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Paul StrisikEvening Calm by Paul Strisik Original Coastal Landscape Oil Painting, Boats
About the Item
Painting size without frame: 8"x12"
Painting size with frame: 15"x19"
Paul Strisik’s “Evening Calm” captures a peaceful coastal scene with a masterful balance of light, atmosphere, and texture. Painted in oil, this evocative work depicts a pair of rowboats resting on a quiet, tide-washed shoreline, with sun-warmed granite rocks and distant fishing boats anchored in calm waters. The horizon fades into soft lavender and silver hues, evoking the stillness of an early evening along the New England coast. Seagulls drift overhead, adding a sense of gentle movement.
Strisik (1918–1998), a respected American landscape painter and longtime Rockport Art Association member, was celebrated for his plein air technique and ability to capture mood through natural light. Signed lower right.
- Creator:Paul Strisik (1919 - 1998, American)
- Dimensions:Height: 8 in (20.32 cm)Width: 9 in (22.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Rockport, MA
- Reference Number:1stDibs: LU2222216347812
Paul Strisik
Born in Brooklyn, New York, Paul Strisik became a resident of Rockport, Massachusetts, where he did landscape painting that brought him national recognition. After serving in the Navy during World War II, he studied at the Art Students League in New York City and with Frank Vincent DuMond. In 1953, he moved to Rockport, where he was active in the Art Association and other local civic organizations. He was a member of the National Academy of Western Art, the American Watercolor Society, and the Oil Painters of America. During his long career, he won 185 awards including 16 gold medals. He and his wife, Nancy, also maintained a home in Santa Fe for 12 years, and in 1996, he was honored as Artist of the Year by the Santa Fe Rotary Club. He was widely respected for his willingness to share his talents with young artists, and taught numerous workshops including at the Scottsdale Artists' School. He wrote several books, his last one being Capturing the Light in Oils. A reviewer in Art Talk quoted him: "God's light on a blade of grass is such a miracle, and so difficult to capture in paint; it is worth a lifetime of trying."
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