Linen Landscape Paintings

Wonderful small-scale early 20th Century plein air landscape of pine trees on mountain crest. Signed and dated lower right corner "DAH 08" or "DRH 08." Condition: Good; linen relaid ...

Beautiful Impressionist landscape of a country scene by Paul Friederich Weindorf (German/American, 1887-1965). Signed "Paul Weindorf" lower right. Artist's bio on verso. Unframed. Im...

Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...

Gorgeous Hudson River School style autumnal landscape of California Sierra lake with oaks and evergreen trees with shrubs turning red and orange hues. S...

A late 19th Century impressionist oil painting of the creek near Glen Annie Meadows, Santa Barbara by a student of and in the style of Henry Chapman Ford...

Kenji Lim Study for Mapping the Known World (part 2), 2019 Acrylic on unstretched linen 185 x 220 cm Unique copy Kenji Lim is mostly interested in culture, myth, and ecosystems. Lan...

​Represented by George Billis Gallery -- Gary Faigin says of Kurt Solmssen’s work, “Though a realist, Kurt Solmssen does not so much record what he sees, as use his surroundings as a...

Kathleen (or Kweyetwemp in her Eastern Anmatyerre tongue) Petyarre was born c. 1940 at Atnangkere on Utopia Station, 270km north east of Alice Springs. She first encountered white ma...

Michael Nelson Tjakamarra (also cited as: Michael Nelson Jagamarra, or Jakamara) is a Senior Warlpiri Tribesman and an Elder of the Papunya Community in central Australia. Born c. 19...

Kathleen (or Kweyetwemp in her Eastern Anmatyerre tongue) Petyarre was born c. 1940 at Atnangkere on Utopia Station, 270km north east of Alice Springs. She first encountered white man in the late 1940s and starting her integration into western society when working on various pastoral leases as she grew up. In 1969 she was successful in applying for a job at Utopia school where she stayed for 20 years. During that time she worked on batik, and then started painting as part of CAAMA's Summer Project in 1988-89. In 1996 Kathleen won the National Aboriginal and Torres Strait Islander Art Award (NATSIAA) and her painting career blossomed from there. She has been exhibited overseas numerous times and in 2001 had a solo exhibition at the Museum of Contemporary Art, Sydney. In general, her work is minimalistic and characterised by the fine dotting technique she uses to represent mental maps of her country. Her signature work is the Mountain or Thorny Devil Lizard Dreaming, which gives a unique representation of this small creature's travels across Kathleen's country during the Creation era. Another signature genre is Bush Seeds. Kathleen Petyarre is a blood sister of the respected artists Gloria, Violet and Ada Bird Petyarre, a great niece of the feted Emily Kame Kngwarreye and skin sister to Jeannie and Rosemary Petyarre. She is extensively exhibited in public and private galleries. Kathleen spent her time between Alice Springs and her home country, Utopia. Dr Christine Nicholls reported that Kathleen passed away on 24 November 2018 in Alice Springs, surrounded by family and loved ones, at about the age of 80. Awards and Recognition 2002 Top...

Mendocino Stormy Autumn Day 1971 Heading back to the cabin on a Mendocino stormy Autumn day. Sandy Gravitch (B- 1927) who has been featured at Art in the Redwoods, Gualala Art Festiv...

A oil painting on linen that was inspired by the changing seasons. In this piece the paint has been thinned so it creates soft pools of colours and shapes. Professionally framed in ash wood ready to hang. The painting comes signed and titled on the reverse. Painting by Laura Menzies...

Early Tonalist Landscape -- California Coastal Live Oaks William Schneider 1915 Beautiful early 20th Century tonalist landscape of California by New York artist William G. Schneider ...

Serendipity Oil On Linen 59 x 47 My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do not find in other me...

Sweeping early 20th century figurative landscape of a Swiss Alps harvest scene by Daan Donker (Dutch, early 20th Century). Signed "Daan Donker" lower right. Presented in a gold-toned...

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years th...

