Kenny Harris

West Cork Landscape (Ahakista)

2019

Represented by George Billis Gallery, NYC & LA -- "When asked what kind of paintings I make, I usually call my work "Urban Landscapes" to distinguish them as paintings about areas o...

Karen Woods paints a traveler’s view through the window of a moving vehicle rendered in subtly nuanced gestures in oil on canvas or panel. These views from...

Karen Woods paints a traveler’s view through the window of a moving vehicle rendered in subtly nuanced gestures in oil on canvas or panel. These views from...

Represented by George Billis Gallery, NYC & LA --Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncratic process founded in obsession, and wonder. "My subjects are genuine locations. They all have names, and many have familiar and private associations. But my attraction to a particular street or building often comes, in part, from a suspicion that it is also, in a sense, nameless. I nurture enduring relationships with a terrain. But for me, a particular motif resonates when it seems eligible for a larger catalog of spatial forms. My paintings are less portraits of Brooklyn than pages in an expansive, borderless inventory of space and light. Their index-like titles and typically symmetrical or balanced compositions intend to hint at something of the monumental, appropriate to a classifying program. It is neither the landscape's planning nor its architecture which conjures the shapes I paint. Rather, it is its observation; it is how a place appears that forms a distinct typology. At street level, tight, box-like canyons of space offer motifs best captured in a square format, while aerial, panoramic views from a rooftop invite me to explode them in a wider canvas. When looking around to frame a wider view, the optical distortions of curvilinear perspective weave parallel lines into trajectories mirroring the dome of the sky. And on a clear day, the path of the sun traces analogous curves across it. Only turning achieves a panoramic view, and sky and street are themselves revealed as events. At times, glare, fog, rain and snow are also deliberately organizing factors in my choice of standpoint. I wait for and design with all of them. Land maps posit an objective viewpoint. But star maps...

Arctic Stream in Forest Landscape with Lush Greens & Blues by 20th Century British Artist, Jack Strickland Art measures 16 x 20 inches Frame measure...

Beatrix Sherman Hialeah Park Race Track, Florida, 1947 Signed lower right Oil on canvasboard 16 x 20 inches Beatrix Sherman (1894-1975), who changed her first name from Beatrice by...

Original Antique Western Nevada Desert Oil Landscape by Phoebe K. Higgins A mid-century desert oil landscape of Western Nevada by Phoebe K. Higgins (American, 1895 - c 1960), circa ...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. Peter Sculthorpe (b. 1948) Peter Sculthorpe was born in ...