Philip Rideout

Pair of 19th Century coaching scenes

1894

Henry Deacon Hillier British, (1858-1930) Near Killin, Perthshire Oil on canvas, signed, inscribed verso Image size: 27.25 inches x 21.25 inches Size including frame: 35 inches x 29...

Arthur Walker Redgate British, (1860-1906) On the Tow Path by the Trent Oil on canvas, signed Image size: 19.25 inches x 29.25 inches Size including frame: 25 inches x 35 inches Pro...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 17.5 INCHES X 23.5 INCHES** Henry H Parker British, (1858-1930) The River Wey near Ripley, Surrey & At Culham on Thames O...

George Cole British, (1810-1883) Rick Making, Lunchtime Oil on canvas, signed & dated 1883 Image size: 23.5 inches x 35.5 inches Size including frame: 30.5 inches x 42.5 inches Prove...

John Charles Maggs British, (1819-1896) Caught in the Snowdrift Oil on canvas, signed & dated 1888 Image size: 13.5 inches x 25.5 inches Size including frame: 19 inches x 31 inches A striking coaching...

Sidney Richard Percy British, (1821-1886) Grizedale, Westmorland Oil on canvas, signed & dated 1883 Image size: 12 inches x 19 inches Size including frame: 21.25 inches x 28.25 inches A wonderful atmospheric painting of Grizedale Pike in the Lake District by Sidney Richard Percy. Cattle are shown moving along the path in the foreground as sheep roam the hillsides. In the mid distance a figure can be seen walking across a stone bridge whilst another has paused to rest behind them. Sidney Richard Percy was born Sidney Richard Williams, on the 22 March, 1822 the fifth son of the artist Edward Williams Snr (1781–1855) and Ann Hildebrandt. His brothers Edward Charles (1807–1881), Henry John Boddington (1811–1865), George Augustus (1814–1901), Arthur Gilbert (1819–1895) and Alfred Walter Williams...

Early 20th century English portrait oil of a Falcon hunting bird in a landscape. George Anderson Short was an English painter of Animal, Hunting...

Charles Augustus Henry LUTYENS (1829 – 1915, British) On the Scent c.1880 Unframed 50 x 84 inches Framed 64 x 98 inches Oil on Canvas Signed Provenance: Possibly commissioned by George William Coventry, 9th Earl of Coventry (1838-1930); thence by family descent; Croome Court House Sale, Worcestershire 1948 Lord Coventry was a keen huntsman having founded the North Cotswold Hunt in 1867 and in 1882 The Croome. Besides founding two Hunts, he also held the unique distinction of owning racehorses that won two Grand Nationals in consecutive years. Daphne Moore, the hunting correspondent writing about the Croome Hounds c.1950, emphasised the influence of Rambler as a perfect type of hound. ‘Who could have dreamed that in 1949 well-bred hounds in almost every kennel in England would have at least a trace of Rambler’s blood in their veins?’ … to the hound man The Croome and the name Coventry immediately recalls Rambler. Anyone who has seen his portrait by Lutyens, will remember him as being the perfect type of hound for any country…’ Charles Lutyens the artist spent his early adult life in the Army, joining the 20th foot and siled with them in 1850 to serve in Canada. In 1857 he left the army to take up life as a professional artist. He based himself at Onslow Square...

This lovely British Victorian landscape oil painting is attributed to noted artist Sam Bough. It was painted circa 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes along side fellow artist Alexander Frazer. The composition is several cattle watering in a stream under the boughs of an ancient tree. There is superb impasto, for example on the clouds and this is a charming 19th century oil painting. Provenance. London estate. Condition. Oil on canvas, 29 inches by 16 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 36 inches by 23 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skilful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...

This lovely British Victorian oil painting is attributed noted landscape and animal artist George Cole ans ascribed verso. Painted in 1840 it is a superb portrait of two horses, one ...

This lovely British Victorian landscape oil painting is by artist William M Davies. It was painted in 1898 and the location is Derwent water at Borrowdale, in Cumberland in the Lake ...

This lovely British Victorian landscape oil painting is by artist William M Davies. It was painted in 1898 and the location is Gate Crag Borrowdale, in Cumberland in the Lake Distric...