Karen Woods

Delayed

2024

Karen Woods paints a traveler’s view through the window of a moving vehicle rendered in subtly nuanced gestures in oil on canvas or panel. These views from the front seat of a car looking through an often rain-splattered windshield or side window, are always about water: water from above, as a rainstorm, or from below, as a man-made sprinkler system. She is drawn to the interplay of water and light, and how it affects our perception of reality through reflection, distortion, and transformation. The compositions often include a bit of the car - the edge of a window, a side mirror, the clear curved area left by a windshield wiper - these markers situate the viewer on the journey Woods is on - we are taken inside the vehicle and shown the vignettes that catch Woods’ eye. The paintings reclaim that point in time, explore its detail, and unearth its emotional content. Woods’ work freezes and compresses a moment of everyday life; then elongates and decelerates it and in so doing, reveals its accompanying emotional weight: its anticipation, reflection, isolation, and longing. Woods is coaxing us to recognize the transcendent experiences offered by the most mundane or ordinary surroundings of our daily lives. Karen Woods was born in Seattle, WA, in 1963. She received her BFA from the California College of the Arts (Oakland, CA) in 1987 with additional studies at California Polytechnic State University and Studio Art Centers International, Florence, Italy. Her paintings have been exhibited throughout the United States with solo exhibitions in Los Angeles, New York, and Boston, among others, and her work has been published in New American Paintings, American Art Collector, art ltd, Artweek, Western Art & Architecture, Fine Art Connoisseur, and the Idaho Statesmen. Woods’ paintings are included the public collections of the Bodleian Library, Oxford, UK, James Castle...

Karen Woods paints a traveler’s view through the window of a moving vehicle rendered in subtly nuanced gestures in oil on canvas or panel. These views from...

“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism, that does not involve crises, really. But the way in...

“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism, that does not involve crises, really. But the way in...

American, b. 1972 Dylan Stark is a traditional landscape and seascape painter. He is heavily influenced by the luminist style of painting popular among late 19th century American la...

Awards 2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club 2011 Mary Bryan Memorial Medal / Allied Artis...

one moored sail boat in a sea of blue. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Y...