Board Landscape Paintings

Mid Century Fields of Wheat Landscape by Genevieve Rogers Idyllic landscape of a path winding through a field of wheat, punctuated by wildflowers an...

From the zenith of the composition, a gentle wash of light green cascades, akin to the subtle breath of a late summer breeze. Below, a lush and deep olive green emerges as a prominen...

Vibrant late 1930's landscape painted in a colorful spectrum of a pathway leading through trees to a glassy lake framed by distant mountains and a multicolored sky by A. Griffin (Ame...

Dynamic California coastal scene by an unknown artist. The orientation of brushstrokes in this piece create a sense of movement in the trees and the grass, hinting at the way the win...

Grief Series #33 by Julia Godden [2021] original Acrylic Paint on board Image size: H:33 cm x W:33 cm Complete Size of Unframed Work: H:30.5 cm x W:30.5 ...

Katheryn Holt paints memory. Her abstract paintings are infused with half-remembered landscapes. She has been documenting her interior and exterior life ...

"Springtime" is an original tempera on board painting of a Colorado mountain landscape painting by Ethel Magafan circa 1960. Abstracted mountain landscape with trees, painted in colors of green, purple, golden yellow, red, orange, blue, black and white. Presented in a custom hardwood frame, outer dimensions measure 23 ¼ x 50 x 2 inches. Image size is 30 x 48 inches. Provenance: Private collection, Maine Acquired in the early 1960s, by descent through the family to the present owner About the Artist: Jenne and Ethel Magafan were identical twins, born in Chicago to a Greek immigrant father and a Polish mother. Due to health concerns about their father, the family moved to Colorado, living first in Colorado Springs and then in Denver. He was a proud supporter of their artistic ambitions but died suddenly 1932, a heavy blow to both of them. They attended East High School in Denver, where they found a mentor in their art teacher Helen Perry. She had studied at the Art Institute of Chicago but had later abandoned a career as an artist, making her all the more determined to help the Magafan twins succeed artistically. While still in high school, the twins impressed artist Frank Mechau, and Helen Perry paid for their lessons with him. He subsequently invited them to apprentice with him at his Redstone studio. In 1936, Jenne won the Carter Memorial Art Scholarship and shared it with her sister so that they both could attend the Broadmoor Art Academy in Colorado Springs. Once they ran out of money, Mechau, now teaching there, hired them as assistants. Through their involvement at the Academy, the twins entered into careers as muralists, working at first with Mechau and then with Peppino Mangravite. From 1937 to 1943, Ethel was commissioned to paint her first of seven government sponsored murals. Located in the US Post Office in Auburn, Nebraska, this commission made Ethel (at age 26) the youngest artist in America to receive such an honor. Denver Art Museum director Donald J. Bear once commented that “[Ethel and Jenne's] study of local detail makes them appear as little Bruegels of ranch genre – natural and unforced.” As mural painting commissions diminished, Ethel began to do more easel painting for which she used a palette knife and tempera paints to great effect. After settling in California for five years, the twins permanently relocated to Woodstock, New York in 1945, where the sisters lived apart for the first time. Ethel developed an increasing focus within her work, particularly for horses and abstract landscapes. She met fellow artist Bruce Currie...

Katheryn Holt paints memory. Her abstract paintings are infused with half-remembered landscapes. She has been documenting her interior and exterior life through painting since she wa...

Wonderful early 20th century California landscape of cypress trees and colorful wildflowers dotting the beautiful Monterey coast, with a glimpse of the deep blue Pacific and a soft lavender hue in the sky along the horizon, by San Francisco artist Bertha Elizabeth Stringer Lee (American, 1869-1937). Signed "Bertha S. Lee" lower right. Displayed in a rustic wood frame. Image size: 7.5"H x 9.75"W. A painter of California landscapes especially in the Bay Area, Monterey, and Lake Tahoe, Bertha Lee...

Hike. Oil on cardboard. 33.5x48 cm Arnolds Pankoks (born 1914.21.IX - 2008.) Graduated Art Academy of Latvia (1937 – 43, 1945 – 47) with diploma work ...

