Willard Dixon

Willard Dixon 'Near San Quentin' Contemporary Realism Landscape Painting

1976

Brian Blood (American, b. 1962) Monterey Bay, 2000 Oil on canvas board Signed lower right: BB signed, dated, and titled verso: Brian Blood, 2000 Monterey Bay 9in H x 12in L In a silvered gilt frame with linen mat and moulding: 17 1/4in H x 20in L Brian Blood is a resident of Pebble Beach, California. He began his professional life as a graphic artist and art director in Boston, Massachusetts. He then came to California to attend the Academy of Art College in San Francisco for both undergraduate and graduate studies. In 2003, Blood and his artist wife, Laurie Kersey...

Judson A. Perkins (American, 1914-1982) 'California Coast' Oil on canvas Signed lower left Overall (with vintage frame): 17.5"h x 21.5"w

American School (20th century) View from the Shore, Late Summer Oil on canvas Signed indistinctly lower right: A. He[...]ter 28 x 28 inches (71.1 x 71.1 cm) In a silver frame with li...

Robert William Wood (American, 1889-1979) Golden Splendor, 1964 Oil on canvas Signed and dated lower right Titled verso with artist's stamp Unframed canvas: 24"h x 48"w Image shown w...

Edward Glafke (American, 1925-1997) Carmel River Oil on canvas Signed lower left Titled on the verso Canvas: 20in H x 24in L In a vintage giltwood frame: 24in H x 27.5 in L x 1.5in D...

Edward Glafke (American, 1925-1997) Tiburon Forest, 1990 Oil on canvas Signed 'E. Glafke' lower right Verso with handwritten title, date and signature Canvas: 24in L x 20.5in H In an...

Kevin Weckbach's (US based) "Double Shadow" is an original, hand made oil painting that depicts a busy city avenue filled with throngs of bundled walkers casting long shadows on the ...

Heller covers monumental and lesser-known works starting with Frank Lloyd Wright and tracing his design principles through his son Lloyd Wright, and students Richard Neutra, Rudolph ...

Heller covers monumental and lesser-known works starting with Frank Lloyd Wright and tracing his design principles through his son Lloyd Wright, and students Richard Neutra, Rudolph ...

Heller covers monumental and lesser-known works starting with Frank Lloyd Wright and tracing his design principles through his son Lloyd Wright, and students Richard Neutra, Rudolph ...

Represented by George Billis Gallery, NYC & LA -- My latest series opening at the George Billis Gallery, “Birth of the Cool,” celebrates the midcentury “cool” lifestyle of Manhattan....

Joshua Shaw was a farmer’s son, born in Billingborough, Lincolnshire, and orphaned at the age of seven. After a boyhood of privation, he tried a number of occupations, until he finally apprenticed to a sign painter and found his métier. Shaw went to Manchester to study art, and by 1802 was in Bath, painting landscapes. In that year he began to exhibit his work at the Royal Academy in London. Essentially self-taught, Shaw achieved an impressive level of competence and versatility, producing portraits, floral compositions, still lifes, landscapes, and, cattle pieces. Shaw continued to send works for exhibition at the Royal Academy, the British Institution, and the Suffolk Street Gallery, all in London, until 1841. (Although Shaw is regularly mentioned and frequently illustrated in a host of general books on American art history, as well as included in numerous historical survey exhibitions, the only monographic study of this artist is Miriam Carroll Woods, “Joshua Shaw [1776–1860]: A Study of the Artist and his Paintings” [M.A. thesis, University of California at Los Angeles, 1971]. Apart from short biographical sketches in various dictionaries and museum collection catalogues, the two most interesting references, both contemporary, are John Sartain’s personal recollections in The Reminiscences of a Very Old Man, 1808–1897 [1899; reprint 1969] and an article in Scientific American from August 7, 1869, “Joshua Shaw, Artist and Inventor.” The article quotes extensively from an autobiographical document in the possession of Shaw’s grandson that Shaw prepared for William Dunlap...