Martin Yeoman

Salisbury Plain, Late Spring, Oil on Panel Figurative Landscape Painting

Late Summer above Chittern Painting by Martin Yeoman B. 1953 Additional information: Medium: Oil on panel Dimensions: 16 x 36 cm 6 1/4 x 14 1/8 in Martin Yeoman was born in 1953, a...

Sun Over Chalk (October), Oil on Panel Painting by Keith Purser B. 1944, 2018 Additional information: Medium: Oil, sand and found objects on panel Dimensions: 40 x 122 cm 15 3/4 x 4...

Dune with Blue, Oil on Panel Painting by Keith Purser B. 1944, 2021 Additional information: Medium: Oil, chalk pastel and sand on panel Dimensions: 43 x 121.5 cm 16 7/8 x 47 7/8 in ...

Ewe in a Sunflower Field, Oil on Panel Painting by Jo Aylward B. 1974, 2023 Additional information: Medium: Oil on panel Dimensions: 22 x 40 cm 8 5/8 x 15 3/4 in Signed Jo Aylward ...

A fine impressionist townscape oil painting by American artist Nancy Maybin Ferguson (1872-1967). Ferguson was born in Philadelphia, PA, and studied with academic realists Charles Hawthorne...

"No Escape from Nature" depicts an early morning walk through the woods. Dappled sunlight makes this scene quite tranquil. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"Cast Away From The Mainland" depicts a city near a waterway. These small paintings beckon viewers to draw closer and observe all that artist has been able to convey on such a small ...

"Lost Between The Details" depicts a open skies and city lights. This scene is of no particular place, but rather Carpenter's interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...