Laimdots Murnieks had a significant influence on the development of Latvian painting at the end of the 20th century. His work 'Holiday' conveys the fee...

Delton Demarest's "Burnham Yards" is an original, handmade oil painting that depicts a landscape of an industrial stock yard

Regal depiction of the Sovereign of the Seas by Victor Lind (Sweden, 19th-20th c.). The ship is sailing towards the viewer, with the sun off to the right, illuminating the sails. The...

Richly colored landscape of sailboats on the water at Gloucester Harbor, Massachusetts. Signed "De Geno" in lower right corner. Presented in a gilt wood frame. Image size: 17.5" L x ...

This painting depicts an impressionistic Plein Air scene of Vesuvio Bakery in West Village NYC. The thick brush strokes and fun marks creates an atmos...

The Bee Hive In Spring, 19th Century William Banks FORTESCUE (1855-1924) 19th Century Impressionist study of a bee hive in spring, oil on canvas laid to board by William Banks Fort...

Beautiful oil on fiberboard painting of fishing boats at the docks of Gloucester by the well known North Fork Long Island artist Caroline M. Bell. Circa 1945. Signed lower left by the artist. Condition is very good. Housed in its original silver leaf over wood frame in restored condition. Overall framed measurements are 18 by 20 inches. Provenance: Sarasota, Florida estate. Biography: Caroline M. Bell (1874 -1870) Caroline Bell was the leader of a group of artists known as the Peconic Bay...

Katheryn Holt paints memory. Her abstract paintings are infused with half-remembered landscapes. She has been documenting her interior and exterior life through painting since she wa...

Beautiful and vivid California mountain lake landscape. Circa 1970. Signed lower right "C. Sokolovsky." Displayed in rustic giltwood frame. Image, 20"H x 24"W.

View on the street from the top. A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by yacht...

