Kimberly MacNeille

"Aerial Sun Through Clouds" Medium Sized Landscape of Fields and Sky at Sunset

2017

"Sea and Sky" Oil on Canvas, 60 x 46 Inches, is a gorgeous, large beach painting of the shoreline at sunset dominated by a dramatic sky of blues...

"Sea and Sky in Hazy Sun," Oil on Canvas, 60 x 46 Inches, is a large beach painting of the shoreline at sunset dominated by a dramatic sky of bl...

"Sunset on Golden Marsh," Oil on Canvas, 48 x 48 Inches is a majestic landscape painted with all the elegance and attention to detail of the best of the 19th century Hudson River artists. The warm glow of the top half of the canvas, pink and yellow light diffused through passing clouds, perfectly capturing the setting sun on a summer day is a dramatic foil to the lower half of the painting where meticulous rendering of the marsh's water and greenery is dreamy in the distance. This painting is beautifully framed in a simple light wood, high quality strip frame that accents the image perfectly without distraction. Additional photos of painting details and showing the painting installed on a wall can be provided. MacNeille is an unusually gifted painter of landscapes in general whose works are of the highest quality, always with careful attention to light and time of day. In addition to marsh scenes inspired by her local North Shore of Massachusetts area, she is a painter of beach scenes, water, and Niagara Falls. KIMBERLY MACNEILLE Education 1988 -1989 Massachusetts College of Art 1983 University of Pennsylvania, M.F.A. Solo Exhibitions 2013 Beth Urdang Gallery, Boston, Massachusetts 1999 O’Farrell Gallery, Brunswick, Maine 1997 Miller Block Gallery, Boston, Massachusetts 1990 The Harcus Gallery, Boston, Massachusetts Selected Group Exhibitions 2012 "Galvanized Truth", The Art Complex Museum, Duxbury, Massachusetts 2012 Copley Society, Boston, Massachusetts 2008 "Theories of Seeing," Boston, Massachusetts 2000 The Wenham Museum, Wenham, Massachusetts 1995 Concord Art Association, Concord, Massachusetts 1993 The Harcus Gallery, Boston, Massachusetts 1989 The Fitchburg Art Museum, Fitchburg, Massachusetts 1985 Fischbach Gallery...

"Over the Finger Lakes," Oil on Canvas, 40 x 44 Inches is a highly realistic landscape which depicts a series of the fingers lakes in New York State seen from an aerial view in deep blues and greens, with a streak of white light that divides the image into sky with a suggestion of clouds and water...

See images for Quotes within painting handwritten by artist This painting is also sold in a diptych combo with a second piece but in this listing sold individually As an undergrad...

‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the ...

The rhythm of the waves marks time, like the breath. Moment to moment, its intensity fluctuates like emotion. Thoughts linger and pass, like a veil of fog. At the shore I am reminded to be present. It provides a place for contemplation and reflection. I identify with the strength and vulnerability of the ocean when a storm is brewing or passing, when the surf is up, when the fog looms or is lifting, when the horizon is obscured, or the sky begins to clear, I find beauty in these moments of transition. I bring this experience into the studio as I interpret the smells, sounds, feelings, and energy of the water or the quiet movement of fog. The process is fluid, moving between freedom and control, accident and intention, as I push and pull the paint to convey and realize my visual and emotional experiences. BIOGRAPHY Annie is a British painter and printmaker. She moved to New York City in 1989 and worked at the British Consulate. Art remained a part of her life during those years, but in 2006 she left and begin a new chapter, returning to a life with art at the very center and enrolled in an MFA program at the The New York Academy of Art. This provided the instruction, immersion and creative freedom to develop her skills and artistic voice and proved to be a fruitful time bringing with it several awards including a Post-graduate Fellowship, Prince of Wales Scholarships, and travel awards to Normandy, France and St Barts, in the French West Indies. After the fellowship Annie left New York for the East End of Long Island and spent two wonderful years in the quiet hamlet of Orient, as Artist-in-Residence at the William Steeple Davis House. It was here that Annie met and became a studio assistant to Master Printmaker Dan Welden and continues to assist him at workshops in the North East, including Haystack School of Crafts in Maine, Provincetown Fine Arts Work Center, and Montserrat College of Fine Arts. In 2011 Annie left the East End of LI and moved to Mystic Ct...

Tom Yost's Whispy Clouds at Sunset captures the ethereal beauty of a tranquil evening sky. The painting is a harmonious blend of vivid blues and soft pinks, with delicate white cloud...