Board Landscape Paintings

Egypt plein air

The last ray. 2023. Canvas, cardboard, oil, 17x23 cm Warm summer evening landscape with stork in small town in Latvia, Erberge. Small size plein air painting Alyona Prokofyeva (198...

Janet Keith Garden 
Original semi abstract painting Acrylic paint on board Size: H76 cm x W51 cm x D 0.30cm Sold Unframed Please note that in situ images are purely an indication of ...

"Market in Paris" is a European townscape and market Scene by American Impressionist painter Albert Van Nesse Greene, featuring towns people at a busy outdoor market. The painting i...

Alice Maud Fanner was born in Surrey in 1865 and for many years lived in the Chiswick area of London. She studied at the Richmond School of Art and also taught there. She attended Slade School of Art in London. She was a pupil of Albert Julius Olsson. Like Olsson, Fanner often painted the sea and the coast, as well as yachts and sailing scenes. One of her paintings, "Riverside Landscape," was included in the book "Women Painters...

An original oil on board by American artist Julius Richter. Julius Richter, was a physician, surgeon and educator. He was born Dec. 19,1876, in Alleghany, Pennsylvania. He was educ...

The river. 1989, oil on cardboard, 46x60,5 cm Summer landscape by the river Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He pain...

Rooftop view of the upper West Side Manhattan as it looked in the 1930s. There is a rough indication of a billboard and a glimpse of the Hudson River. The cluster of buildings depic...

October is a very changeable time of year. With an abundance of bright colors in the foliage in sunlight, a simple motif can become the subject of a painting. In this sketch I experi...

Incoming, Original Impressionist Painting, 2021 8" x 10" (HxW) Pastel on Board Please note this piece is framed A contemporary pastel work depicting the ocean's water crashing onto...

A super example of one of Nicholas Hely Hutchinson's whimsical compositions, very much bringing to mind the work of Raoul Dufy. A very collect...

Island Garden Border II Dylan Lloyd Medium: Oil on board Image size: 30 x 24 cm Framed size: 42.5 x 36.5 cm Sold Framed Dylan Lloyd was born in Gravesend, Kent in 1972 and studied F...

Alison Groom Harbour Ripples. Original textured landscape painting. Oil on textured acrylic medium on board. Total Artwork Size: H 59cm x W 83cm x D2cm. Sold Unframed. Harbour Ripp...

A fine impressionist oil marine harbor scene painting by Australian American artist Hayley Lever (1876-1958). Lever was born in Adelaide, Australia and studied first at the Adelaide...

William R Davis's "Florida Waterway" is a breathtaking contemporary painting that encapsulates the vibrant atmosphere of Florida's coastal landscapes. This stunning artwork presents ...

Landscape with a river. 1947. Oil on cardboard, 50x72 cm Harijs Veldre (Bullis till 1947) (1927.8.III – 1999.6.V) Harijs Veldre learned in Riga school of appl...

Framed Size - 80 x 105 cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, a...

Dripping in Diamonds is a water and figurative artwork featuring swimmers in the water. It is a Pastel on archival board. It is the first time in 30 years Bennett has created artwo...

"The Granite Wave", a beautiful example by well-known and highly regarded artist: Matt Smith. This is a great example of his work. It has it all: snow-capped mountains, sunny day, ...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

St Ives Harbour [2017] Original Figurative Acrylic on Board Image size: H:27 cm x W:22 cm Frame Size: H:46 cm x W:40 cm x D:2cm Sold Framed Please note that insitu images are purely ...

A shimmering evening landscape of Rio Guadiana, Spain. Oil on Board – 38" x 44.75" Framed Size: 45.75" x 52.5" About the Artist: Borja Fernandez is a ...

May Hill by Eleanor Woolley [May 2021] original Oil Painting on Gesso Board Image size: H:15.2 cm x W:15.2 cm Complete Size of Unframed Work: H:15.2 cm x W:15.2 cm x D:2cm Sold U...

Rocky seashore. 1980, cardboard, oil, 48x66 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place in his creativity takes city landscapes. As a ten-year-old boy...

Boulders near the field. 1983, cardboard, oil, 68x94 cm

This Western Landscape by New England Impressionist painter Richard Edward Miller is a 12.5 x 23.5 inches, oil on board painting from 1931. A plein-air and impressionist painter as ...

Artist: Harold Bennett, British (1880 - 19??) Title: Brigsley Village, Lincolnshire Year: 1920 Medium: Oil on Board, signed Size: 13 in. x 15.75 in. (33.02 cm x 40.01 cm) Frame Size:...

Beautiful winter landscape of the snow covered countryside by an unknown artist (American, 20th Century). Signed "Mallek" lower right. Displayed in a painted rustic frame. Image, 7"H...

unframed size: 35 x 30 cm framed size: 40 x 35 cm Artist Statement: “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During t...

A painting by Ralph Waterhouse. "Spring Sunset" is a landscape painting, oil on canvas laid on board in a palette of oranges and greens by American artist Ralph Waterhouse. The artwo...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Carnations and roses. 1990, cardboard, oil, 92x67 cm

Henry Charles Hannig (1883 - 1948) The Green Parasol Oil on canvas mounted on board 6 x 7 3/4 inches Provenance: R.H. Love Galleries, Chicago, Illinois Private Collection, Lake Orion, Michigan Hannig, born in Hirschberg, Germany on 27 February 1883, came to America with his parents at the age of seven. He attended school in the southwest suburbs before the family settled in Chicago. Young Henry enrolled in the Chicago Academy of Fine Arts where Lawton Parker became his mentor. He made ends meet by working in industrial design and illustration. By 1908 he was a pupil in the School of the Art Institute of Chicago where students followed the traditional European drawing curriculum, beginning with the copying of master engravings and drawing after plaster casts, then concentrating on the nude figure. Students worked toward the goal of winning various academic prizes. One of Hannig's fellow students was Louis Ritman...