Original vintage 1941 Colorado landscape painting with autumn leaves and Pikes Peak blanketed in snow by Charles Bunnell (1897-1968). Inscribed verso, "To Laura, November 22, 1941", egg tempera on board. Signed by the artist in the lower left corner and titled verso. Presented in a custom frame, outer dimensions measure 15 ½ x 19 ¼ x 1 ¼ inches. Image size is 7 ¾ x 11 inches About the Artist: Artist and teacher, Charles ("Charlie") Bunnell worked in a variety of styles throughout his career because as an artist he believed, "I’ve got to paint a thousand different ways. I don’t paint any one way." At different times he did representational landscapes while concurrently involved with semi- or completely abstract imagery. He was one of a relatively small number of artists in Colorado successfully incorporating into their work the new trends emanating from New York and Europe after World War II. During his lifetime he generally did not attract a great deal of critical attention from museums, critics and academia. However, he personally experienced a highpoint in his career when Katherine Kuh, curator at the Art Institute of Chicago, personally chose one of his paintings - Why? - for its large exhibition of several hundred examples of abstract and surrealist art held in 1947-48, subsequently including it among the fifty pieces selected for a traveling show to ten other American museums. An only child, Bunnell developed his love of art at a young age through frequent drawing and political cartooning. In high school he was interested in baseball and golf and also was the tennis champion for Westport High School in Kansas City. Following graduation, his father moved the family to Denver, Colorado, in 1916 for a better-paying bookkeeping job, before relocating the following year to Colorado Springs to work for local businessman, Edmond C. van Diest, President of the Western Public Service Company and the Colorado Concrete Company. Bunnell would spend almost all of his adult life in Colorado Springs. In 1918 he enlisted in the United States Army, serving in the 62nd Infantry Regiment through the end of World War I. Returning home with a 10% disability, he joined the Zebulon Pike Post No. 1 of the Disabled American Veterans Association and in 1921 used the benefits from his disability to attend a class in commercial art design conducted under a government program in Colorado Springs. The following year he transferred to the Broadmoor Art Academy (founded in 1919) where he studied with William Potter and in 1923 with Birger Sandzén. Sandzén’s influence is reflected in Bunnell’s untitled Colorado landscape (1925) with a bright blue-rose palette. For several years thereafter Bunnell worked independently until returning to the Broadmoor Art Academy to study in 1927-28 with Ernest Lawson, who previously taught at the Kansas City Art Institute where Bunnell himself later taught in the summers of 1929-1930 and in 1940-41. Lawson, a landscapist and colorist, was known for his early twentieth-century connection with "The Eight" in New York, a group of forward-looking painters including Robert Henri and John Sloan whose subject matter combined a modernist style with urban-based realism. Bunnell, who won first-place awards in Lawson’s landscapes classes at the Academy, was promoted to his assistant instructor for the figure classes in the 1928-29 winter term. Lawson, who painted in what New York critic James Huneker termed a "crushed jewel" technique, enjoyed additional recognition as a member of the Committee on Foreign Exhibits that helped organize the landmark New York Armory Exhibition in 1913 in which Lawson showed and which introduced European avant-garde art to the American public. As noted in his 1964 interview for the Archives of American Art in Washington, DC, Bunnell learned the most about his teacher’s use of color by talking with him about it over Scotch as his assistant instructor. "Believe me," Bunnell later said, "[Ernie] knew color, one of the few Americans that did." His association with Lawson resulted in local scenes of Pikes Peak, Eleven Mile Canyon, the Gold Cycle Mine near Colorado City and other similar sites, employing built up pigments that allowed the surfaces of his canvases to shimmer with color and light. (Eleven Mile Canyon was shown in the annual juried show at the Carnegie Institute in Pittsburgh in 1928, an early recognition of his talent outside of Colorado.) At the same time, he animated his scenes of Colorado Springs locales by defining the image shapes with color and line as demonstrated in Contrasts (1929). Included in the Midwestern Artists’ Exhibition in Kansas City in 1929, it earned him the gold medal of the Kansas City Art Institute, auguring his career as a professional artist. In the 1930s Bunnell used the oil, watercolor and lithography media to create a mini-genre of Colorado’s old mining towns and mills, subject matter spurned by many local artists at the time in favor of grand mountain scenery. In contrast to his earlier images, these newer ones - both daytime and nocturnal -- such as Blue Bird Mine essentially are form studies. The conical, square and rectangular shapes of the buildings and other structures are placed in the stark, undulating terrain of the mountains and valleys devoid of any vegetation or human presence. In the mid-1930s he also used the same approach in his monochromatic lithographs titled Evolution, Late Evening, K.C. (Kansas City) and The Mill, continuing it into the next decade with his oil painting, Pikes Peak (1942). During the early 1930s he studied for a time with Boardman Robinson, director of the Broadmoor Art Academy and its successor institution, the Colorado Springs Fine Arts Center from 1930 to 1947. In 1934 Robinson gave him the mural commission under the Public Works of Art Project (PWAP) for West Junior High School in Colorado Springs, his first involvement in one of several New Deal art...

Simon’s automotive illustrations have been featured in Road & Track, Sports Car International, Automobile, Thoroughbred and Classic Cars, Classic and Sportscar, and Vintage Motorsport magazines. Favorite projects document automotive racing history, and he has designed over 60 original automotive racing posters for such clients as UNOCAL, Michelin, BF Goodrich, SVRA’s Bahama Vintage Grand Prix, and a series of Monterey Auction posters. Simon designed and illustrated the cover of the Indianapolis 500...

"Moon 2", a bold contemporary small-scale abstract landscape scene by California artist Cheryl Petty (American, b. 1949). A nocturnal color palette of dar...

Beautiful rustic seascape of calm waves along the rocky coast in Davenport by California artist Esposito (American, 20th Century). Signed "Esposito '59" lower right. Presented in rus...

Looking Up Through Pink Blossom to Feel Hope by Emily Finch [2021] original Oil on wood panel Image size: H:40 cm x W:20 cm Complete Size of Unframed Work: H:40 cm x W:20 cm x D:5cm...

Katheryn Holt paints memory. Her abstract paintings are infused with half-remembered landscapes. She has been documenting her interior and exterior life through painting since she wa...

Artist: Aibek Begalin Work: Original Oil on Panel, handmade artwork Medium: Oil on Canvas Panel Year: 2022 Style: Realism Subject: Roses Size: 9" x 12" inch, 23 x 30 cm Unframed Rose...

