Mikael Olson

"Snow and Hoar Frost on Evergreens" Oil Painting

2021

"End of the Road / Helper" is a beautiful original impressionist painting by Michael Workman, depicting a service station resting at the end of a road, between powerlines and infrast...

Robin Cole’s “Standley Lake at Dusk” is a compelling 2024 oil on panel piece that depicts a midwestern landscape under a partly cloudy purple dusk sky. The painting embodies a tranq...

"Reaching Higher" (2024) by Dianne L Massey Dunbar is a mesmerizing oil painting on board that depicts a field of sunflowers. This piece measures 30 x 30 inches. About the Artist: ...

"Season of Falling Leaves" by Jim Morgan is an original oil painting depicting the brilliance of autumn color. Roaming the canyons and fields around the small, central Utah town wh...

"Red Dress" is a contemporary oil painting of a woman resting out doors, shielding her eyes from the Tuscan sunshine. Framed Dimensions: 40 x 52.5 inches Signed bottom left corner ...

A wonderful Impressionist winter pastoral scene of a colorful quaint home by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much fee...

French impressionist landscape, Barbizon forest, with river and cows at Sunset Boyle was a pioneering 19th-century British artist inspired by European Impressionist painters. The i...

English Impressionist with trees and a farm house, England Keith Arthur Johnson was born at South Pickenham, Swaffham, Norfolk in 1931, son of James Arthur Johnson (9 February 1895-1982), a farmer, and his wife Florence May née Wiles (9 May 1900-1996), who married in the Freebridge Lynn district of Norfolk in 1927 and in 1939 were living at Manor Farm, Tottenhill, Downham, Norfolk. Keith painted from an early age and after attending Fakenham Grammar School, he attended Norwich School of Art from 1946, where apart from general studies, he specialized in fabric design which heightened his color awareness and composition sense. His studies were interrupted by National Service in the RAF after which studied for teacher training at Liverpool School of Art obtaining a National Diploma in Design and an Art Teachers Diploma, also studying various printing methods and Art History attached to Liverpool University. Keith returned to Norwich School of Art for more studies, including life classes and portrait painting and from 1951 went to Lowestoft Art School to lecture in Design classes and teach fabric design, including weaving. Whilst at Lowestoft he met fellow lecturers, Tom Hudson (1922-1997), Jeffery Camp...