Narcisse Virgilio Díaz de la Peña

Twilight, oil on canvas by Narcisse-Virgile Diaz de la Pena (1807 - 1876)

La Chapelle de la Protection in Cagnes, circa 1925 Oil on panel, signed with the monogram lower left 27 x 34.5 cm Bibliography: The Painters of Cagnes, exhibition catalogue, Château-Musée Grimaldi, 2011, p.62 Paul Leduc...

Thomas Sidney Cooper was one of the foremost animal painters of the Victorian period. He was born in Canterbury, Kent, and as a small child he began to show strong artistic inclinations, but the circumstances of his family did not allow him to receive any systematic training. By the time he was twelve years old, he was working in the shop of a coach painter. Later he obtained a job as a scene painter, and he alternated between these two occupations for about eight years. He still felt a strong desire to become an artist, and all his spare moments were spent drawing and painting from nature. At the age of twenty, he went to London, drew for a while in the British Museum, and was admitted as a student of the Royal Academy. Subsequently, he returned to Canterbury, where he was able to earn a living as a drawing master and by the sale of sketches and drawings. In 1827, he settled in Brussels and married before taking up a position as a teacher in Brussels in 1829. There he befriended Eugène Joseph Verboeckhoven, the great Belgian animal painter, who greatly influenced his style. He was also influenced by the 17th Century Dutch School. Because of the Belgian Revolution, he returned to London where he settled and first exhibited at Suffolk Street in 1833. He exhibited forty-eight pictures at the British Institution between 1833 and 1863. ‘Landscape and Cattle’, Royal Academy 1833, was shown until 1902 without a break - a record for a continuous exhibit at the Royal Academy. Sheep and cattle were his most frequent subjects, although he did paint a few figurative subjects. Cooper collaborated between 1847 and 1870 with Frederick Richard Lee...

LEGNAIOLI SUL TEVERE - RIVER SCENE WITH FIGURE GATHERING REEDS Oil on canvas: 30 1/2 x 38 1/2 in., 36 x 44 1/2 in. (framed) Framed; lower right signed and dated: H. Corrodi, 1892

On the banks of the Meuse, near Waulsort (before the canalization of the Meuse) Signed lower right François Roffiaen (1820-1898): A Life in Brushstrokes His kin, born from humble s...

Léon Frédéric was one of the greatest representatives of Belgian symbolism and realism. He was ennobled as a baron in 1929 by King Albert I. Discove...

Hermann Baisch began his career in his father's lithography workshop. When he moved to Stuttgart, he became acquainted with local artists and enrolled at the Stuttgart Academy of Fine Arts. He made study trips in 1868 and 69 to Paris and Munich. At the Musée du Louvre, he studied the Dutch painters Paulus Potter and Albert Cuyp. Shaped by the influences of Théodore Rousseau, Charles-François Daubigny, Constant Troyon, Jules Dupré and the landscape painting of the Barbizon school, he went to Munich in 1869 to study with Adolf Lier...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

This very fine quality 19th century oil on canvas in dark brown wood frame with gold leaves details throughout is signed by Joseph Brunner (Vienna 1826-...

A luxuriant forest is the romantic and lyrical landscape where the dance of the nude nymphs takes place in this joyful 19th Century antique oil on canvas painting featuring a mythological scene. Dance of the Nymphs and Naiads is a myth inspired by the tales of ancient Greece and ancient Rome, a subject already much loved in the Renaissance period as an allegory of rebirth - as in one of the most famous paintings in the world the Spring by Sandro Botticelli- then reproduced throughout the neoclassicism by academic painters -due to the renewed interest in classical artworks following the discovery of archaeological sites- and taken up later, with ecological purposes and meanings, also by the Barbizon school and Impressionist artists. The present artwork – signed Vagner low left and datable to the second half of the 19th century - is closely inspired by an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). This historical oil on canvas painting, featuring a joyful scene with the three graces and other dancing nymphs...

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame . Giovanni Battista Viola...

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame . Giovanni Battista Viola...