John Steven Dews

Victory Breaking the Line - Battle of Trafalgar by John Steven Dews

William Didier-Pouget 1864-1959 French Soleil levant, vallée de la Dordogne (Sunrise, Dordogne Valley) Signed "Didier-Pouget" (lower right) Oil on canvas The majesty of the Frenc...

Eleanor Parke Custis 1897-1983 American Karnak Signed 'Eleanor Parke Custis -' (lower right) Gouache and charcoal on paper American painter Eleanor Parke Custis demonstrates her mastery of the gouache medium in Karnak. A celebration of color and a relic of the artist’s travels abroad, the composition is well-balanced, exuding photojournalistic and documentarian qualities. In Karnak, Custis paints a compelling and dynamic image of a great ancient Egyptian ruin. Seven distant men, likely Bedouins dressed...

Jane Peterson 1876–1965 American Gondolas, Venetian Canal Signed “Jane Peterson” (lower right) Oil on canvas This remarkable painting, Gondolas, Venetian Canal, by the esteemed A...

Achille Laugé 1861-1944 French The Garden Near Cailhau Signed "A. Laugé 96" (lower left) Oil on canvas “Laugé’s art is one of great sensitivity and controlled reason; he is a mas...

This Neo-Impressionist landscape by the French artist Achille Laugé captures an orchard in late spring in his celebrated, highly modern style. The work displays a thick impasto thanks to the artist's distinctive technique of applying his paint in quick dabs, a characteristic of his later works. One of the foremost painters of the Post-Impressionist period, Laugé’s works are beloved for his sensitivity to light, shade and tone, and his mastery of medium is clearly on display in Almond Trees...

Childe Hassam 1859-1935 American The Bather Signed and dated “Childe Hassam” (lower right) Oil on canvas Considered by many to be America’s foremost Impressionist painter, Childe Hassam composed his tranquil and intimate oil on canvas The Bather in the early years of the 20th century. The creation of the artwork aligns with a period of Hassam’s career where the artist’s palette was transforming, matching ever closer with the pale and pastel hues of French Impressionists like Claude Monet. Even the subject — a nude woman — represents a greater alignment with the Impressionist project, as artists of the movement and their non-mythological and non-biblical nudes still generated cries of indecency. With Hassam’s signature brushwork and attention to color, The Bather serves as a dream-like vision, serene and sensuous, of a young woman bathing in a lush forest. While the artist's skill for landscape painting is on display, it is Hassam's command of form, light and color that brings this canvas to life. He creates a captivating composition, placing the nude subject in the bottom left of the canvas. The soft, undulating curves of the woman's body in contrapposto and the glow of her fair skin are balanced by the strong verticals and deep earth tones of the tall trees to her right. Hassam delicately frames the nude in the vivid blues of the distant water, building luminous color that further draws the viewer’s eye and results in a somewhat voyeuristic appeal — endowing his nude with both a natural innocence and an intentional sensuality. Born in Dorchester, Massachusetts, Childe Hassam began his artistic career as a freelance illustrator, working for national publications such as Harper’s Weekly, Scribner’s Monthly, and The Century. His first solo exhibition of watercolors took place in Boston in 1883, and he quickly catapulted onto the international scene, winning a bronze medal at the Exposition Universelle in Paris in 1889. The year before the present work was created, he received the Webb Prize from the Society of American Artists for another landscape painted at Gloucester. Hassam would receive numerous other awards throughout his career, most notably the Gold Medal for Distinguished Services to Fine Art from the American Dealers Association. A true master, Hassam depicted a way of life characteristic of both American and French society, and his work elucidates a critical chapter in American art history. Today, his work resides in the Oval Office of the White House and in numerous important museums, including the Metropolitan Museum of Art in New York, the National Gallery of Art in Washington, DC and the Museum of Fine Arts in Boston, among others. This painting will be included in Stuart P. Feld's and Kathleen M. Burnside's forthcoming catalogue raisonné of the artist's work. Circa 1905 Canvas: 24 1/2“ high x 20 18” wide Frame: 35 7/8“ high x 31 1/4” wide x 3 1/4“ deep Provenance: Private Collection of William Young...

JOSÉ MONGRELL Spanish, 1870 - 1937 VALENCIAN FLOWER PICKERS signed “J. Mongrell” lower left oil on canvas 29-1/4 x 45 inches (74 x 114 cm.) framed: 42-3/...

Alexandre Le Bihan. French ( b.1839 - d.1924 ). Niagara Falls. Oil on Canvas. Signed. Image size 23.2 inches x 49.2 inches ( 59cm x 125cm ). Frame size 28.9 inches x 55.1 inches ( 7...

A fine example of the magic realism of this Detroit artist whose work is included in the Whitney Museum of Art

Nocturnal landscape exudes a sense of calm and serenity, drawing you in with its Naïve Romanticism manner, captured in oils by an unknown artist in the late 19th century. In the fore...

Heinrich Gollob (1886 - 1917) - Austrian painter. Gollob's attention to detail demonstrates his talent for bringing landscapes to life through vibrant colors, textures and the play o...

Attributed Paul Von Franken (1818-1884), famous Gemany a genre and landscape painter, signed bottom right. Fertile scenery coastal town with castle, mosque, minaret, large travelers ...