Maud Lewis

Covered Bridge

1966

The iconic presence of a Mountie in red serge on a white horse is set against a backdrop of a cerulean lake and atmospheric sky. Peter Hoffer's paintings evoke nostalgia for classica...

The ghostly figures of a man and horse are set against the epic backdrop of a forested landscape and atmospheric blue sky. Peter Hoffer's paintings evoke nostalgia for classical, rom...

The figure of a drummer boy in blue is set against the backdrop of a cultivated garden in this haunting image by Peter Hoffer. In his paintings, Hoffer evokes nostalgia for classical...

The iconic presence of a Mountie in red serge on a ghostly white horse is set against the epic backdrop of a forested landscape. Peter Hoffer's paintings evoke nostalgia for classica...

Simply gorgeous! Two canoe-shaped vessels appear to traverse the canvas in this recent series of enigmatic works by Heather Allen Hietala. The natural earthy colour palette of her ac...

Simply gorgeous! Three canoe-shaped vessels appear to traverse the canvas in this recent series of enigmatic works by Heather Allen Hietala. The natural earthy colour palette of her ...

Large Naïve acrylic on board attributed to a French artist named Le Bris as the work was bought with another painting signed by the artist. The painting is presented in a gilt wooden baton frame. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. The characteristics of naïve art have a challenging relationship to the formal qualities of painting, especially as they tend not to respect the three rules of the perspective (such as defined by the Progressive Painters of the Renaissance): 1. Decrease of the size of objects proportionally with distance, 2. Muting of colours with distance, 3. Decrease of the precision of details with distance. The results are: Effects of perspective are geometrically erroneous (distinctive aspect of the works, like the drawing of a child...

This is an unframed original painting on wood panel. Micheal Ousley is a native of Appalachia, originally from the coalfields of Southeastern Kentucky. Having traveled all around the Western coal towns of Virginia, West Virginia and the Blue Ridge as well, he has formed a deep connection to the mountains. “My father was a coal miner and many of my uncles and cousins worked in mining or farming. I tend to view my paintings as ballads for the rough living and hardscrabble existence found in the Central Appalachian Coal region. The Media has always jumped at the opportunity to show poverty and decay in the coalfields of Kentucky. I view my work as being built around a pathos and understanding of the downtrodden and discarded; a poetry for the underdog." Mike says, "I decided I wanted to take my painting back to the way I created images as a child, based on memory and simplified. My biggest inspiration is the visionary and Folk art of Kentucky and other Southern Folk artists. I spent a good deal of time in the Kentucky Folk...

A breath of fresh air (Un soplo de aire fresco). Symbolic acrylic paint on panel Colorful Folk Art Landscape with figure. Dimension art cm.: (H) 43 x (W) 53 x (D) 6 cm. The pictu...

"Cemented". (Cimentada). Acrylic and mixed media on wood panel, 54x40x4 cm. The pictures of Raquel Fariñas are presented before our eyes with an almos...

In paradise (En el paraíso). Acrylic, mixed media/wood panel. Dimension art cm.: H 90, W 60, D 6 cm. / Inches (H) 35.43 x (W) 23.62 x (D) 2.36 " The pictures of Raquel Fariñas...

"Another space is possible". (Otro espacio es posible), Acrylic and mixed media on Wood panel, 59.5x45 cm. The pictures of Raquel Fariñas are presented...