Linen Landscape Paintings

Michel Brosseau was born in Nantes and has lived in Bordeaux for many years. Both cities are on the Atlantic coast of France and have rich maritime histories, highlighted by prospero...

Michel Brosseau was born in Nantes and has lived in Bordeaux for many years. Both cities are on the Atlantic coast of France and have rich maritime histories, highlighted by prosp...

Carefully ordered patterns, geometric shapes and delicate lines in red, yellow, navy, orange and light blue on a light rose pink and red background with hints of dark navy. Signed, d...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

A tall, fair-haired figure wearing khakis and a brown vest stands knee-deep in inviting, dark indigo blue water while holding a fishing pole, the line extended upward. Teal and green...

Joellyn T Duesberry Wall on Wharf Street, #513, New Orleans, LA 1976. Oil on linen Dimensions: (Frame) H 50.5" x W 66.5". sight size 50 x 66" Joellyn Toler Duesberry (1944 – 2016) was a plein air landscape artist who worked in oils. She said that her paintings echo the work of John Marin and Milton Avery. Of her art, Duesberry said, "I am not interested in a realist painting, I am not interested in an abstract painting. I am interested in the tension." Joellyn Duesberry was born on June 30, 1944 in Richmond, Virginia. Growing up in rural Virginia instilled in her a love for the land. She said, "All my life I think I've unconsciously tried to recreate the place where bliss or terror first came to me. Both emotions seemed so strong that I had to locate them outside of myself, in the land. This goes back to a childhood habit of living in rural Virginia and seeking woods and creeks and lakes for solitary refuge; places where I could sketch and paint." She decided to start painting at age ten after being given a pair of red tennis shoes and walking on the beach, inspired by the colorful juxtaposition of sand, shadow, and shoe. Soon thereafter she decided that "Women artists existed and she needed to be among them." She received a BA with Distinction, Phi Beta Kappa, in art history and painting, from Smith College in 1966. In that year she was awarded a Woodrow Wilson Fellowship. While at Smith, she "honed her skills by making countless copies of masterworks." She took her master's degree at New York University Institute of Fine Arts. Despite her degrees, she is considered to be a self-taught artist. Joellyn Duesberry was a plein air painter, who began "her canvases outdoors on an easel and finished] them in the studio, frequently making monotypes in between." She moved to Denver in 1985, and embraced the Colorado landscape in her art. In that year she received an Individual Painting Grant from the National Endowment for the Arts to work with Richard Diebenkorn. In 1997, Duesberry won the Benjamin Altman Landscape Prize from the National Academy of Design. While she had a World Views residency with the Lower Manhattan Cultural Council (LMCC) from 1998-1999, Duesberry painted city studies in studio space in some vacant offices of the World Trade Center's North Tower. She says that, because of her connection to the World Trade Center, the tone of her painting saddened after 9/11. In 2005, a PBS documentary was made of Joellyn Duesberry's life, work, and creative process titled Joellyn Duesberry: Dialogue with the Artist. Her works are held by institutions such as Metropolitan Museum of Art and Smith College Museum of Art. Publications 1998: A Covenant of Seasons: Monotypes by Joellyn T. Duesberry, Poetry by Pattiann Rogers, 2011: Elevated Perspective: The Paintings of Joellyn Duesberry, SELECT SOLO EXHIBITIONS Elevated Perspective: The Paintings of Joellyn Duesberry, Colorado Springs Fine Arts Center Joellyn Duesberry: A Passion for the Land, Leslie Levy Fine Art, Inc., Scottsdale, AZ Joellyn Duesberry: A Passion for Western Land, William Havu Gallery, Denver, CO Joellyn Duesberry Monotypes: Hidden Treasures, William Havu Gallery, Denver, CO Joellyn Duesberry: Solace on Safari, Gerald Peters Gallery, Santa Fe, NM Tremaine Gallery, The Hotchkiss School, Lakeville, CT. Recent Monotypes, James Graham & Sons, Madison Avenue, New York, NY Joellyn Duesberry: Monotypes, Lizan-Tops Gallery, Easthampton, NY The Garden Paintings, Robischon Gallery, Denver, CO Joellyn Duesberry: Paintings, Tavelli Gallery, Aspen, CO Joellyn Duesberry, Graham Modern, Madison Avenue, New York, NY Joellyn Duesberry: Paintings and Monotypes, Carol Siple Gallery, Denver, CO Joellyn Duesberry, Tatistcheff Gallery, New York, NY SELECT GROUP EXHIBITIONS Significant Women Artists, Curtis Arts & Humanities Center, Greenwood Village, CO Finding Abstraction, Gallery 1261, Denver, CO Rocks on Paper, Katharina Rich Perlow Gallery, New York, NY Summer Landscape Show, Greenhut Gallery, Portland, ME Defining the West: 200 Years of American Imagery, Gerald Peters Gallery, Santa Fe, NM Roots, Landing Gallery, Rockland, ME Annual Professional Painters’ Exhibition, The Century Association, New York, NY Glory of Landscapes, Pelham Art Centre, New York, NY Salon du Musee, Featured Artist, Salon d Arts at Gallery 1261, Denver, CO Small Works, Gallery 1261, Denver, CO The Urban Myth, Vision of the City, Sullivan Goss, An American Gallery, Santa Barbara, CA The Art of Printmaking, paying homage to Open Press,Archer Concept Group,Denver,CO Twenty Years: Paintings: Joellyn Duesberry, Bunny Harvey...

