Louis Ritman

Countryside - monochromatic colors

1915 to 1935

Moody blue night with rain and wind rendered in a post-impressionist style somewhat like that of Albert Marquet

Nordfeldt's misty and moody monochromatic modernist landscape is reminiscent of Marsden Hartley. Signed lower right. The plaque reads B.J.O Nordfeldt "Moon in Mist - The painting l...

Corcos paints what appears to be the northern part Central Park from an elevated view looking northwest. The artist used a restricted palette of warm browns and grays with heavy outl...

Bridgman may have used this as a study for another work that included a nude figure in the foreground. Unlined original canvas, surface dirt, need illumination to bring out color. Pr...

At the height of Abstraction Expressionism, overlooked Academic Artist John Atherton created a wonderfully complex painting that embodies many of the characteristics of what was going on in Mid-Century American Art. The work is simultaneously abstract as it is representational. Like a Bento Box, it's divided into sections by dividers. On close inspection, each section stands on it's own as a beautiful mini-painting yet coalesces as part of the whole. From a distance, it is eye-pleasing, but as the view gets closer and closer, new structures and details gloriously reveal themselves. This is an important painting and not unlike the work of Joaquín Torres-García. It was done in the last year of the artist's life. Signed lower right. Canvas is relined. Framed size: 30 x 41.25. The work is best viewed with top gallery lights to bring out color. Atherton exhibited at the famous Julien Levy Gallery in New York and his fine art is mainly associated with Magic Realism. He participated in the seminal 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. The Museum of Modern Art has 4 Atherton paintings in its collection. As an Illustrator, Atherton did covers for the Saturday Evening Post, Fortune and Holiday Magazine...

Signed "E.B." in a cartouche panel in the upper center, which is repeated on the verso. Includes 19 on the left side and 62 on the right side. h: 33.2 x w: 19.5 in / h: 84.3 x w: 49...

This elegant oil on mounted canvas is by André Hambourg (France, 1909-1999) and features a seaside composition. The artwork is signed in the bottom left corner. The landscape is a lovely pastel color composition, by the beach, on the French Atlantic coast nearby Cabourg or Deauville. Newly framed with a gray and green ceruse wood frame and a blue canvas matte. Measurements: With frame: 22.82 in. wide (58 cm) x 19.32 in. high (49 cm). Opening: 16.13 in. wide (41 cm) x 12.63 in. high (32 cm). About: André Hambourg was born in Paris on 5 May 1909. Entering the Ecole Nationale Superieure des Arts Decoratifs in 1926, he studied sculpture under Paul Niclausse for four years. The young artist then entered the studio of Lucien Simon at the Ecole Nationale Superieure des Beaux-Arts. While in the middle of his academic studies, Hambourg had his debut solo exhibition at the Galerie Taureau in Paris in 1928. He was only 19 years old. Because of the early recognition of his talent, Hambourg became active in major Paris salons in the first stages of his fledgling career. In 1931, he was made a member of the Salon de l’Art Français Indépendant and the Salon de l’Oeuvre Unique. The first of Hambourg’s many honors was the Prix de la Villa Abd-el-Tif, awarded in 1933. As a result, the artist traveled to North Africa for the first time and spent nearly ten years working in Algeria and Morocco. The strong light of the sun, and the bleak poverty of this region, inspired Hambourg’s works. In 1937, he executed a large mural for the Algerian Pavilion at the Exposition Internationale of Paris. Throughout his years in North Africa, Hambourg would exhibit his paintings in numerous solo exhibitions in Algeria and Paris. In 1939, Hambourg was mobilized as a military reporter and draughtsman and worked on the staff of the Journal de Commissariat a la Guerre, the newspaper of the French army, under the pseudonym Andre Hache. Special missions on combat vessels led to his appointment as a war correspondent in 1944 with the staff of inter-allied SHAEF. As such, he participated in the campaigns of Germany, Alsace, the Atlantic front, and the Liberation of France. After returning to his artistic career for a short time, Hambourg became the official painter of the Navy in 1952. He undertook numerous voyages aboard French Navy vessels on missions worldwide, including Venice, the Soviet Union, Israel, Great Britain, The Ivory Coast, The United States, and Mexico. From these extended trips, the artist brought back numerous sketches and preparatory drawings for future paintings and illustrations. His international trips would have a lasting influence on his artwork. Hambourg’s adventurous maritime career resulted in his receiving the honor of Laureate of the Salon de la Marine and becoming the official painter of the Marine Ministry. In 1970, five hundred of his works created a prestigious retrospective at the Maison de Culture in Bourges, France. Other notable shows include Drawings of Venice...

This original city landscape painting by Juan del Pozo depicts the Empire State building in a flamboyant and radiant fusion of colour. The artist uses an impasto technique and pastel...

This interesting Mid Century Modern abstract pointillist cityscape oil on canvas painting is by Le Boreux (France, 20th Century). It depicts a colorful and vibrant brutalist cityscap...

Mid-Century Modern abstracted landscape of autumn trees lining a red brick pathway by Charles Fuhrman (American, 1940-1995), c.1960s. Signed "Fuhrman" lower left. Unframed. Image, 36...

Colorful landscape painting "Water Images IV" 30x40 by artist H.M. Saffer II. Painted in the style of pointillism- a series of tiny painted brushstrokes, this oil landscape depicts ...

Colorful landscape painting "Water Images IV" by artist H.M. Saffer II is a 40x30 oil on canvas. Painted in the style of pointillism, a series of tiny painted brushstrokes, this oi...