This work is a unique piece. It is a gilded oil painting on linen canvas with 12 carat gold leaf. CS Art comprises of two artists, one French, the other Norwegian. They have been p...

This contemporary landscape painting by Laurence O’Toole renders a dreamlike atmosphere. The artist conveys a scene that wistfully featuring a delicate still life study, suffused with golden highlights and indicated in front of a backdrop of an impression of blush pink and pastel hued clouds. This glowing scene exudes intriguing joy and energy, presenting a magical ambience implied in realistic tones and paint strokes, captured during the night. The sensitivity employed in this piece draws attention to the beauty and enigmatic glamour of delicate objects. This original artwork is painted in oils on canvas, hand signed by the artist and ready to be displayed. Laurence O’Toole is a realist painter in both oil and acrylic, whose work is a melding of figurative and nature with a surrealist approach to convey the message in his works. A self taught artist from Ireland...

This contemporary landscape painting by Laurence O’Toole renders a dreamlike atmosphere. The artist conveys a scene wistfully featuring rich colours emphasising a phenomenal natural ...

Picacho Peak, Arizona 1945 - Mid Century Southwest Desert Landscape by Dejoiner Beautiful mid-1940's impressionist southwest desert landscape by...

Big Rio, Original Contemporary Expressionist Landscape Painting 48" x 48" x 1.75" (HxWxD) Oil on Linen This large square-format work by artist Carol Tippit Woolworth features a stunning color palette of rich greens and reds combined with muted blues, purples, and orange tones. There is a balance, both with the color, but also with the composition as the Rio Grande wraps around the curves in the Southwestern landscape, opening up towards the viewer and simultaneously guiding your eye around to the landscape in the distance. This Mexican desert appears calm and a bit desolate, but also bursting with life and energy through the colors used and the loose, energetic mark making that is characteristic of expressionist landscape works. Artist Commentary: The Rio Grande About the Artist: Art has always been a central part of Carol's life. Constantly drawing as a child, the passion to create something two dimensional has continued to this day, through oil and gouache. Carol currently lives in Santa Fe, NM and exhibits at Smilow Mathiesen Gallery on Canyon Road. She graduated with a BA in Art through the University of California at Santa Barbara, with an emphasis in Painting, but has continued to study at various art institutions (Parsons NYC; Silvermine Artists Guild, CT; Rohaton Art Center, CT; Delaware College of Art & Design (DCAD), DE) throughout her career. She now teaches painting at DCAD (Continuing Education), has several private art students, and leads painting workshops in France twice a year. She also works as a self-employed graphic designer. Carol has always been interested in France, the French landscape and French culture. She loves the fields and hilltop towns,and the strong clean lines and shapes they create. The past couple of years this influence has dominated her work. Her landscapes are a constant search for color, contrast, and shapes. Recently Carol has discovered the natural beauty of Lancaster County PA and Northern New Mexico, and is applying her French vocabulary to these new areas. Another influence early on was of an artist whom she babysat for, and who lived across the street, in Santa Barbara: Priscella Bender Shore. She eventually became her favorite art teacher and mentor at the Santa Barbara Community College. Priscella's work was of women in a swimming pools, reflecting and refracting light. They were both figurative and abstract. This images haunted Carol's memories until she could recently recreate the swimming pool paintings...

Sandra Pratt's "Grey Barn" is an original handmade oil painting.

Summer Garden X is an original macro style realist painting by artist Dylan Lloyd. Featuring a snippet of a wild garden with pink blue and white flowers dotted in the foreground and ...

Bold composition of two people on a porch by Majel McHugh Logan (American, 1916-1982). Two people sit facing each other on a porch, backlit by warm sun. The piece is sketchy but confident, with thick brushstrokes adding high contrast shadows and highlights. Although the subjects' faces are undefined, there is nonetheless an expressive quality in their body language. Signed "Majel Logan" in the lower right corner.\ Artist's tag on verso with title. Presented in a wood frame with a gold accent. Frame size: 14.75"H x 16.75"W Canvas size: 14"H x 16"W Majel Logan (nee McHugh) (American, 1916-1982) was born in Utah. After graduation from St. Mary of the Wasatch College in Utah, she studied at the Pennsylvania Academy of Fine Arts. She continued to study at Idaho State University before eventually settling in Santa Clara, CA. Although she was a professional artist at the time, she nonetheless continued her studies at San Jose State University in the 1970s. By the mid-70s, she had won 43 awards in state, regional, and local competitions, including Fiesta des Artes (Los Gatos...

