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Leonardus Raphael van den Braak
19th century figurative dutch landscape painting - Returning from the hunt

1850

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    17th century Old Master painting depicting the Infant Christ with Mary and St. Anne attributed to Nicolas de Liemaker The artist of the present work wonderfully captured the loving gaze of Maria, looking in awe at her child. One can sense the tenderness and love in her eyes. The eyes of Christ appears to be filled with wisdom and love and a finely painted aura crowns his and his mother's heads. St. Anne, Mary's mother, gently holds the infant whilst gazing adoringly at him. The painting is not only a beautiful depiction of Christ and his mother and grandmother, but also a sweet image of the tender bond between a mother's and their children. The vibrant and soft colours of the fabric create a soft cocoon around the figures and seem to further emphasis the beauty and importance of the depicted scenery and its protagonists. Nicolaas de Liemaecker (also spelled as Liemaker or Liemackere) was a Flemish painter born in Ghent in 1601. He was also known under the name Nicolaas Roose. His father was Jacobus de Liemaecker, a painter upon glass. Nicolaas is reported to have been trained by his father and Gaspard de Crayer II (1), an apprenticeship with Otto Van Veen has also been suggested. In 1624 he worked at the Court of the Bishop of Paderborn and for Ferdinand of Bavaria. He later returned to his native city, where he focused on religious and historical paintings. He was a very accomplished and celebrated artist who attained a high rank in his profession. He witnessed the baptisms of Pieter and Janne-Marie Van Hulle...
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  • 17th century Flemish Old Master painting - Vast landscape with a majestic oak
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    17th century Flemish old master painting depicting a forest landscape with a majestic oak Alexander Keirincx, born around 1600 in Antwerp, Belgium, was a prominent Flemish landscape...
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  • 17th century Dutch seascape - Stormy sea with a Dutch Hoy - Marine Boats
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  • 19th century impressionist painting - Summer in the Countryside , a shepherdess
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  • Channel. 1965, canvas, oil, 80x100 cm
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    Channel. 1970, cardboard, oil, 108x73 cm Jadviga Žilvinska (1918-2010) was born in Tallinn. She grew up in Liepāja, where her great interest in art began and strengthened, which led the young artist to study at the Art Academy of Latvia. During her studies at the Academy, she studied with K. Ubāns, V. Tone and J. Liepiņš, and defended her diploma thesis under the guidance of L. Liberts. Later on, she devoted her entire life to art, working at the Liepāja School of Fine Arts and as a portraitist at the "Māksla" combine. She had four favourite themes: landscapes, portraits, flowers and sacred painting. Her works have lyricism and inner harmony. In the portraits, we see not only the outer form of a person, but the artist allows us to look into the very essence of a person - it is likely that the models themselves often saw something new and bright in themselves through the artist's vision. The works are executed in various techniques - tempera, oil, pastel and watercolour. CV: 1938 - Graduated from the Liepaja Secondary School of Applied Arts, Department of Decorative Painting. 1943 - Latvian Academy of Art, L. Liberts Figurative Painting Workshop with her diploma work "At the Artist's" 1946-1948 - teacher of painting and drawing at Liepāja Fine Arts High School. 1948-1966 - portraitist at the "Māksla" combine Participated in exhibitions since 1948. Member of the Artists' Union since 1966. Solo exhibitions in Riga, Jelgava, Sigulda (1972); Riga (1975; 1978; two in 1981; 1986; 1994), Jurmala (1979). Works exhibited in Latvia as well as abroad (Poland, Switzerland, Italy, Japan, Finland, Venezuela, Germany, Hungary). The works are located in: "Portrait of Cardinal Julian Vaivoda", 1983, in the Vatican Museum in Rome "Portrait of Pope John Paul II, 1982, in the Roman Catholic Metropolitan Curia of Riga The altarpieces "The Heart of Jesus" and "Our Lady of Fatima", the paintings "John the Baptist" and "The Holy Family" , all from the late 1960s, in the Church of St Mary Magdalene...
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