Nazareno Gattamenata

Bathers on the Tiber - Oil Pastels on Paper by N. Gattamelata - 1970s

1975

The Dome is an original Contemporary artwork realized by Nazareno Gattamelata in the 1970s. Original colored oily pastels on paper. Dimensions: 25.5 x 36 cm. Good conditions. Th...

Illusion is one of the best tempera paintings on paper realized by LisArtventure in 2020. Art is illusion. The illusion of witnessing a precipitous fall of an ethereal vortex made w...

Portrait of Tattooed Man is a colored artwork realized in the late XX century. Oil Pastel on Canvas. Signed R. Franco on the lower margin. The artwork represents a colored port...

Fleurs dans un Vase is an original oil pastel drawing on paper realized by the French artist Giselle Halff in XX century. Hand-signed in charcoal pencil on lower right margin, this ...

Landscape is a drawing in mixed media on cardboard, charcoal and oil pastel, realized by Sun Jingyuan in 1970. The state of preservation is very good. Sheet dimension: 54.5 x 39.5 c...

The evening is a mixed colored drawing realized by Nazareno Gattamelata in the second half of XX century. The artwork is framed (40.5 x 3 x 48.5 cm). The artwork represents a noct...

Signed "Blay". Frame size 50x56 cm.

"Allow" by Sarah Alexander is a 24 x 36 x 1.5 inch landscape painting in watercolor on panel in rich, warm jewel tones contrasting with a warm blue background. The artist conveys mov...

David Rathman is known for his sensitively rendered paintings of stereotypically male motifs from American history and contemporary culture. He was the recipient of a Bush Foundatio...

David Rathman is known for his sensitively rendered paintings of stereotypically male motifs from American history and contemporary culture. He was the recipient of a Bush Foundatio...

David Rathman is known for his sensitively rendered paintings of stereotypically male motifs from American history and contemporary culture. He was the recipient of a Bush Foundatio...

Lionel S. Reiss (1894 - 1988) Lobstermen in Gloucester, Massachusetts, circa 1943 Watercolor on paper Sight 17 1/2 x 23 inches Signed lower left Provenance: Private Collection, Las Vegas, Nevada In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...