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years the artist’s one-man shows have att...

Gorgeous landscape of Sierra Mountains and lake in autumn by Oliver Glen Barrett (American, 1903 - 1970), circa 1940. Signed lower right corner; ti...

By Frank Dill 24" x 30" Oil on Linen

This horizontal landscape painting in oil on linen depicts a peaceful outdoor scene of delicately painted red flowers in a green grassy field, beautifully capturing the idyllic feel ...

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years th...

Afternoon Light Description: Oil on linen, purple, pink, gestural, modern, abstract This abstract painting tells a story of the light streaming through the window late in the aftern...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...

Provenance Acquired by the gallery directly from the artist Artist Statement "I loved the atmospheric light effect of this scene from Sonoma county in northern California. The back...

Vast, Snow Cloud Burst Study by Alyson Kinkade Abstract Landscape, Storm building over southern Colorado Oil on Linen 12x12" image 14x14" framed, natural wood ABOUT THE ARTIST: “Wha...

Dharamsala’ is a small town in the Kangra Vallery in North India. It is the location of the exiled Tibetan Government and home to the Dalai Lama . Colin Taylor...

Flip Gaasendam Dutch Cows on the Salt Marsh 75 x 120 cm Oil on Canvas This painting is framed (included in price) 80 x 125 cm This painting is made by Flip ...

Gorgeous 1930s landscape of mountain lake on windy day with peek of a cabin by L. St. C. Fitzpatrick (American, 19th/20th Century), circa 1920. Signed lower left corner. Condition: V...

"One Winter Evening" Northwest in Winter Snow and Stream - Oil on Linen Northwest Territories oil on linen layers of color and impasto give a winter glow to this work by Thomas Charl...

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years th...

An impressive 19th-century copy of "The Little Fruit-Seller", after Bartolome Esteban Murillo (Spanish, 1617 - 1682), by an unknown artist (1...

Fiery by Alyson Kinkade 34x50" oil on linen 36x52" framed size, black wood float style A visual expression of one's ambitious goals. Set your passions on fire and aim for achievemen...

Ulrich Gleiter's (EUR based) "In the Andalusian Desert" is an oil painting that depicts the textural hillside of a desert landscape. Bio/Artist Statement: German-born artist Ulrich Gleiter (b. 1977) is noted for his landscapes. His style is sometimes reminiscent of German expressionism and the Russian impressionists. He first studied at the Dresden Academy of Arts and later at the Repin Academy in Saint Petersburg, Russia. His work has been recognized with awards in the USA and in Russia and been featured in books and magazines. "Ulrich Gleiter is a citizen of the world. Born in Saarbrücken, Germany, he pursued his undergraduate studies at Dresden’s Academy of Fine Arts, where he learned to paint with the bold, colorful strokes handed down from the early 20th-century German expressionists. Students there prioritized their individuality — no one but you could have made this picture, they were told. Gleiter then absorbed a different view of artistry during his exchange year at Moscow’s Surikov Institute, followed by six more years at the Repin Institute in St. Petersburg. Today Gleiter divides time between Germany, Russia, and the United States, where he has become much admired among plein-airists in such scenic places as Colorado, California, and Wyoming. In our era of diplomatic tensions, when Crimea and Russia appear regularly in the headlines, Gleiter feels a renewed appreciation for nature’s timelessness — for its inspiring capacity to rise above the ins-and-outs of man-made problems. Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there. Most importantly, I am humbled to observe how natural forces never stop moving.” Gleiter turns his searching eye not only to wilderness, but also to the banalities of urban life — to parked cars, the glinting sprawl of an automobile dealer’s lot, retail stores, and even cargo ships. There, too — as in his portraits, nudes, and still lifes — he manages to find abstracted beauty and emotional significance in the interactions of light, color, and air." ( by Peter Trippi, Fine Art Connoisseur Magazine, 01/2017) SOLO- AND TWO-PERSON EXHIBITIONS 2018: SANDAU&LEO Gallery, Berlin. 2017: Gallery 1261...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...

