José Weiss

WEISS British painting Landscape Sussex flooded river tree 19th

Albert BREDOW Garnsee, 1827 – Charlottenburg, 1899 Landscape with a young girl crossing a river near a cottage Oil on canvas Signed lower left "ABredow" 35 cm x 45 cm (48 x 60 cm wit...

Charles Euphrasie KUWASSEG Draveil (Essonne), 1833 – Paris, 1904 Animated View of a Town by the Sea in Normandy Oil on wood panel Signed and dated lower right "Kuwasseg fils" 41 x 32...

Leslie Ernest Parkinson 1903 - 2001 A Willow Tree Oil on board, initialled and dated 1930 top left Image size: 10 x 12 inches Handmade frame Parkinson was born in Islington in 19...

Landscape near Vezelay, Oil on Canvas Painting by Peter Greenham 1909-1992, 1983 Additional information: Medium: Oil on canvas on board 25.4 x 30.5 cm 10 x 12 in Signed with initials Provenance Acquired from the 1998 exhibition by a private collector, UK. Exhibitions London, New Grafton Gallery, 'Peter Greenham', Dec 1998 Peter Greenham was a distinguished figurative painter of portraits, landscapes and incidents from domestic life. His work was both sensitive and intelligent and like himself, without showiness or pretension. He was keeper of the Royal Academy Schools and a popular figure who taught many well-known artists including Martin Yeoman, Peter Kuhfeld, Edmund Fairfax-Lucy and Jane Corsellis. Greenham was born in Streatham and educated at Dulwich before studying English at Magdalen College, Oxford, followed by Fine Art at the Byam Shaw School of Art in Kensington from 1936-39 under the supervision of Ernest Jackson. After leaving Byam Shaw he became a schoolmaster at Magdalen College School, Oxford and was elected an Associate of the Royal Academy in 1951 and an R.A. in 1960. In 1964 he succeeded Sir Henry Rushbury as Keeper of the Royal Academy Schools, a position he held with distinction until his retirement in 1985. The Keeper has the responsibility of running the RA Schools and Greenham showed himself to have great sympathy and understanding for his students. In retirement he was able to concentrate entirely on his painting and tended to paint places he knew well such as the Norfolk coast, Northumberland, Oxfordshire and Annecy as well as his wife, the painter Jane Dowling...