Marcia Wise

"Light My Way Home", oil painting, landscape, yellows, greens, blues, pink

2017

“Stepping Forward” by Alexandra Rozenman is a large horizontal 58 x 26 x 3 inch oil on canvas, which by the way it is structured, gives us an illusion of the two worlds, maybe past a...

"We have to cross this bridge together" by Alexandra Rozenman is a painterly and playful oil painting on linen 60 x 64 x 2.5 inches. This vast abstracted landscape reminds us of how ...

“Embers of the Day Diptych” by Catherine Picard-Gibbs is an abstract textural landscape of a brilliant sunset breaking through the trees and is painted in rich yellows, oranges, and ...

Nan Hass Feldman's "Vanessa and Otis on the River Bank" is a 24 x 30 x 2 inch oil painting on canvas that is a joyful, Expressionist, and Fauvist work having bold shapes, strokes, pa...

“Longitude” is 40 x 60 x 2 inch oil painting on canvas by Alexandra Rozenman. You feel the space shifting through many horizon lines. A peaceful river landscape with a single boat on a green shore keeps the painting up like a pedestal while above it air moves in greens and blues leaving lines and shapes on the lands and mountains. White trees that make us think about birches reflect in deep waters. Light goes up and up and up and on the very top of the painting, we see two women sitting comfortably next to each other at the front of an open door. This vast landscape is just a room for them. Dark night with a full moon is outside. The title of this painting is "Longitude" it illustrates how close we can be even when we are far away once we understand each another. This painting is oil on canvas, initialed on the front and signed, titled and dated on the reverse. On the reverse, you also see one old...

“Forgotten Bedroom” by Alexandra Rozenman is a playful oil painting on canvas measuring 50 x 48 x 2 inches in greens and blues with touches of red and yellow. You see a dark and stor...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

The artwork is signed on the front. One of the most recognized Uruguayan painters of his generation, Ignacio Iturria (Montevideo, Uruguay, b. 1949) is known for his surreal interpr...

The artwork is signed and dated on the front. Carlos Hernández Guerra Born in El Callao, state of Bolívar, in 1939. He studies at the School of Plastic and Applied Arts of Caracas in 1955-59, with such teachers as: Rafael Ramón González, Marcos Castillo, Pedro Angel González, Juan Martín Durbán, Juan Vicente Fabbiani and Alejandro Otero. In 1959 he is granted the Rome Prize of the 20th Venezuelan Official Art Salon. He travels to Paris in 1960, to study at the Higher School of Fine Arts of Paris, while taking simultaneous courses in Art Sociology at La Sorbonne University under the prestigious professor Pierre Francastel. In 1960 he obtains the Antonio Esteban Frías Prize, Official Art Salon, Caracas, and in 1961, the First Prize of the Annual Golden Fish Salon, Caracas. After returning from Paris, in 1962-64, he is incorporated to the teaching staff of the Armando Reverón School of Plastic Arts of Barcelona. In 1963 he participates in the “Three Awarded Young Men” show at the Mendoza Hall. Along with Manuel Espinoza, he is co-founder of the Experimental Art Center (CEA) of the University of the Andes (ULA), where he teaches drawing and painting and heads the center of painting technology from 1964 to 1968. In 1968 he enters the State School of Fine Arts of Berlin, in Germany, under Professor Hans Trier. In 1972 he takes part in the “Latin American Artists” exhibition carried out at the Museum of Modern Art of Paris. In 1973, he becomes a member of the teaching staff of the Cristóbal Rojas Art School while also teaching drawing at the Neumann Institute in Caracas. In 1977, along with Alirio Palacios...

The artwork is signed and dated on the front. Carlos Hernández Guerra Born in El Callao, state of Bolívar, in 1939. He studies at the School of Plastic and Applied Arts of Caracas in 1955-59, with such teachers as: Rafael Ramón González, Marcos Castillo, Pedro Angel González, Juan Martín Durbán, Juan Vicente Fabbiani and Alejandro Otero. In 1959 he is granted the Rome Prize of the 20th Venezuelan Official Art Salon. He travels to Paris in 1960, to study at the Higher School of Fine Arts of Paris, while taking simultaneous courses in Art Sociology at La Sorbonne University under the prestigious professor Pierre Francastel. In 1960 he obtains the Antonio Esteban Frías Prize, Official Art Salon, Caracas, and in 1961, the First Prize of the Annual Golden Fish Salon, Caracas. After returning from Paris, in 1962-64, he is incorporated to the teaching staff of the Armando Reverón School of Plastic Arts of Barcelona. In 1963 he participates in the “Three Awarded Young Men” show at the Mendoza Hall. Along with Manuel Espinoza, he is co-founder of the Experimental Art Center (CEA) of the University of the Andes (ULA), where he teaches drawing and painting and heads the center of painting technology from 1964 to 1968. In 1968 he enters the State School of Fine Arts of Berlin, in Germany, under Professor Hans Trier. In 1972 he takes part in the “Latin American Artists” exhibition carried out at the Museum of Modern Art of Paris. In 1973, he becomes a member of the teaching staff of the Cristóbal Rojas Art School while also teaching drawing at the Neumann Institute in Caracas. In 1977, along with Alirio Palacios...