This vertical 40 inch high by 28 inch wide original oil painting on linen is wired and ready to hang. The hyperrealistic detail in the is artwork is astounding. The main focus of the iconic Vivienne Westwood bag...

MORENO PINCAS Bulgaria, b. 1936 Moreno Pincas emigrated to Israel in 1949. He studied at the Avni Art Institute in Tel Aviv from 1958 to 1960 and in 1960 obtained the First Prize of the Biennial of Young Painters at the Museum of Modern Art in Haifa. Fellow of the America Israel Cultural Foundation, he moved to Paris and formed at the Ecole Nationale Superieure des Beaux-Arts in Paris . Moreno Pincas is a member of the Committee Salon de Mai . Public Collections National Library, Paris Contemporary Art Fund Seine Saint Denis Oscar Ghez, the Petit Palais, Geneva Museum of Tel Aviv Museum of Modern Art, Haifa Trouville Museum Worthy Museum Musée Eugène Boudin, Honfleur Taiwan Museum of Art Bangladesh National Museum Graphotek Israel, Tel Aviv Creation Fund of the Museum of Modern Art, Bourg-en-Bresse Rigaud Museum, Perpignan The Museum of Israeli Art, Ramat Gan...

Dramatic stormy landscape by Charles Henry Harmon (American, 1859-1936). Looking out over a lake from the shoreline, dark grey storm clouds can be seen rolling over the mountaintops ...

An oil painting by American Painter Carl Bretzke. This waterscape was painted en plein air in Sag Harbor, NY. A boat heads away from the viewer, toward the tree-lined horizon at twi...

Vivid mid-century landscape of South Coyote Buttes Zion National Park by Bob Custis a New Mexico artist (American, 20th Century), 1955. Signed and dated lower right corner B. Custis....

A Sparkling Apple Blossom Morning by Nicky Chubb [2022] original and hand signed by the artist Acrylic on Canvas Image size: H:80 cm x W:80 cm Complete Size of Unframed Work: H:80 c...

Splendid Landscape of the Scottish Highlands Loch in summer by Francis E Jamieson, also known as W. Richards, was an English painter who, after a holiday to the Highlands of Scotland, became obsessed with painting highland landscapes and became one of the most prolific artists of his time. Image, 20.5"H x 30.38"W Frame, 26.5"H x 36.5"W x 3"Deep (please note for shipping quote purposes we marked it as 1" deep in the details section) The paintings of FE Jamieson were so fashionable he was contracted to paint exclusively for various furniture stores painting scenes on furniture. Jamieson is believed to have painted under eleven different artist names so he could sell more of his paintings undetected by his employers. These aliases include J McGregor, Graham Williams, Henry Stewart, HB Davis and W Richards. There are other pseudonyms that include Aubrey Ramus...

Charming and bright mid century California figurative landscape with a female figure walking down a verdant and inviting path by William Hiller (America...

Ulrich Gleiter's (EUR based) "Early Spring in Burgundy" is an oil painting that depicts lush greenery growing with a grey overcast sky swirling with weather. Bio/Artist Statement: ...

Signed and dated "Coraly '06" in the lower right corner. Titled, dated, and signed "Pacific Grove Glory 2006 Coraly Hanson" on verso. Board size:...

Taking inspiration from his surroundings in Spain, Pozas gives us this lush landscape entitled "Unpredictable Valley". The verdant scene, with its golden field in the foreground and blue mountain in the background is painted with meticulous detail. Each blade of grass and every leaf is painted with precision. "Pozas" René Monzón...