Nathan Hoffman Brighton Beach, August 5, 1941 Signed, titled, dated and estate stamped on the reverse Oil on board 9 3/4 x 14 inches Born in Russia, th...

In my artwork, I've used oil to skillfully blend impressionism with realism, capturing the serene beauty of the seascape. The sun-kissed cliffs and tranquil azure waters reflect a pe...

Fine & important American New England Impressionist landscape oil painting on board by Gerrit Albertus Beneker (1882-1934), Provincetown Massachusetts, 1915. A beautiful scene of "Th...

An original antique American oil painting by John Rummell depicting a forest interior. The stunning composition is highlighted by vibrant colors a thick imposto and lively brush s...

Dylan Lloyd Island Path III Original Oil Painting on Canvas Oil Paint on Canvas Framed in a White Box Frame Image size: H 30cm x W 24cm x D 0.5cm Framed Size: H 42cm x W 36.5 x D 4cm...

Bright flowers in the garden Cardboard, oil, 44x58.5 cm

Nathan Hoffman Brighton Beach, July 31, 1946 Signed, dated, and estate stamped on the reverse Oil on artist's board 10 x 13 1/2 inches Provenance: Esta...

Nathan Hoffman Ocean Parkway Beach, October 2, 1941 Signed, titled, dated on the reverse Oil on artists board 9 3/4 x 14 inches Born in Russia, the son...

Harry Leslie Hoffman (1871 - 1964) Bermuda Oil on board 16 x 12 inches Signed lower right; estate stamped on the reverse A man with strong academic art training, Harry Hoffman was judged by his peers to have done best with his landscapes when he painted what he saw and set aside the theories. He studied in Paris, worked at Yale University with John Ferguson Weir, and was a student at the Art Students League with Frank DuMond. But Willard Metcalf had the strongest influence, encouraging Hoffman to paint in the style of impressionism. In 1902, Hoffman went to Old Lyme, Connecticut, and stayed at the Florence Griswold...

Windy day. 1981, oil on cardboard, 40x62 cm

Green Victorian House with Autumn Leaves Multimedia architectural painting of the outside of a house in autumn by Linda Webb (American b. c. 1942). This piece features multiple diff...

An impressionistic, antique landscape painting depicting the rugged coastal beauty of Race Point Beach, Massechusets. The rocky coastline and rushing waves are rendered in luminous ...

Olof Arborelius (1842–1915) Sweden Farmstead in Dalarna, 1864 signed with monogram OA and dated “Arb-s 64” inscribed into the wet paint, with the estate’s stamp "OA" on the back. o...

Guy C. Wiggins (1883 - 1962) Locomotive Train in Snowstorm, 1957 Oil on paperboard 8 x 10 inches Signed lower left; signed and dated on the reverse Guy Carleton Wiggins is best known for his impressionistic snow scenes of New York in 1920's. Wiggins lived in Old Lyme and Essex where he operated an art school. The Connecticut country-side was conducive to his impressionist technique of plein-air painting and broken brushwork.  Ironically, although his work includes many fine Connecticut landscapes, he is best remembered for some snow scenes of New York City. Like many other American Impressionists, Wiggins had one foot in the city and the other in the country (Vermont Hillside, South Londonderry).  Wiggins was born in Brooklyn, New York, went to England with his family as a boy, received an English grammar school education, and traveled widely abroad. He was the son of a prominent artist, Carleton Wiggins, a painter in the Barbizon style who studied with George Inness and admired Anton Mauve and Dwight Tryon...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. John Wells James (1873 - 1951) A master of both landscape and still life painting, Brooklyn-born John Wells James was a significant member of the New Hope...

Rachel Painter Cliffs At Porthtowan Original Landscape Painting Oil On Board Image Size: 50 x 40 x 0.5 cm Sold Unframed Free Shipping Please note that i...

Boris Vassiloff, Russian/American (1906 - 2000) Artist Boris Vassiloff was born on March 24, 1906 to Julia Nikolaevna and Boris Ivanovich Vassiloff in Russia. He died peacefully on D...

An original oil on board by American artist Julius Richter. Julius Richter, was a physician, surgeon and educator. He was born Dec. 19,1876, in Alleghany, Pennsylvania. He was educ...

1930s French Impressionist Barbizon School oil on panel view of church spires and palm trees by Georges Guerin (1910-1984). Signed to the bottom right. Dominating the composition a...

Charles Merrill Mount was born Sherman Merrill Suchow in Brooklyn, New York in 1928. Mount attended Columbia University, leaving to study at the Art Students League of New York. In a...

"Mountain Waters, Romans 1:11-12" (2025) by Thomas Kegler is an original, handmade oil painting that depicts a mountain river with serene waters. About the artist: Thomas Kegler’s ...

Rye field. 2000. Cardboard, oil, 69x91 cm Summer landscape with Rye field and river by Edgars Vinters

The greens are blooming. Cardboard, oil, 48x67 cm Spring beginning by the river. Landscape with threes

In this natural oil study, I captured the moment of awakening and tranquility of nature, feeling spring in my heart, in order to depict the serene beauty of awakening nature. My ligh...

Luminosa opera di un prato con fiori di primavera

By the moonlight II is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with mixed media and gold leaves on Japanese cardboard, dimensions are 2...

Signed lower right, 'André Prévot-Valéri' (French, 1890-1959) and painted circa 1920. André Prévot-Valéri was the son of the landscape painter, August Prévot-Valéri (1857-1930), and...