Loveable Vermont
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Jacob HoustonLoveable Vermont
About the Item
- Creator:Jacob Houston (1972)
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)Depth: 2 in (5.08 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Saratoga Springs, NY
- Reference Number:1stDibs: LU17024876291
About the Seller
4.2
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1992
1stDibs seller since 2015
30 sales on 1stDibs
Typical response time: 19 hours
More From This SellerView All
- Lake Placid, Whiteface MountainLocated in Saratoga Springs, NYMonogram lower right. But for sheer numbers, as well as degree of fame, the activity which is most closely linked with this Adirondack town is painting. Mrs. Peggy O'Brien, who has long studied Adirondack artists, finds over 400 have painted in these mountains and Keene Valley was the summer capital for many of them. The earliest in the valley are Asher B. Durand (1796-1800), considered a co-founder of the Hudson River School, John Casilear (1811 -1893) and John F. Kensett (1816 - 1871) coming in 1848. Frederick Perkins came in 1857, boarded at the Bruce home, and with Orson Phelps sat on Mt. Marcy and named Skylight, Basin and Saddelback Mountains. Roswell Shurtleff came first to Keene Valley in 1868 and returned each year for the rest of his life, being, with A.H. Wyant, the first artists to have summer places here. Wyant built on the hillside east of the AuSable, Shurtleff on the west. Winslow Homer joined John Fitch and Shurtleff in Keene Valley for hunting, fishing, and painting. John Adams Parker was here by 1866, subsequently building. Robert Monior came in 1875 and by 1882 had a house that became a center for art students. Samuel Coleman arrived in the 1860's. Homer Martin (1836-1897), Sanford Gifford (1823-1880), and Arthur Parton (1842-1914) are but a few more of the recognized American artists who painted the AuSable lakes and mountain of Keene in the nineteenth century. In fact, the Heidelberg Museum of the Paletinate's salute to the American Bicentennial was a 1976 exhibit of work by the first German to the American scenes, a man named Kappel, and featured scenes around Beede's. John Marin brought Keene Valley art into the twentieth century. Harold Weston, son of S. Burns Weston, wintered alone at his AuSable Club studio 1920-21 to start his painting career, and gave us later life a good local history as well as art sampling in his autobiography Freedom in the Wilds (1971). Present day artists living or working in the town include Bruce Mitchell...Category
Late 19th Century Hudson River School Landscape Paintings
MaterialsOil, Board
- Gramacy Army Plaza Brooklyn NYBy Johann Berthelsen, 1883-1972Located in Saratoga Springs, NYSigned lower right. Following his graduation, he toured the United States and Canada as lead baritone for the Grand Opera Company, after which he taught voice - first as his alma matter...Category
Mid-20th Century American Impressionist Landscape Paintings
MaterialsOil, Board
- Blackberry picking near Church's Farm Hudson NYBy Arthur PartonLocated in Saratoga Springs, NYSigned lower left and dated 1863. Known as a Hudson River School painter, especially of mountain landscapes, Arthur Parton was well established in the New York art world where he exhibited at the National Academy of Design for more than half a century. He was born in Hudson, New York to a religious family supported by a cabinetmaker father. He enrolled in the Pennsylvania Academy of Fine Arts as a student of William Trost Richards, who remained a strong influence, and in 1862, his first exhibitions were in Philadelphia. In 1864, he moved to New York City where he exhibited regularly with the National Academy of Design excepting 1869 when he spent a year in Europe and was influenced by the Barbizon style of painting. In 1874, he and his wife moved into the Tenth Street Building in New York City, and he kept his studio there until 1893. In 1876, he gained much national notoriety at the Philadelphia Centennial Exposition for his paintings November, Loch Lomond and Solitude. He spent summers painting in the...Category
1860s Hudson River School Landscape Paintings
MaterialsBoard, Oil
- The Falls at Tivoli, ItalyLocated in Saratoga Springs, NYFollower of Claude Joseph Vernet (Early 19th Century)Category
Early 19th Century Romantic Landscape Paintings
MaterialsBoard, Oil
