Julian Onderdonk

"A Road in Late Afternoon" Date: 1921. 29 x 39 framed. Texas Scene!

Dated 1921

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 6 x 9 Frame Size: 10.75 x 13.75 Medium: Oil Dated 1910 "A Glowing Sky" SW Texas Julian Onderdonk (1882 - 1922) Known as...

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 20 x 30 Frame Size: 29 x 39 Medium: Oil Dated 1910 "In The Land Of The Spanish Oak" Spectacular larger scene by Julian...

E.G. Edward Eisenlohr (1872 - 1961) Dallas Artist Image Size: 11 x 14 Frame Size: 14 x 18 Medium: Oil "Old Path Home" Biography E.G. Edward Eisenlohr (1872 - 1961) Edward Gustav Eise...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 24 x 36 Frame Size: 37 x 49 Medium: Oil Dated 1957 "Hill Country Ranch Road" Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields...

CHAUNCEY FOSTER RYDER (American, 1868-1949), Pasture Lands oil/canvas signed LR 31.5 x 39.5 image, 40.5 x 48.5 framed A wonderfully subtle tonalist painting by Ryder incorporating a farmer/farmhand probably moving cows about the pastures mid right in the scene. Ryder uses a subtle S design from lower left that zig zags up to the figure and cows. The painting shows Ryder's masterful use of abstract design and technique utilizing textures in his application of paint giving the painting life and interest. Original frame, some craquelure in sky, old surface. Bears Newhouse Galleries, possibly NYC, label verso. The painting hangs in my collection currently and would benefit from a cleaning and new varnish. It is a large museum quality oil painting. SHIPPING-This will need In Home Delivery service as it is too large for me to pack. The handling time is listed as 10 days but is dependent on who 1stdibs hires and their schedule to pick up and deliver. 3 -7 weeks is listed in the shipping section for this service. Buyer can also arrange for their own pick up. Bio- Chauncey Foster Ryder (29 February 1868 – 18 May 1949)[1] was an early 20th century American Postimpressionist Tonalist landscape painter known for a green-gray palette termed 'Ryder green'. Education and personal life Ryder was born in 1868 in Danbury, Connecticut, but grew up mainly in New Haven.[2][3] He began studying painting as a boy. In his early twenties, he moved to Chicago to attend the Art Institute,[4] then Smith's Academy.[5] After only a year at the latter, he was hired as an instructor.[5] In 1891, he married Mary Dole Keith.[5] In 1901, they moved to Paris, France, where Ryder continued his art education, studying with Jean-Paul Laurens at the Académie Julian. Ryder stayed in France for several years, living in an art colony at Étaples and exhibiting his work at the Paris Salon (1903–1909).[3] He took on occasional students, including American painter William Posey Silva...

A wonderful impressionist pastoral landscape with beautiful color tones throughout. Waltsak has portrayed this piece in a most intimate, yet energetic way, and has packed much feelin...

Joseph Rodefer DeCamp (1858 - 1923) Summer Landscape Oil on board 11 x 15 inches Signed lower right Born in Cincinnati, Ohio on November 5, 1858, Joseph DeCamp began his artistic career in his teens and remained active throughout his life. Although he initially painted landscapes, Decamp became a renowned and respected portraitist. He was famous for his images of men of high society and women within domestic interiors. Decamp began his artistic training in 1873 when he enrolled in the McMicken School of Art and Design in Cincinnati. The head of the school, Thomas Satterwhite Noble, was a European-trained painter whose "insistence on rigorous draftsmanship, true to the academic manner in which he had been trained, exerted a lasting influence on DeCamp." DeCamp studied under Noble for five years, but was also a student of Frank Duveneck at the Ohio Mechanics Institute. He adopted Duveneck's bold, realistic style and many of his paintings executed throughout the 1870s and 1880s reflect this influence. Like most American artists of his generation, DeCamp went abroad to study. In 1878, following in the footsteps of Duveneck and other Midwesterners, he traveled to Munich to attend the Royal Bavarian Academy. Soon after his arrival, however, he gravitated away from the academy and towards Duveneck and eventually followed his mentor to Florence and Venice. During these years, DeCamp focused on landscape and portraiture as his primary subjects. These themes would continue to occupy the artist when he returned to America in 1883. When DeCamp arrived back in the United States in 1883, he first settled in Cincinnati, but soon moved to Cleveland to teach at what is now Case Western Reserve University. He then relocated once more to the Boston area, where he would remain for most of his life. DeCamp began teaching at Wellesley Female Academy and, in the fall of 1885, began as an instructor at the School of Drawing and Painting at the Museum of Fine Arts in Boston. He quickly established himself as one of the leading figures in the Boston art community and became a founding member of The Ten American Painters, formulated in 1897. This group included Childe Hassam, John Henry Twachtman, Julian Alden Weir, Frank Benson, Thomas Dewing, Willard Metcalf, Robert Reid, Edward Simmons...

Antique American impressionist Texas landscape oil painting by Harry Anthony De Young (1893 - 1956). Oil on board. Signed. Framed. Image size, 16L x 12H. Dedicated by the artist as a wedding anniversary gift. Artist bio: Harry Anthony DeYoung was born in Chicago, Illinois, on August 5, 1893. He was a landscape, figure, genre, and portrait painter, muralist, draftsman and teacher. He studied with Edward John Lake...