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Lawrence Butcher, Jr.
Vintage American Framed Modernist Landscape Tree Still Life Oil Painting

1980

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Antique American School Modernist Abstract Cityscape Signed Original Painting
Located in Buffalo, NY
Antique American modernist cityscape oil painting. Oil on canvas, circa 1970. Signed. Displayed in a giltwood frame. Image, 20"L x...
Category

1970s Modern Abstract Paintings

Materials

Oil, Watercolor, Gouache

Antique American Modernist Nature Study Lake Landscape Framed Oil Painting
Located in Buffalo, NY
Antique American modernist landscape oil painting. Oil on canvas, circa 1940. Signed illegibly lower left. Image size, 36L x 24H. Housed in a period modern frame.
Category

1940s Modern Abstract Paintings

Materials

Canvas, Oil, Gouache

Landscape
By Wes Olmsted
Located in Buffalo, NY
An original watercolor painting by Westley "Wes" Olmsted. This work is currently featured in the exhibition Man of Extremes at Benjaman Gallery in Buffalo, NY. Westley G. Olmsted ...
Category

1970s Modern Landscape Paintings

Materials

Gold Leaf

Mountain Night
By Wes Olmsted
Located in Buffalo, NY
An original mixed media (Watercolor and india ink) on paper depicting a mountain range at night.
Category

1970s Modern Landscape Paintings

Materials

Archival Paper, India Ink, Watercolor

Antique Israeli American Folk Art Modernist Figural Landscape Framed Painting
Located in Buffalo, NY
Antique Israeli American modernist folk art landscape by Malcah Zeldis. Mixed media painting on paper. Framed. Signed. Measuring 18 by 22 inches overall and 11 by 14 painting alone....
Category

1960s Modern Abstract Paintings

Materials

Board, Watercolor, Archival Paper

Antique American Modernist Wild Horses Western Landscape Watercolor Painting
Located in Buffalo, NY
Very finely painted modernist landscape by Robert Noel Blair (1912 - 2002). Watercolor and gouache on paper. Signed Image size, 22 by 30 inches. In excellent original condition. ...
Category

1950s Modern Abstract Paintings

Materials

Watercolor, Archival Paper

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Located in Arp, TX
Donald Stacy "Mound Street" c. 1950s Gouache paint on paper 24" x 18'" unframed Unsigned Came from artist's estate For sale is a striking black and white painting titled "Mound Stre...
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1950s "Purple Sky Landscape" Mid Century Abstract Landscape Painting
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Located in Arp, TX
Bearnice Fisher "Purple Sky Landscape" 1978 Gouache on paper 30" x 22.5" unframed Signed and dated lower right in pencil Bearnice Fisher lived and worked in NYC
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Yellow the Colour of the Sun Watercolour on Paper Painting by Rosie Phipps, 2022
By Rosie Phipps
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Yellow the Colour of the Sun by Rosie Phipps [2022] Yellow the Colour of the Sun is an original watercolour and gouache on paper by Rosie Phipps, sold mounted. Featuring her gestura...
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The Autumn Equinox With Its Hunters, Rosie Phipps, Landscape Painting under $500
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The Autumn Equinox with its Hunters by Rosie Phipps [2022] The Autumn Equinox with its Hunters is an original watercolour and gouache painting by artist Rosie Phipps, sold mounted. ...
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Large Hudson River Figurative Modernist Landscape Oil Painting Edward Avedisian
By Edward Avedisian
Located in Surfside, FL
Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...
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Mediterranean Costal Town (South of France)
Located in Wilton Manors, FL
Charles Evans (1907-1992) Mediterranean Costal Town, 1932. Gouache and watercolor on paper. Sheet measures 8.5 x 10 inches; mounted in frame measuring 8.5 x 10 inches. Signed and dated lower left. Charles Evans was a modernist known for his abstract style of painting. He studied at New York's Art Students League and Parsons School of Design, and later in Paris with Fernand Lger at the Acadmie Moderne. In 1930, Evans and his wife spent a year living in what was Paul Cezanne's studio in Aix-en-Provence, France. The following year, Evans purchased the old silk mill in New Hope and became involved in the area's modernist movement, joining the Independents in 1932. By 1935, he began to work collaboratively with Louis Stone, whom he had met in 1929 while studying with Hans Hofman in Saint Tropez, and with Charles F. Ramsey, teaching art classes and working on the Cooperative Painting Project. Every week, the three were joined by the abstract painter, Lee Gatch, in discussions at Ledger's Inn in Lambertville. In 1948 Evans co-founded the New Hope Gazette with Walter M. Teller. The same year he created set designs for St. John Terrell's Lambertville Music Circus. He also designed sets for the Bucks County Playhouse and Philadelphia's Playhouse in the Park. He later served as Set Designer for the Fred Miller...
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1930s Modern Landscape Paintings

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