
Located in Mere, GB
"Outside the Bell Inn" by Walter Williams. Walter Williams 1835-1906 was a painter of the highly popular Williams family of painters regular exhibitor RA RBA and elsewhere. Oil on ca...
Category

19th Century Victorian Landscape Paintings

Materials

Oil

"Crofters by the Coast" Oil Painting by Joseph Horlor
By Joseph Horlor
Located in Mere, GB
"Crofters by the Coast" Oil Painting by Joseph Horlor. Joseph Horlor 1809-1886 was a Bristol painter of rustic and coastal landscapes, he exhibited at th...
Category

19th Century Victorian Landscape Paintings

Materials

Oil

"Windmills by a Dutch Waterway" by Joseph Paul
Located in Mere, GB
"Windmills by a Dutch Waterway" by Joseph Paul. Joseph Paul was a Norwich landscape painter in the Dutch tradition. Regular local Exhibitor. Oil on canvas. Dimensions unframed heig...
Category

19th Century Victorian Landscape Paintings

Materials

Oil

Oil Painting by Gordon A Meadows "Barnes on Thames"
Located in Mere, GB
Oil Painting by Gordon A Meadows "Barnes on Thames" Gordon A Meadows 1868 - 1935 was the son of Arthur Joseph Meadows. Oil on canvas. Signed and dated 1905. Oil on canvas. Dimensio...
Category

Early 1900s Landscape Paintings

Materials

Oil

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Victorian landscape painting of Scottish fishing boats moored in a bay
Located in Harkstead, GB
A very tranquil scene of fishing boats moored in harbour with a sunlit sea beyond. Painted with a most attractive palette of blues and greens and with a pleasing composition that le...
Category

19th Century Victorian Landscape Paintings

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A fishing vessels at rest in harbour
By Thomas Luny
Located in Stoke, Hampshire
Thomas Luny (1759-1837) A fishing vessels at rest in harbour Signed and dated 'Luny 1831' lower left Oil on canvas Canvas Size - 12 x 16 in Framed Size ...
Category

19th Century Victorian Landscape Paintings

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19th Century exhibition size landscape oil painting of Sheep on a cliff
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones British, (1836-1892) Sheep Resting Oil on canvas, signed with monogram & dated 1877, further inscribed verso Image size: 35 inches x 59 inches Size including frame: 47 inches x 71 inches Exhibition Size Painting A fantastic exhibition sized landscape painting of sheep on a cliff top by the coast by Charles ‘Sheep’ Jones. At the time he produced this painting, Jones was living at Heathercroft, Balham Hill in London. Given the size and quality of the work it was most likely an exhibition piece. The topography and landscape suggest that this is the Dorset coast, one of his favourite places to paint. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas...
Category

19th Century Victorian Animal Paintings

Materials

Canvas, Oil

19th century English Antique oil landscape with cows resting by a river
By Alfred Vickers
Located in Woodbury, CT
A stunning 19th century English Antique oil landscape with cows resting by a river. Alfred Vickers was a painter of marine subjects and landscapes. He exhibited extensively througho...
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1860s Victorian Landscape Paintings

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Canvas, Oil

19th Century genre oil painting of fisher folk on a beach
By WILLIAM SHAYER SENIOR (1787-1879)
Located in Nr Broadway, Worcestershire
William Shayer British, (1787-1879) Fisher Folk on the Beach Oil on canvas, signed & dated 1839 Image size: 27.25 inches x 35.25 inches Size including frame: 37.25 inches x 45.25 in...
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19th Century Victorian Figurative Paintings

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Shipping Off the Coast
By Thomas Luny
Located in Wiscasett, ME
Shipping off the coast by English artist Thomas Luny. Oil on canvas signed and dated 35' in the lower left. Nice period and possibly original frame. Thomas Luny (1759–1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George's, and later relocated to Old Gravel Lane. Examples of his work are exhibited at the National Maritime Museum at Greenwich, in the Royal Albert Memorial Museum in Exeter, and at The Mariners' Museum in Newport...
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1830s Victorian Landscape Paintings

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