John Joseph Enneking

Spring at the Summer House in Hyde Park

c. 1885

The River's Edge a beautiful American Impressionist oil on canvas attributed to William Baxter Closson. Housed in a period Foster Brothers frame. Born October 13, 1848, in Thetford,...

Exhibited, well painted,fall impressionist scene of Mt Greylock, Massachusetts painted by Holger Wenzel Jensen. Exhibition label attached verso. Exhibited, Chicago Galleries Associ...

Sails Up, a beautiful little impressionist pastel by William Jacobs, signed W. Jacobs lower right. Check our other listings for the sister painting to this one. William Jacobs (1897...

On the Bay, a fantastic little pastel by William Jacobs. Pastel on paper, 5x7. Would pair well withits sister painting also listed in our store. William Jacobs (1897-1973). A Chi...

Marine scene from the deck of a Maine estate (Foxhill). William Beebe considers himself a Creative Realist, using touches of impressionism to go beyond representation. This particula...

Oil on canvas signed in the lower left and inscribed in verso. Measuring 37.5" x 37.5" with the frame and 30" x 30" canvas only. It is in excellent condition and ready to hang. Born...

Walt Kuhn (1877-1949)was associated with the art group known as "The Eight" and with Arthur B. Davies, was a the key figure in forming the American Association of painters and Sculp...

Lake Street, c. 1920 -30s, oil on board, 12 x 9 inches, signed lower right and verso, titled verso About the Painting At the center of Oscar Daniel Soellner’s Lake Street, we see the stairway leading to an elevated railway station on what is now Chicago’s Green Line route. When its first section opened in 1893 as the second permanent elevated rapid transit line in Chicago, this route was known as the Lake Street Elevated Railroad. Chicago’s “L,” like the New York subway and rapid transit system, played an instrumental role in the development of the urban economy and the overall look and feel of the city. The formal aspects of urban railroads and the role they played in efficiently moving large number of everyday citizens across America’s growing metropolises were catnip for many American Scene painters during the first half of the 20th Century. Here, Soellner uses the techniques of the impressionists and the palette of the Ash Can School, to convincingly depict a classic Chicago scene...