Original Painting of a Contemporary New York City Scene after the Rain, with Cars and Figures, by British Urban Landscape Artist, Angela Wakefield. This is a major work to continue h...

"Small House on the Great Marsh" depicts a serene and atmospheric landscape focused on a marsh. Dominating the composition are golden grasses that lead the viewer's eye across the ca...

This painting fondly depicts the Kosi Bay landscapes from the East coast of South Africa, which the artist frequented with his family. This is a large, unique oil painting on stretch...

New York Sunshine Golden Glow Cityscape Painting by British Urban Landscape Artist Angela Wakefield. This original is part of the New York Series, a ...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French public, despite his participation in the architectural project of the Musée du Quai Branly, Tommy Watson is nevertheless often considered the greatest living Aboriginal artist. Like many aborigines of his generation, he lived a traditional, nomadic or semi-nomadic life before his contact with Western civilization; then he will occupy the only jobs that the Aborigines find: herdsmen (until Yuendumu), laborers for the construction of infrastructures in the desert. Throughout this period he became familiar with his "country", a harsh region, and deepened his knowledge, both profane and sacred, relating to Dreams and Dreamtimes, to the connections between sacred sites and the Ancestors. He will even work in Papunya, where the artistic movement started. But the Pijantjarra are intransigent with tradition…no question at this time of revealing the motives and the secret stories. The North of South Australia, the region where he is from, was touched by the pictorial movement only at the very beginning of the 2000s. In 2001, Tommy began his career as an artist in Irrunytju (Wingellina). He is a young artist… He learns by observing other painters and draws on the experiences of a long life and on the exceptional knowledge he has stored up. But quickly he will find his way, a radically new style where color plays a major role. Very quickly, the iconography now well known by the artists of Yuendumu, or the Western Desert, Balgo or Lajamanu disappeared. The symbols are no longer there. As Rover Thomas, Emily Kame or Paddy Bedford had done before him, this is a real artistic revolution. For Tommy, it is not a question of describing his Dream (Caterpillar), the routes taken by the Ancestors. He concentrates on a site, a story, sometimes very profane, the memory of a meeting, of a hunting party, tries to condense his memories, the information of which he is the depositary, to add a poetic touch to it, sometimes melancholy, and this gives a painting with a very abstract aspect. It is a painting where the emotion is very present, undoubtedly less cerebral than the art of the neighbors of the north the Pintupi, like Ronnie Tjampitjinpa, George...

Karl Friedrich Johannes Leitzen Summer country landscape by Karl Friedrich Johannes Leitzen (Germany, 1848-1922). Today the Windmills are historic landmarks, but there was a time whe...

This dynamic seascape celebrates the raw power and beauty of nature in energetic detail, showcasing robust, textured waves crashing against the rugged, reddish-brown rocks of the Mai...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