Ulrich Gleiter's (EUR based) "Midnight Sun on the Karelian Lakes" is an oil painting that depicts the view looking out from a wooden porch into the sunset. Bio/Artist Statement: German-born artist Ulrich Gleiter (b. 1977) is noted for his landscapes. His style is sometimes reminiscent of German expressionism and the Russian impressionists. He first studied at the Dresden Academy of Arts and later at the Repin Academy in Saint Petersburg, Russia. His work has been recognized with awards in the USA and in Russia and been featured in books and magazines. "Ulrich Gleiter is a citizen of the world. Born in Saarbrücken, Germany, he pursued his undergraduate studies at Dresden’s Academy of Fine Arts, where he learned to paint with the bold, colorful strokes handed down from the early 20th-century German expressionists. Students there prioritized their individuality — no one but you could have made this picture, they were told. Gleiter then absorbed a different view of artistry during his exchange year at Moscow’s Surikov Institute, followed by six more years at the Repin Institute in St. Petersburg. Today Gleiter divides time between Germany, Russia, and the United States, where he has become much admired among plein-airists in such scenic places as Colorado, California, and Wyoming. In our era of diplomatic tensions, when Crimea and Russia appear regularly in the headlines, Gleiter feels a renewed appreciation for nature’s timelessness — for its inspiring capacity to rise above the ins-and-outs of man-made problems. Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there. Most importantly, I am humbled to observe how natural forces never stop moving.” Gleiter turns his searching eye not only to wilderness, but also to the banalities of urban life — to parked cars, the glinting sprawl of an automobile dealer’s lot, retail stores, and even cargo ships. There, too — as in his portraits, nudes, and still lifes — he manages to find abstracted beauty and emotional significance in the interactions of light, color, and air." ( by Peter Trippi, Fine Art Connoisseur Magazine, 01/2017) SOLO- AND TWO-PERSON EXHIBITIONS 2018: SANDAU&LEO Gallery, Berlin. 2017: Gallery 1261...

An impressionistic painting of a wintery Vermont.

Provenance Acquired by the gallery directly from the artist Description This plein air oil painting depicts the uniqueness of Anacapa Island in the chain of Southern California’s Channel Islands archipelago. Anacapa was formed by volcanic eruptions. Its desolate landscape is dominated by a distinct geology of steep precipices and jagged rock formations. From this elevated viewpoint, Adams portrays the location known as Cathedral Cove with its outcropping spires and massive kelp beds that hug the shoreline. The peak of the middle island of Anacapa is visible in the distance, and further out to sea is Santa Cruz Island...

This is a playful oil on canvas painting with toys depicted in a jumbled pile. The artist uses all sorts of colors, such as cerulean blue, cadmium red, and golden yellow, to undersco...

Two Adirondack chairs look out onto the picturesque bay from their secluded position. One chair is tilted towards the other as if their owners are in conversation. A sailboat sits on the horizon. Framed dimensions: 32 x 37 inches Artist Bio: Viktor Butko was born in 1978 in Moscow, into a family of artists. He often visited the studio of his grandfather, the famous artist Victor Chulovich, and watched the creation of paintings. As you may imagine, this has inspired him to start painting. Viktor’s first steps in art were directed by his grandfather and his parents, artists Nickolay Butko and Marina Chulovich, he then studied at the Moscow Art School, which is known for a high level of training. After completing his training at the art school, Butko painted at the Academic Dacha of Artists, created by the great Russian artist Ilya Repin for students of the Academy of Fine Arts. There he worked under the guidance of famous artists Alexey Gritsay and Tkachev brothers, which had a big impact on his creativity. Viktor’s first solo show was held in the United States, in 2002 at the McCarthey Gallery, one of the foremost dealers in the United States for Russian Impressionist art. This marked the beginning of a long cooperation with the gallery. Later, in 2016, He took part in an international plein air event, which was organized by American painter Ben Fenske and art dealer Laura Grenning. As a result of this Russian-American Painting Alliance a large exhibition was held in the Grenning Gallery...