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Piet Lippens
"Belgian Farmhouse, " circa 1920s Piet Lippens (Belgian, 1890-1981)

1920s

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"View in Gent" Piet Lippens (Belgian, 1890-1981) circa 1920s
Located in SANTA FE, NM
"View in Gent" Piet Lippens (Belgian, 1890-1981) Circa 1920s Oil on canvas, signed lower left 23 3/8 x 19 3/8 (24 x 28 frame) inches Piet Lippens was a...
Category

1920s Realist Landscape Paintings

Materials

Canvas, Oil

"Still Life of Mushrooms in Undergrowth" French circa 1830s
Located in SANTA FE, NM
"Still Life of Mushrooms in Undergrowth" French circa 1830's-1840's Oil on canvas Illegibly initialed lower right 17 3/4 x 13 1/4 (25 1/2 x 21 frame) inches This deftly painted depi...
Category

Mid-19th Century Realist Still-life Paintings

Materials

Canvas, Oil

“Herd of Horses in a Marshy Landscape” Frances Mabel Hollams (England 1877-1963)
By Florence Mabel Hollams
Located in SANTA FE, NM
“Herd of Horses in a Marshy Landscape” Frances Mabel Hollams (England 1877-1963) Oil on canvas on board 14 x 20 (24 x 30 frame) inches Signed “FM Hollams Private Collection Durham, E...
Category

1920s Realist Animal Paintings

Materials

Canvas, Oil, Board

"Cows at Rest in Front of the Barn" Michael Therkildsen (Danish, 1850 - 1925)
By Michael Therkildsen
Located in SANTA FE, NM
"Cows at Rest in Front of the Barn" Michael Therkildsen (Danish, 1850 - 1925) Oil on canvas 9 x 14 3/4 (15 3/4 x 21 1/4 frame) inches Signed lower left The son of farmer Hans Micha...
Category

Early 20th Century Realist Animal Paintings

Materials

Canvas, Oil

"A Colorful Crowd, Yugoslavia"  Jacques Martin-Ferrières (1893-1972)
By Jacques Martin-Ferrières
Located in SANTA FE, NM
"A Colorful Crowd, Yugoslavia" Jacques Martin-Ferrières (1893-1972) Circa 1930s Oil on panel 17 1/8 x 13 3/4 (frame) inches A painter remarkable for his highly personal portraits a...
Category

1920s Figurative Paintings

Materials

Oil, Wood Panel

Rooster and Hens in the Barnyard William Baptiste Baird (U.S./France 1847-1917)
Located in SANTA FE, NM
Rooster and Hens in the Barnyard William Baptiste Baird (U.S./France 1847-1917) Oil on panel Signed lower right "W. Baird" 12 1/4 x 9 inches A stunning example of William Baptiste...
Category

1880s Barbizon School Animal Paintings

Materials

Oil, Wood Panel

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Provenance Acquired by the gallery directly from the artist. FRAMED: 20.375" x 32.25" x 1.5" UNFRAMED: 12" x 24" Artist Statement "Each year, Laguna Beach utilizes goats for brush...
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Provenance Acquired by the gallery directly from the artist Artist Statement “This plein air study was the impetus for a larger oil painting, titled Onion Field, which was acquired ...
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Antique American Marine Seascape Oil Painting Crashing Surf Atlantic Coast Maine
By Frederick Judd Waugh
Located in Portland, OR
A fine antique seascape oil painting on panel by the celebrated marine artist, Frederick Judd Waugh (1861-1940), depicting the Atlantic of the coast of Maine, circa 1910. The painting is finely executed with bold and decisive brush strokes with crisp edges, one can almost hear the roar of the ocean as the surf crashes upon the rocks. The painting is signed lower right "Waugh" and is housed in the original carved & gilded frame. Condition is very good indeed, this fine seascape by one of America's most acclaimed late 19th early 20th century marine artists is ready to grace your wall. The painting will be accompanied with a certicificate of authenticity & provenance. Frederick Judd Waugh was an American artist, primarily known as a marine artist. During World War I, he designed ship camouflage for the U.S. Navy, under the direction of Everett L. Warner. Waugh was the son of a well-known Philadelphia portrait painter, Samuel Waugh. He studied at the Pennsylvania Academy of Fine Arts with Thomas Eakins, and at the Académie Julian in Paris with Adolphe-William Bouguereau. After leaving Paris, he moved to England, residing on the island of Sark in the English Channel, where he made his living as a seascape painter. In 1898 he was recorded as living in Heath and Reach, Bedfordshire. In 1908, Waugh returned to the U.S., settling in Montclair Heights, New Jersey. He had no studio until art collector William T. Evans (a railroad financier and President of the dry goods firm, Mills Gibbs Corporation) offered him one in exchange for one painting a year. In later years, he lived on Bailey Island, Maine, and in Provincetown, Massachusetts. Waugh’s marinescapes were highly acclaimed, garnering him the Popular Prize at the Carnegie International Exhibition for five years in a row, a feat accomplished by no other artist. In 1914, he was a judge of the art exhibit on Monhegan Island, Maine during the 1914 Ter-Centenary celebration of the Voyage of Captain John Smith. In addition to his marinescapes, Waugh sometimes published work in periodicals, such as The Green Sheaf, to which he contributed at least one illustration. He also produced paintings and sketches on legendary and mythological themes; see, for instance, his 1921 sketch “Levitation in Dream No. 3”, and his c. 1912 painting “The Knight of the Holy Grail”. In 1918, Waugh was recommended to serve as a camouflage artist (or camoufleur) for the U.S. Navy, as a member of the Design Section of its marine camouflage unit. That section was located in Washington, D.C., and was headed by American painter Everett L. Warner. According to a biography of Waugh, “Many large ships, including the Leviathan, were painted according to his designs. Though the enterprise was of course a team effort in which no man played a solo part, he had every reason to be proud of his record. Only one ship with his system of camouflage was lost during the war”. Waugh was known to produce literary work, publishing a short poem in Pamela Colman Smith’s short-lived periodical The Green Sheaf; a fairy tale in The English Illustrated Magazine; and, in 1916, the book The Clan of Munes...
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John Henry Dolph, best known as painter of domestic animals, especially cats, was born in 1835 in Fort Ann, New York. In 1841 Dolph's family moved to Ohio and in 1849 Dolph began an ...
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Looking Back; The Arroyo Seco, Pasadena, California
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Located in Pasadena, CA
Provenance Acquired by the gallery directly from the artist. FRAMED: 28.125" x 32.125" x 1.25" UNFRAMED:20" x 24" Artist Statement "I am always looking for different ways to capture the beauty of the San Gabriel Mountains as they loom above Pasadena. I found this view while scouting and exploring the Arroyo Seco...
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