Lowell Nesbitt

NASA, Apollo 9 Space Mission Series, Lowell Nesbitt - Painting

1970

Artist: Ian Hornak (1944-2002) Title: The Banyan Tree: Variation VI (Jamaica) Year: 1981 Medium: Acrylic on Canvas Size: 42 x 60 inches Condition: Excellen...

Artist: Ian Hornak (1944-2002) Title: Georgica Pond at Sunset (East Hampton, NY) Year: February 1973 Medium: Acrylic on Canvas Size: 72 x 48 inches Condition: Excellent Inscription: Signed, dated, and titled by the artist, verso. Provenance: Tibor de Nagy Gallery, New York, NY; Bernice Fox Weinstein, Washington D.C.; Estate of Dr. Charles Cabaniss via his Lorena Smith Cabaniss, Washington D.C.; Private collection, MI. Notes: A seminal example of Hornak’s Photorealist multiple exposure landscape...

Artist: Ian Hornak (1944-2002) Title: Gabriel's Pavilion: Variation II Year: 1979 Medium: Acrylic on canvas Size: 50 x 72 inches Condition: Excellent Inscription: Signed recto; signe...

Artist: Ian Hornak (1944-2002) Title: Transparent Barricades: Variation II Year: 1974 Medium: Acrylic on canvas Size: 48 x 72 inches Condition: Excellent Inscription: Signed recto; ...

Dividing Light II [2021] Please note that insitu images are purely an indication of how a piece may look Dividing Light II is an original painting by artist Sheryl Roberts. Sheryl has mastered the composition of dramatic light...

A memory of past travels to the beautiful, unspoilt and timeless Kakadu National Park in Australia's Northern Territories. The white egret provides the focal point, flying above the wetlands towards the distant gum trees with their distinctive white trunks. The main colours are blends of blues and greens with a cream strip defining the break between floodplains and land. Helen Robinson, painter, is available for sale online and in our art gallery at Wychwood Art. Helen Robinson's atmospheric oil paintings represent impressionable moments in her life, mostly inspired by her love of travel and the sea. Following a career in town planning, Helen pursued her interest in art and has now been painting regularly for over 15 years. In 2013, she obtained an Honours degree in Art History when she found she was drawn mostly to artists who painted light. Influences include the 17th century Dutch landscape painters...

Impasto Oil Painting of River Tree Scene British Postwar & Contemporary Artist, Terry Evans Terry Evans is a British Postwar & Contemporary Painte...

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...