This painting of New York City's Chrysler Building captures a wide swath of Manhattan from an areal view. Using palette knife and brush Albert Vidal manages to combine realist painting with abstraction. Splashes of bright blue, red and green paint graffiti the surface in a Jackson Pollack like effect. The numbers at the bottom of the painting represent the artist's signature. This artwork is framed in a simple black wood float. Albert Vidal Life, 2015 oil on linen 52h x 52w in Albert Vidal is an aerial urban landscapes painter based in Barcelona, Spain. He has painted mostly landscapes from around the world for over 20 years and is inspired by artists such as Antonio Lopez Garcia and Anselm Kiefer. The artist thinks about his compositions in a three dimensional way with paint relief that creates dimension and body in the piece. The emptiness which represents a sea or wasteland keep the balance of the composition as well as the ensemble. The artificial space Vidal creates evolves over time and explores the difference between cities, urban planning, and their structures. INDIVIDUAL EXIBITIONS albert vidal February. Sala Parés, Barcelona. 2011 October. Gallery Sibman. Paris. 2010 April. Gallery Sibman. Paris. 2009 February. Sala Parés. Barcelona. 2007 June. Uniglavas Gallery. Tokyo. Japan. 2006 May. Sala Pares. Barcelona. 2005 October. Juan Amiano Gallery. Pamplona. 2003 October. Sala Parés. Barcelona. 2002 September - october. Galeria Juan Amiano. Pamplona. 2001 February-March. Sala Parés. Barcelona. 2000 March. Auditorio Municipal. Montcada i Reixac. Barcelona. 1999 January-February. Galeria Tuset. Barcelona. 1995 December. Sala Lola Anglada. Barcelona. 1993 April - May. Sala Albareda. Barcelona. 1991 December. Sala “ Ca N´Amatller”. Molins de Rei Cyty Council. Barcelona. COLLECTIVE EXIBITIONS 2010 40x40. Sala Parés. Barcelona. 2008 December. Sala Parés. Barcelona. 2008 Septembre. 50 years of “Premi Pintura Jove”. Sala Parés. Barcelona. 2008 April. La Cave. Geneve . Switzerland. 2008 March. “Urbe”. Jordi Barnadas Gallery. Barcelona. 2007 February. Nichido Gallery. 42 Showakai Exhibition. Tokyo. Japan. 2006 April. “NYC” , Ariel Sibony Gallery. Paris. 2005 November. Barnadas Gallery. Barcelona. 2004 Sala Parés. Barcelona. 2004 Sala Barnadas. Barcelona. 2002 July. Galeria Gaudi. River North Festival Absolut Vision. Chicago. US 2002 May. ARTEXPO. Sala Parés. Barcelona. 2001 December. Galeria Barnadas. Barcelona. 2001 September-October. Galeria Giart . Girona. 2001 July. Sala "Ca La Pruna" - Pals. Girona. 2000 February- April. Jeunes talents catalans, Maison de la Catalogne. Paris. 1999 September. Sala Parés. Barcelona. Premi a la Pintura Jove. 1999 September-November. Realisme a Catalunya. Centre d´Art Santa Mónica. Barcelona . 1999 May. ARTEXPO. Galeria Tuset. Barcelona. 1998 September. Sala Parés. Barcelona. Premi a la Pintura Jove. 1998 July-August. Estudi d´Art. Calella de...

Texas artist Jim Stoker began developing his confetti-splatter technique of painting in 2000 to depict his interpretations of the unique flora along the Guadalupe River, as well as t...

Acrylic and oil on linen Krieger began making her “Day Dreams” paintings in the spring of 2023 in Cedarmere Estate in Roslyn Harbor, NY, close to the artist’s home. Throughout the s...

Sunlight illuminates a dust cloud kicked up by the herd at a wild horse sanctuary. There was no reason for the horses to run other than for the sheer joy of motion. Oil on gallery wr...

60 x 72 x 1.5 inches acrylic on canvas being offered by CARRIE HADDAD GALLERY in Hudson, NY. Large, horizontal abstract painting with a palette of turquoise, saffron orange, teal an...

Texas artist Jim Stoker began developing his confetti-splatter technique of painting in 2000 to depict his interpretations of the unique flora along the Guadalupe River, as well as t...

In this colorful, imaginary landscape, diminutive saffron finches fly through the yellow leaves and graceful branches of a tropical Bacarubu tree. The light of the evening sun reflec...

Jim Stoker Coral Bean Wildflower, Goose Island State Park, 2017 oil on linen 32 x 40 inches 33 3/8 x 41 inches including frame Texas artist Jim Stoker began developing his confetti...

Limitless Triptych by Alyson Kinkade Each canvas is 20x15", oil on linen on thick stretcher bars. 22x51x1.5" overall dimensions. Framed in black wood - floater frames as pictured "W...

Jim Stoker describes himself as an Artist-Naturalist, endeavoring to express his reverence for wildlife through his richly-colored paintings. In his love for the vivid and varied col...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

The phenomenon of murmuration is fascinating. At a particular time at the end of the day birds gather in large numbers and swoop back and forth across the sky. Here they are emerging...

Moonshine – Fowey, Cornwall [2020] Original Seascape Acrylic on extra deep edged Belgium linen. Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:7....