- Beach SceneBy Erik JohnsenLocated in Saratoga Springs, NYSigned and dated 2018 His father nearly sold 5-year- old Erik Johnsen in 1965 for $600. What followed was a chaotic journey into beatings, sexual abuse and groundlessness. Moving co...Category
2010s Post-Impressionist Landscape Paintings
MaterialsBoard, Oil
- Impressions de New York No. 3Located in Saratoga Springs, NYDavid Solot, a dentist and painter, was born in Falciu (Romania) and settled in Paris in 1928. His art was surrealistic dentally inspired plus portraits and city landscapes. **************************** Translated from an article by Luana Hrisanti Rigot: "In 1956, at the Charlotte Norberg Gallery (Paris), he presented his first personal exhibition, composed of an ensemble of surrealist paintings of professional inspiration (dental elements). Two years later, at Gallery Royale (Rochefort), he exhibits another 50 paintings on the subject. At that time, a decisive event for the painter David Solot was made: a great new-York-born antibiotic producer Lederle Cy learns about his work and contacts him through the US Ambassador to Paris, proposing an advertising contract and buying the reproduction right for 24 of its canvases. A year later, the same company bought the right to print three of its cloths in color. This was the starting point of his international notoriety. In 1959, the American Dental...Category
1960s Impressionist Figurative Paintings
MaterialsBoard, Oil
You May Also Like
- 17th Landscape Flemish School Houses Bridge Trees Oil on Canvas Green BrownLocated in Sanremo, ITPainting, oil on panel, measuring 20 x 15 without frame and 35 x 30 with frame, depicting a landscape with a beautiful perspective and houses arranged on a mountain of the Flemish sc...Category
Late 17th Century Flemish School Landscape Paintings
MaterialsOil, Board
- Pieter Fraterman - Orchard - Post-Impressionist Dutch Oil Painting, c. 1950By Pieter FratermanLocated in Meinisberg, CHPieter Fraterman (Dutch, * 12th April 1910, Den Haag – † 18th March 1969, Den Haag) In the Orchard Garden • Oil on Fibre board ca. 50 x 60 cm • Frame ca. 64 x 73 cm • Signed lower right Pieter Fraterman begann his studies by attending the evening classes held by H. Meijer and J. Giessen at the Royal Academy of Art in Den Haag from 1930 to 1936. In a second period during the war Pieter continued his studies at the Royal Academy from 1941 to 1944 under H. Meijer, H. van Dam and W. Schrofer. Pieter received plenty of recognition during his career. In 1937 he received a Royal grant, the Jacob Maris...Category
Mid-20th Century Post-Impressionist Landscape Paintings
MaterialsBoard, Oil
- Rudolf Johann Weiss ( 1846 – 1933 ) Twannbach Cave Oil Painting Switzerland 1926By Rudolf Johann WeissLocated in Meinisberg, CHRudolf Johann Weiss (Swiss, * 3.9.1846 Basel, † 17.4.1933 Biel) Die Twannbachgrotte/Twannbachschlucht bei Twann, Biel, Schweiz (= The Twannbach Cave/Twannbach Canyon by Douanne, Bie...Category
1920s Post-Impressionist Landscape Paintings
MaterialsOil, Board
- Ralph R. Stubbs - Low tide at Sunset - English 19th Century Marine Oil PaintingBy Ralph Reuben / Ruben StubbsLocated in Meinisberg, CHRalph Reuben/Ruben Stubbs (English, 1824-1879) Low Tide at Sunset • 19thC Oil on artist board (card) ca. 21 x 36.5 cm • Signed bottom right and verso Biografie: Stubbs Ralph Reu...Category
1860s Impressionist Landscape Paintings
MaterialsOil, Cardboard
- Dmitry Alexandrovich Kustanovich (1970) Minsk Belarus Pointilist Spatial RealismBy Dmitry KustanovichLocated in Meinisberg, CHDmitry Alexandrovich Kustanovich (Belarusian, 29.3.1970) Lively Urbane Landscape on a rainy day in Minsk , Belarus • Oils on canvas, mounted on to fiberboard, ca. 27 x 35 cm • Fram...Category
Late 20th Century Pointillist Landscape Paintings
MaterialsCanvas, Oil, Fiberboard
- View of SienaBy Bruno CroattoLocated in Roma, RMBruno Croatto (Trieste 1875 - Rome 1948), View of Siena (1941) Oil painting on panel 50 x 60 cm signed, located Siena and dated 1941.Category
1940s Other Art Style Landscape Paintings
MaterialsOil, Board
Recently Viewed
View AllMore Ways To Browse
Barbizon School Of Painting
19th Century Romantic Landscape Painting
Antique Canvas Stretchers
September 11
American Impressionist Philadelphia
Oil Painting Seascape Modern
Japanese Landscape With Trees
Blue Vintage Salon
Landscape With Ruins
19th Dutch Landscape
Dior 1991
Plein Air Large
Vintage Winter Scene Paintings
Paris 1930 Street
Sky Birds Art
English Village
Sunrise Landscape Painting
Falling Leaves