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Robert Caples
High Country Pasture

Price:$1,850
$2,850List Price

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'Cattle at Pasture', Danish Impressionist Landscape oil, Paris, France
By Gunnar Bundgaard
Located in Santa Cruz, CA
Signed lower right, 'G. Bundgaard' for Gunnar Bundgaard (Danish, 1920-2005) and dated '57'. A light-filled, panoramic landscape showing Holstein cattle grazing in a grassy field beneath sun-lit clouds. This listed Danish painter first studied at Copenhagen's Gronvang School where he was particularly influenced by the romantic academic style of Niels Pederson...
Category

1950s Impressionist Landscape Paintings

Materials

Canvas, Oil

'Bighorn Rams, Rocky Mountains', Idyllwild, California Artist, Nature painter
Located in Santa Cruz, CA
Signed lower right, 'Leslie H. Van Nimwegen' (Dutch-American, born 1951) and painted circa 1990. A large oil landscape showing a group of male big...
Category

1990s Realist Animal Paintings

Materials

Acrylic, Board

'Mare and Foal', Equestrian Modernist Oil, Chouinard, LACMA, Metropolitan Museum
By Leon D'Usseau
Located in Santa Cruz, CA
Signed lower right, 'Dusso' for Leon D'Usseau, Jr. (American, 1918-1991) and painted circa 1965. A substantial, Modernist oil showing a mare and foal frolicking in a deep chestnut landscape interspersed with foliage and areas of bright color. Born in Los Angeles, Leon D'Usseau began training under the guidance of his father, who was among the earliest fine-art film directors to work in Hollywood. At the age of twelve, Leon was drawing seriously and, at fifteen, received a working scholarship at Chouinard School of Art where he studied under Merrill Gage and Alexander Archipenko. At this early age, he was also employed by Chouinard to teach a line-drawing class. Adopting the anglicized brush-name of Dusso, he exhibited widely and with success including at the Los Angeles County Museum of Art (1937-40), the California Palace Legion of Honor (1941), the Metropolitan Museum of Art (1942), the Laguna Festival of Arts, Los Angeles Artists Association (1945), the California Watercolor Society (1946) and the Audubon Association (1945). Leon Dusso...
Category

1960s Modern Animal Paintings

Materials

Masonite, Ink, Oil

'The Mid-Day Rest', Western American Landscape oil, Who Was Who in American Art
By Charles Damrow
Located in Santa Cruz, CA
Signed lower right, 'Charles Damrow' for Charles Damrow (American, 1916-1989) and painted circa 1940; additionally signed verso on stretcher, 'Chas. Damrow'. An idyllic, South-weste...
Category

1960s American Realist Landscape Paintings

Materials

Canvas, Oil

'Under the Full Moon', North Beach, San Francisco Bay Area, Camel, Romance
Located in Santa Cruz, CA
'Romance in the Dunes', North Beach, San Francisco Bay Area, Camel, Full Moon -------------- Signed lower left, 'Glen Chesnut' (American, 1930-2017) and dated 1991. Born in Amarill...
Category

1990s Folk Art Landscape Paintings

Materials

Acrylic, Laid Paper

'Geese on a Lake', Chinese scroll, calligraphy, Sumi-e, Song, Yuan Dynasty
By Ren Renfa
Located in Santa Cruz, CA
Chinese School, 20th century; After Ren Renfa (Qinglongzhen, 1255-1328). Signed center right in Chinese with artist chop mark for 'Yueshan Daoren' 月山道人, brush name for Ren Renfa. (Qinglongzhen [now Qingpu, Songjiang, Shanghai Municipality], b.1255; d. 1328). Chinese painter. Under the Yuan dynasty (1279–1368) he became an official, rising to the level of Vice-President of the River Conservation Bureau. He was famous for his paintings of horses, which were much admired by both his Mongol and Chinese patrons. In horse painting he followed in the tradition of the Song-period (960–1279) artist Li Gonglin, which was characterized by use of the ‘iron-wire’ line and a minimum of shading. Ultimately, however, Ren’s style can be traced to the Tang (ad 618–907) painters Yan Liben and Han Gan. Ren’s earliest surviving painting is dated 1280, indicating that he was a mature artist by his mid-twenties. Although he worked as an official under the alien Mongol emperors, he was capable of paintings that incorporated clear political messages. The most famous is Fat and Lean Horses (Beijing, Pal. Mus.), in which, according to his inscription, the fat horse...
Category

Mid-20th Century Animal Paintings

Materials

Plywood, Watercolor, Sumi Ink, Silk

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Deep pastel colors enliven this painting of a polar bear in the ice by listed California artist Helen Ray Harris (d.2001). Signed lower left corner "H. Harris". Unframed. Image, 16"H x 20"W. Helen Ray Harris, 20th Century, was born in England. She received her initial art training in her native England and immigrated to the United States at age 19. Prior to her arrival in the U.S., and shortly afterwards, she worked repairing and restoring antique furniture...
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Beautiful close up portrait of a gray whale named "Pearl" feeding on kelp in the dark blue ocean by Aptos, California artist Lise Lang Crowley (American, 20th century). Great texture...
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"Veiled Guardians" (2025) Original Oil Landscape Painting of Buffalos
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"Veiled Guardians, Micah 7:7" (2025) by Thomas Kegler is an original, handmade oil painting that depicts a serene forest landscape with several buffalo traveling through. About the...
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Antique Hudson River School Bald Eagle Kaaterskill Falls Landscape Oil Painting
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19th century Hudson River School landscape oil painting. Oil on board. Framed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready ...
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"A Cowboy and His Friend" (2024) By Quang Ho, Original Oil Portrait Painting
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Cotman Impressionist painting of ducks on the Norfolk broads
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A lovely, impressionistic oil of ducks in the sunshine in a Norfolk broads landscape. Frederick George Cotman (1850-1920) Acle Bridge, circa 1915 Inscribed verso Oil on board 10 x 16 inches Provenance: Cotman family collection Frederick George Cotman was born in Ipswich on 14 August 1850. His uncle, John Sell Cotman, was one of the cornerstones of the Norwich school and a very influential watercolourist. Frederick's first tuition came from William Griffiths, headmaster of Ipswich School of Art. In 1868 he enlisted at the Royal Academy Schools and his proficiency as a draughtsman and painter in oils and watercolours was rewarded with four silver and a gold medal for The Death of Eucles now at the Ipswich Town Hall. His teachers in London were Frederick Leighton (1830-1896) and Henry Tanworth Wells (1828-1903). Cotman became established as a London society portrait painter, for which he could command a fee of 300 guineas and also produced homely genre scenes. Elected a member of both the Royal Institute of Painters in...
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