From the series Horizons – Sunset 2023 Handwoven painting, linen, cotton yarn, acrylic textile paint, 65 x 50 cm. ‘Horizons’ are a symbiosis of two disciplines of art, Painting and...

Perididas III- Water Reflections Turquoise and Gold Tones 70.5 X 51 ". Oil on Linen The reflection of water is inspired by the rivers in southern Chile. The detail shots show the lay...

Contemporary painting in acrylic on linen of surreal, futuristic landscape in shades of light pink, yellow and pale purple, inhabited by robots, animal hybrids, tiny figures, alien f...

Original Oil Painting by Ioanna Stefou. Ioanna Stefou (b. 1981, Lamia, Greece) is a painter based in Athens. In 2006, she completed her degree in Architecture at the National Techn...

This new narrative landscape painting allows me the vulnerability I needed to claim my art practice as my own. Public exhibition of a life aimed at self mastery provides equal measu...

Ripple Effect oil on linen over panel 16 x 20 inches $2200.00.00 Sudden precipitation sends cascading ripples of water over the windshield distorting th...

Siena Spring Study No.1 by Alyson Kinkade Painting of Siena, Italy from a photo I took. Oil on Linen 22x18" image 32x28" framed - hand built stained wood with gold leaf ABOUT THE ...

Imitjala Curley was born in 1953 in Pukatja (Ernabella) in the APY Lands of South Australia. She grew up around Ernabella Mission, which operated as a sheep station until the Presbyt...

In this fantastical painting animals reign supreme. An enrobed cat observes/directs as a seagull deftly flies through a suspended hoop. Wendy Vaughan seems to infuse her artwork with mystical powers. Backgrounds are layered with symbols and clothing vibrates with magical floating shapes. Her choice of colors are punched up to a level of saturation as to make her work seem otherworldly. Prominent colors in this painting are bright blues in the water, soft oranges in the cat's fur, and purple, gold and pink in the cat's garment. This artwork is framed in dark wood with painted gold inset. Wendy Vaughan Tricks oil on linen 23h x 29w in 58.42h x 73.66w cm Wendy Vaughan (maiden name Wendy Kornmiller) grew up in West Bloomfield, outside of Detroit, where her father was a car designer for Chrysler and one of the original designers of the Ford Thunderbird...

Maureen Baker lives in Warakurna, an Indigenous community nestled in the Rawlinson Ranges, approximately 330km west of Uluru. Maureen is a creative and...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

Kathleen (or Kweyetwemp in her Eastern Anmatyerre tongue) Petyarre was born c. 1940 at Atnangkere on Utopia Station, 270km north east of Alice Springs. She first encountered white ma...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

Acrylic, spray paint, oil bar and oil on linen During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of worki...

Acrylic, spray paint, oil bar and oil on linen During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of worki...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

"Under One Sky no.3" by Alyson Kinkade 44x44" oil on linen 45x45" framed, black wood floater "We're all looking at the same sun, it just has a different setting based on where we st...

Judy Watson Napangardi was born around 1935 at Yarungkanji, Mt. Doreen Station, at the time when many Warlpiri and other Central and Western Desert Peoples were living a traditional ...

black and white landscape painting of lily pads. floral

INDIVIDUAL EXIBITIONS albert vidal February. Sala Parés, Barcelona. 2011 October. Gallery Sibman. Paris. 2010 April. Gallery Sibman. Paris. 2009 February. Sala Parés. Barcelona. 2007 June. Uniglavas Gallery. Tokyo. Japan. 2006 May. Sala Pares. Barcelona. 2005 October. Juan Amiano Gallery. Pamplona. 2003 October. Sala Parés. Barcelona. 2002 September - october. Galeria Juan Amiano. Pamplona. 2001 February-March. Sala Parés. Barcelona. 2000 March. Auditorio Municipal. Montcada i Reixac. Barcelona. 1999 January-February. Galeria Tuset. Barcelona. 1995 December. Sala Lola Anglada. Barcelona. 1993 April - May. Sala Albareda. Barcelona. 1991 December. Sala “ Ca N´Amatller”. Molins de Rei Cyty Council. Barcelona. COLLECTIVE EXIBITIONS 2010 40x40. Sala Parés. Barcelona. 2008 December. Sala Parés. Barcelona. 2008 Septembre. 50 years of “Premi Pintura Jove”. Sala Parés. Barcelona. 2008 April. La Cave. Geneve . Switzerland. 2008 March. “Urbe”. Jordi Barnadas Gallery. Barcelona. 2007 February. Nichido Gallery. 42 Showakai Exhibition. Tokyo. Japan. 2006 April. “NYC” , Ariel Sibony Gallery. Paris. 2005 November. Barnadas Gallery. Barcelona. 2004 Sala Parés. Barcelona. 2004 Sala Barnadas. Barcelona. 2002 July. Galeria Gaudi. River North Festival Absolut Vision. Chicago. US 2002 May. ARTEXPO. Sala Parés. Barcelona. 2001 December. Galeria Barnadas. Barcelona. 2001 September-October. Galeria Giart . Girona. 2001 July. Sala "Ca La Pruna" - Pals. Girona. 2000 February- April. Jeunes talents catalans, Maison de la Catalogne. Paris. 1999 September. Sala Parés. Barcelona. Premi a la Pintura Jove. 1999 September-November. Realisme a Catalunya. Centre d´Art Santa Mónica. Barcelona . 1999 May. ARTEXPO. Galeria Tuset. Barcelona. 1998 September. Sala Parés. Barcelona. Premi a la Pintura Jove. 1998 July-August. Estudi d´Art. Calella de Palafrugell...