Balcony. 2006, oil on cardboard, 80x80 cm

‘With my earlier figurative work I enjoyed capturing the body as if it were a landscape. Then I began to experiment with deeper textures and thus began my run-down harbour scenes and...

Oil on canvas laid board Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of the also painter Rafael Benet. He is a disciple of Manolo Hugué and hi...

Jeremy Andrews Born 1974 Llanidloes Oil on board, signed verso Image size: 9.75 x 7.5 inches Jeremy Andrews works in oils and uses traditional techniques such as under painting and glazing. He works meticulously to recreate what he sees, observing the finest details and subtleties in light and form. A renowned portraitist, Andrews also specialises in landscapes and animal paintings. He lived and worked on a farm for a number of years and gained inspiration from the flora and fauna that surrounded him. He views this as a natural progression, imbuing his landscapes with the same depth and emotion that are perceptible in his other works. THIS WORK IS INCLUDED IN OUR 'MOONLIGHT IN PAINTINGS AND WATERCOLOURS' EXHIBITION, CURRENTLY AT DARNLEY FINE ART...

Peach Panorama by Luisa Holden [2021] Original Mixed Media on gessoed cardboard Image size: H:22.5 cm x W:47.5 cm Complete Size of Unframed Work: H:39.5 c...

Oil on board view of a water well set amidst romantic ruins and foliage with a figure, by L Masson. Signed bottom left presented in wood frame. There is a c...

Post-Impressionist summer pastoral scene of a house in the field with chickens in the garden and figure. Taking place in Bucks County, PA. Willett has portrayed this piece in a most ...

Oil on cardstock painting of oil tankers docked in port along with people dockside on a bright clear day by the Long Island American artist, Whitney Myron H...

A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by yacht around Scandinavia and Western Eu...

In the forest. Oil on cardboard, 17x25 cm Zeberins Indrikis Born 1882. 30. 08 – 1969. 18. 05 Latvian painter, book illustrator, cartoon illustrator Zeberins got a big investment ...

Signed lower left, 'Roy Sales' for Roy Rose Sales (American, 20th century) and dated September, 2003. Additionally dedicated, verso, signed and dated 2003. A substantial and atmosp...

Helena Malarewicz-Krajewska (born 14 July 1910 in Biecz , died May 7, 1998 in Warsaw) is a Polish painter, active advocate of socialist realism. Studied between 1928 and 1929 at the Free School of Painting and Drawing in Cracow , from 1929 to 1934 at the Academy of Fine Arts in Warsaw : painting by Mieczysław Kotarbiński and Felicjan Szczęsny Kowarski and graphic art by Władysław Skoczylas and Leon Wyczółkowski . During his studies at the Academy of Fine Arts in Warsaw he worked in the Association of Independent Socialist Youth "Życie". At the end of 1945, Helena and Juliusz Krajewscy lived in Warsaw. Helena Krajewska participated in the creation of the first Polish Fine Arts Association. Krajewscy became members of the PPR party organization at the Fine Arts Association. In 1947 she became the President of the Board of the Warsaw District of the Union of Polish Artists , and in 1948 the Secretary of the Polish United Workers' Party at the ZPAP. In December 1985, an exhibition of works by Helena and Juliusz Krajewski took place in Warsaw's Zacheta. After 1989 some of the paintings of the Krajewski were transferred to the gallery of socialist realist art of the Zamoyski Museum in Kozłówka. This piece was created using oil on card in wooden gilt frame under glass. Keywords:, Poland, Polish, impressionist, impressionism, outside, farm, farming, hay, haystack, stack, tools, workers, blue sky, clouds, horse, horses...

Dusky Shore and Peach Panorama Diptych [2021] original Acrylic on unstretched canvas and mixed media on gessoed cardboard Image size: H:23.5 cm x W:47.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Dusky Shore and Peach Panorama Diptych is a collection of work by Luisa Holden...

Grief Series #34 by Julia Godden [2021] original Acrylic Paint on board Image size: H:33 cm x W:33 cm Complete Size of Unframed Work: H:30.5 cm x W:30.5 ...

Katheryn Holt paints memory. Her abstract paintings are infused with half-remembered landscapes. She has been documenting her interior and exterior life ...

