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Marion Gray Traver"Afternoon Ice Skate"Circa 1955
Circa 1955
$2,200
$3,50037% Off
£1,676.06
£2,666.4737% Off
€1,932.57
€3,074.5437% Off
CA$3,078.86
CA$4,898.1837% Off
A$3,440.11
A$5,472.9037% Off
CHF 1,799.56
CHF 2,862.9337% Off
MX$42,186.75
MX$67,115.2937% Off
NOK 22,994.93
NOK 36,582.8537% Off
SEK 21,805.29
SEK 34,690.2337% Off
DKK 14,423.80
DKK 22,946.9537% Off
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About the Item
Oil on artist board painting by the American artist, Marion Gray Traver. Signed lower left. Composition is done completely with a palette knife. Good condition. In original gold leaf frame with linen liner in fine condition. Overall framed 20.75 by 16.5,inches. Provenance: J.J. Gillespie Company, Pittsburgh, Pennsylvania.
Biography Marion Traver
Born in Elmhurst, New York, she studied art with her father, George Traver. Until his death, she shared a studio with him for many years in New York City. Her favorite subject and the one that brought her much acclaim was New England winter scenes.
She was active from 1918 to 1946 in the National Association of Women Artists. Among her many exhibition venues were the National Academy of Design from 1925 to 1935, the 1931 International Art Club in London, and the Catherine Wolfe Art Club in New York.
Source: Paul Sternberg, Art by American Women
- Creator:Marion Gray Traver (1892 - 1964, American)
- Creation Year:Circa 1955
- Dimensions:Height: 16 in (40.64 cm)Width: 12 in (30.48 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent condition; no restorations. Original gold leaf frame with linen liner in fine condition.
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1411827483
Marion Gray Traver
Marion Gray Traver was born in Elmhurst, Illinois, and she studied art with her father, George A. Traver. Until his death, she shared a studio with him for many years in New York City. Her favorite subject and the one that brought her much acclaim was New England winter scenes. Traver was active from 1918–46 in the National Association of Women Artists. Among her many exhibition venues were the National Academy of Design from 1925–35, the 1931 International Art Club in London, and the Catherine Wolfe Art Club in New York.
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