Lyonel Feininger

New York, Architectural Composition I - Architectural Cityscape

1940

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: Rider and Two Horses in front of a House Technique: Original Hand Signed Tempera Painting on paper Image size: 58 x 83 cm / 22.8 x 32.6 in Additional Information: The work is hand signed "Kadar Bela...

SEWERYN SZRAJER 1899-1947 Chelm 1899 - 1947 Paris (Polish/French) Title: Landscape in Ville d'Avray, Paris Technique: Original Signed Oil on Canvas size: 65 x 54 cm / 25.6 ...

This work is hand signed by the artist at the lower right part. The work is inscribed in pencil on the reverse Condition: Good condition apart from a few scratches with minor paint loss. Note: This work will be shipped from Israel.

This work is signed by the artist “Janco”, in the lower right corner. Condition: Good condition. Minor areas of craquelure, particularly along the edges of the canvas. Mild surface ...

Dick Beer (b. London 1893 - d. Stockholm 1938) Utsikt från fönster, View From a Window, 1920 oil on canvas 73 x 60.5 cm stamp signed painted 1920 Exhibi...

Claude Venard (French, 1913 - 1999) Venice Canal, Italy, circa 1950-55 Oil on canvas 24 x 24 inches Signed lower center Provenance: Private Collection, Massachusetts The authenticity of this work has been confirmed by Galerie Felix Vercel. Claude Venard was a notable exponent of the French mid-century post-Cubist movement. He was born to bourgeois parents from Burgogne in Paris, on March 21, 1913. At the age of 17, he enrolled and attended the Ecole des Beaux-Arts, but remained for only two days, not adhering to the school's academic style. Instead, he spent the following six years at the École des Arts Appliqués, taking evening classes and embracing the contemporary Parisian art scene, all the while becoming recognized in its circles. Not able to support himself as an artist, by 1936 he found employment as a restorer at the Louvre, further honing his artistic skills. Paris of the period was dominated by an art trend that strongly favored abstraction. Following a group show at the Galerie Billet-Worms in 1935, art critic Waldemar George declared: "Let's be young again! Painting is not dead… Its course has not stopped. Forces Nouvelles is born." Venard contributed and initially adhered to the strict disciplines of the Forces Nouvelle group. But as with many of his fellow members, he soon abandoned it seeking individual expression. Following WWII, Venard rekindled friendships with past Forces Nouvelles members, joining Pierre Tal-Coat, André Marchand, André Civet...

Valley landscape. 1962, oil on canvas, 65,5x75,3 cm

Boats. 1980. Canvas, oil, 70x70 cm Contrasting landscape with boats in cubistic style in red and yellow tones