Oil Landscape Paintings

Amaizing 19' century Roman landscape depicting a part of Villa Borghese with Trinità dei Monti. With a finely carved gilt wood coeval frame. Measurements with frame cm 65 x78 wit...

William Louis Sonntag Sr. was an American Landscape painter and a member of the Hudson River School movement. He was an Academician of the National Academy of Design. His work is in ...

"Town Scene" is an original oil on canvas by Petrus Gerardus Vertin. The city scene shows an idyllic view of a bustling European city of the pas...

"The Working Landscape" Italian School, 17th century oil painting on canvas, framed canvas: 42.5cm x 60cm framed: 50.5cm x 68cm Fine quality Italian Old Master oil painting on can...

Dutch School End Of 18th Century Lively Marine on the bank of Estuary Oil on wood Panel recently consolidated on the back (see picture) No crack or filure on the wood panel Framed by...

Russian oil painting 'The Chase' signed C. Stoiloff Russian, early 20th Century Frame: Height 84cm, width 122cm, depth 7cm Canvas: Height 66cm, wi...

Ruisdael is regarded as the principal figure among Dutch landscape painters of the second half of the 17th century. His naturalistic compositions and style representing massive forms...

17th century old master, Hagar and the Angel In Genesis 16, Hagar, Sarah's maidservant, fled into the wilderness after facing mistreatment. There, she encountered an angel who instr...

19th century British genre painting "A happy animal family in the countryside", 1860 John Frederick Herring II, born in 1815, was an English painter who followed in the footsteps of...

Old master oil from 1661 - Majestic hunting landscape with lions This captivating painting captures the raw intensity of a lion hunt amidst a mysterious forest landscape, presumably inspired by the works of Roelandt Savery...

A fine little landscape signed 'P. Wagner' by the German painter Philipp Jakob Wagner (1812-1877). It is painted on canvas and depicts a peasant with his dog driving his herd of cows...

Attributed to Philips Wouwerman (Dutch, 1619 – 1668) The departure of hunters near a ruin Oil on canvas 24 x 28.3/4 in. (61 x 73 cm.) Provenance: A Schonlank Gallery, Cologne; 28th A...

Venetian painter (19th century) - Padua, Caffè Pedrocchi. 37.5 x 48.5 cm without frame, 50.5 x 60 cm with frame. Oil on canvas, in a carved wooden frame. Condition report: Good st...

Tzar Peter the Great of Russia Arriving in Amsterdam in August 1697 Dutch School, 17th century Circle of Abraham Jansz Storck (c.1635-1708) Dutch Oil on canvas, in a carved giltwood ...

Figures under Archway Italian School, 18th century oil on canvas, unframed canvas: 13.5 x 16.5 inches provenance: private collection, United Kingdom condition: very good and sound co...

Nicolas Poussin (Les Andelys 1594 - Rome 1665), Circle of Holy Family with Saint Elizabeth and Saint John the Baptist in a landscape Oil painting on canvas 56 x 68 cm. in frame 72 x 85 cm. We present this splendid work that depicts the episode, taken from the Old Testament, of the meeting of the Holy Family with Saint Elizabeth and the little Saint John. Saint Joseph, in the background, is between Saint Elizabeth, sitting on the ground, and the Madonna. The two hold their respective children on their knees, San Giovannino and Jesus playing with a scroll from which you can glimpse the inscription "Ecce Agnus Dei", evoking the words with which John the Baptist, as an adult, will address Christ, recognizing in him the awaited Messiah, the savior of men. The setting is simple but eloquent, intrinsic with solemnity but softened by the strong sentimental understanding between the characters, underlined by their crossed gazes full of great humanity. The arrangement of the figures also emphasizes their intimate relationship, with the Madonna supporting the Child Jesus balanced by the presence of the other characters, arranged concentrically to enhance the importance of each. There is a strong search for delicate formal correspondences, in the rhythm of the stroke and curves, as well as the psychological ones; in fact, looks and gestures are wisely intertwined, in a highly studied complex but with an extremely simple and natural effect, with a serene and calm tone. Also of great effect is the attention paid to the landscape in the background, in which views of the city and various landscape views appear, rich in detail, with hills, perched villages and architectural ruins, which evoke the area surrounding Rome. The work takes up a composition conceived, during his long stay in Rome, by Nicolas Poussin (Les Andelys 1594 - Rome 1665) *, and is an excellent example of how the author was able to amalgamate and merge the ideal of French...

George Morland (1763 London - 1804 Brighton). Sheltering from the Storm. Oil on canvas, relined, 37.5 x 29.5 cm (visible size), 53.5 x 45.5 cm (frame), signed and dated at lower left...

Attributed to George Morland. 19th Century English Antique, Two Country farmers drinking beer in a landscape. Wonderful early 19th-century original oil on canvas. A classic 'Morland' composition as the painter was a big fan of English Pub scenes...

Flemish painter of the 17th century Christ and the Samaritan woman at the well Oil painting on canvas cm. 76 x 104 - In frame cm. 93 x 121 The work is ascribed to a Flemish painter, active in the seventeenth century, and illustrates the episode, taken from the Gospel of John (Jn 4, 1-30), of the dialogue between Christ and a Samaritan woman at Jacob's well, near of the city of Sicar, from which the woman has just drawn water and then placed it in a jug. The theme (one of the most frequently used in Counter-Reformation Christian art) celebrated the main concepts of the Council of Trent: the encounter with the Samaritan woman has the symbolic meaning of the innovation brought by Christ who offers the good news even to those who are not considered pure Jew. Even the place of the event, rather unusual and certainly not religious, according to biblical tradition, was rich in meanings and historical salvific evocations. The Gospel episode is reflected in our canvas with an interesting translation both in terms of composition and pictorial quality, finding its culmination in the graceful figure of the Samaritan woman, with her elegant pose, underlined by the skilful drapery of her clothes and her gestures. . The author broadens the horizon of the scene, showing the glimpse of the city of Sicar, illuminated by the light of the dawn of a new day, and from which the disciples of Christ are returning - in the Gospel account John, Peter and Andrew are named - followed by others and by the inhabitants curious to see the new Messiah in person. The conservation conditions of the work appear very good. The painting is sold together with a nice frame. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and a descriptive iconographic card. We take care and organize the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the Riva del Garda...

The canvas can be inserted in the production of Christian Reder, known in Italy as Monsù Leandro. After a period of apprenticeship in Hamburg, he was f...

Peak Moment of Drama is capatured. canvas: 36"w x 50.75"w overall (with frame): 42"h x 56.5"w Artist's placard affixed lower center Provenance: Collection of William and Irene ...

Wonderfully painted early 19th-century English rural landscape with cattle in a cowshed. Very similar to the work of Edward Williams who was a very well-known English landscape pai...