Devin Michael Robert's "Last Light" is an original, handmade oil painting that depicts a rendering of a landscape.

This is the beautiful island Santa Rosa, one of the Channel Islands Sanctuary islands just off the California mainland. This vast stretch is adorned with a variety of fiery wildflowers stretching far and wide, like a musical composition of various themes and in different voices. Santa Rosa is home to an incredible array of birds and marine life. It is a narrow but spreading landscape ribboned with trails, each one seemingly in the manner of a flight or chase, repeating the same melody in a slight variation. The cliffs drop hundreds of feet to the crashing swells of ocean below, home to historic shipwrecks peacefully intact. Torres’ paintings appear on the sets of popular television shows: Big Little Big Lies, Criminal Minds, Chicago Med, Grey’s Anatomy...

Vibrant miniature seascape by Kathleen Murray (American, b. 1958). Signed "MURRAY" in the lower left corner. Numbered "#66", titled "Between a Rock..." and Signed "K MURRAY...

Miniature landscape of Big Sur coast by Kathleen Murray (American, b. 1958). Signed "MURRAY" in the lower left corner. "Kathleen Murray" is written on verso. No frame. Kathleen Murr...

Signed lower left. George Lafayette Clough was born September 18, 1824, in Auburn, New York, and was that city's leading landscapist and, known as a Hudson River School painter, became Auburn's most noted resident painter of the mid-century. His mother was widowed shortly after his birth, and he was raised without paternal influence. He had little formal education and was employed by the age of ten. By age fifteen he had taken up painting, and his first and informal art influence came from the portraitist, Randall Palmer. In 1844 Clough opened his own studio in Auburn. About that time Charles Loring...

Amroth seascape at night by Rupert Aker [2021] original Oil on board Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:3cm Frame Size: H:33 cm x W:...

FIne impressionist 20th-century oil on board of an English river landscape in the Norfolk area of England. Hall painted marine scenes, landscapes, and town scenes in both America, U...

Country Scene - Mario Vassetti Italia 2006 - Oil on board cm.10x15. In this wonderful oil on panel the painter portrays a scene from the life of a small village, with a rural landscape in the background. The painting inspires...

Katheryn Holt paints memory. Her abstract paintings are infused with half-remembered landscapes. She has been documenting her interior and exterior life through painting since she wa...

Twist and Shout 1, Original Seascape Painting in Pastel on Board, 2021 Artist Commentary: Twist and Shout is my first painting of 2021! I love starting the year with a wave painting...

Medium Size artwork with Acrylic Paint and charcoal on board. Framing available, contact the gallery for options. BIO Working across a broad range of mediums and materials, Heidi Lanino...

Katheryn Holt paints memory. Her abstract paintings are infused with half-remembered landscapes. She has been documenting her interior and exterior life ...

Bretonne sous un Arbre by LUDOVIC-RODO PISSARRO (1878 - 1952) Oil on board 33 x 41 cm (13 x 16 ⅛ inches) Signed and dated lower right, Ludovic Rodo 1903 Provenance Private Collecti...

Lori Zummo Biography American, b. 1962 Contemporary artist Lori Zummo paints in a style evocative of the American Barbizon School. She received her BFA from Syracuse University in 1...

Bold and vibrant depiction of a suburban street by an unknown artist ("Ryan"). Saturated fall foliage dominates the foreground of this piece, framing the houses in the midground. The...

Wonderful verdant landscape of stream with bridge in the Santa Cruz Mountains by Quince Rudolph Galloway (American, 1912-2003). Signed "Quince Galloway" lower right. Titled and signed on verso "Quince Galloway". Presented in a giltwood frame. Image size, 18"H x 24"L. Quince Galloway was known for his realist, impressionist, landscape, portrait and still life works. Quince Rudolph Galloway was born on August 16, 1912 in Alma, Arkansas. He was known for his realist, and sometimes impressionist, landscape, portrait and still life works. Galloway attended college in Arkansas. He moved to Oakland, California in 1931 where he studied art at the Fox-Morgan School. Soon after his move to Oakland, he married fellow artist Janice Webster and settled in nearby San Leandro...