"Subdue" by Alyson Kinkade Abstract Landscape Oil on Linen 10x10" image 12x12" framed in black wood as pictured *Shipping price includes the custom packing necessary for safe transp...

Siena Spring Study No.2 by Alyson Kinkade Painting of Siena, Italy from a photo I took. Oil on Linen 22x18" image Framed 29x25" hand-built stained wood with gold leaf ABOUT THE ART...

Oil painting on linen of chandelier in overgrown forest. nature trees landscape surreal

Firenze: Santa Maria Novella by Alyson Kinkade Painting of Florence from a photo I took. A detail of the gorgeous inlaid green and white marbles th...

Swept Away by Alyson Kinkade Abstract Landscape Beach/Ocean scene Oil on Linen 24x36" image gallery wrapped, painted black sides. ABOUT THE ARTIST: "Over t...

Taking inspiration from his surroundings in Spain, Pozas gives us this lush landscape entitled "Unpredictable Valley". The verdant scene, with its golden field in the foreground and blue mountain in the background is painted with meticulous detail. Each blade of grass and every leaf is painted with precision. "Pozas" René Monzón...

Fiery by Alyson Kinkade 34x50" oil on linen 36x52" framed size, black wood float style A visual expression of one's ambitious goals. Set your passions on fire and aim for achievemen...

This painting is in excellent condition and has only been shown in a gallery setting. Please note that given the characteristics of the silver and gold leafing the work will photogr...

This work is a unique piece. It is a gilded oil painting on linen canvas with 12 carat gold leaf. CS Art comprises of two artists, one French, the other Norwegian. They have been p...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French public, despite his participation in the architectural project of the Musée du Quai Branly, Tommy Watson is nevertheless often considered the greatest living Aboriginal artist. Like many aborigines of his generation, he lived a traditional, nomadic or semi-nomadic life before his contact with Western civilization; then he will occupy the only jobs that the Aborigines find: herdsmen (until Yuendumu), laborers for the construction of infrastructures in the desert. Throughout this period he became familiar with his "country", a harsh region, and deepened his knowledge, both profane and sacred, relating to Dreams and Dreamtimes, to the connections between sacred sites and the Ancestors. He will even work in Papunya, where the artistic movement started. But the Pijantjarra are intransigent with tradition…no question at this time of revealing the motives and the secret stories. The North of South Australia, the region where he is from, was touched by the pictorial movement only at the very beginning of the 2000s. In 2001, Tommy began his career as an artist in Irrunytju (Wingellina). He is a young artist… He learns by observing other painters and draws on the experiences of a long life and on the exceptional knowledge he has stored up. But quickly he will find his way, a radically new style where color plays a major role. Very quickly, the iconography now well known by the artists of Yuendumu, or the Western Desert, Balgo or Lajamanu disappeared. The symbols are no longer there. As Rover Thomas, Emily Kame or Paddy Bedford had done before him, this is a real artistic revolution. For Tommy, it is not a question of describing his Dream (Caterpillar), the routes taken by the Ancestors. He concentrates on a site, a story, sometimes very profane, the memory of a meeting, of a hunting party, tries to condense his memories, the information of which he is the depositary, to add a poetic touch to it, sometimes melancholy, and this gives a painting with a very abstract aspect. It is a painting where the emotion is very present, undoubtedly less cerebral than the art of the neighbors of the north the Pintupi, like Ronnie Tjampitjinpa, George...