Katheryn Holt

'Sunset over the Ocean' Contemporary Abstract Seascape O/C

2022

In this evocative piece, Poroy's artistic prowess paints dreams rather than scenes from life. At its core, the artwork features three quaint houses, each possessing a unique charm. Amidst the purple and blueish tones of the landscape, one house stands out, adorned in a vibrant shade of blue, creating a captivating contrast that draws the viewer's gaze. The scene unfolds under the enchanting light of twilight, where shadows cast by the gentle evening glow unveil the true essence of each house. It's a tableau of serenity, where time appears to stand still, and nostalgia fills the air. The background of the painting resembles a surreal ocean layer, adorned with soft, bubble-like circles that infuse the composition with a sense of otherworldly wonder. Maria Poroy...

Set against a backdrop that evokes a desert or barren land, a warm brownish-orange hue blankets the lower half of the painting, imbuing the scene with a sense of arid tranquility. Ho...

Kobi Raz's masterful representation of the ethereal interplay between light and nature is evident in this contemporary landscape abstract. The piece exudes a ...

"By the Bay," a 30" x 30" oil on canvas by Robert Glick, presents a stylized geometric seascape that blends the abstract with the tranquil charm of coastal life. Glick's technique en...

At the heart of the composition lies a small house, nestled amidst the enchanting landscapes of Galilee. On a foggy day, this idyllic scene unfolds, where vibrant, lush greenery blan...

"Zion Mor's style is unmistakable and to use that perhaps overused word original. His approach is wholly abstract with curious hints of the visible world. He is interested in the abs...

Step into the world of abstract contemporary art with Joyce Weinstein's "City-Morning-Skyscape", a captivating painting from 1982 that flaunt the artist's early brilliance and creati...

"My life as a painter began in the late 1950s when abstraction was “The only game in town”. I followed and progressed through gesture, organic and finally, geometric non-objective painting. The radical move for me was to discover that the real world of landscape lurked behind all that past work. My childhood in the mountains of Pennsylvania pervaded my “way of seeing” and I wanted to investigate and celebrate the infinite variety of tone, color and composition that I found around me. Sky, the structure of trees, mist and water appeared to fill a hunger to look again and again. There was mystery and danger lurking behind the beauty, and my aim was to try to avoid the cliché and explore the infinite structure of the visual landscape. Now I use my camera as a sketchbook and search for images that seem to offer odd structure and “mystery”. I shoot multiple points of view, cull, crop, and mostly discard. The surviving photographs become the catalyst for the paintings and the process is always a mediation between memory and the small image pinned to my easel...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Oil, acrylic, spraypaint on canvas. Bridge to a friend of the artist's house.

Oil, spraypaint, acrylic on canvas. Storybook bridge.

Oil paint and mixed media on canvas. This work is the second painting in a series of trees from Parade St. Park.