Rosie J. Morison

Late 19th Century Scottish Figural Landscape, "The Ingathering, Rowan Tree Hill"

C. 1880

Mid Century Original Spanish Impressionist Fishing Village Scene with Figures Spanish impressionist oil painting by A. Boneto (Spanish, 20th Century), circa 196Painterly impression...

A charming painting of a sunny day at an old farmstead with cows by California artist Ralph Edward Joosten (American, 1928-2009). Signed "R. Joosten" lower left. Presented in a rusti...

Richard Schmid's (US based) "Frozen Brook" is an original, handmade oil painting that depicts a winter landscape. Artist Biography: Throughout his career, which saw fifty one-man s...

Mary Bradish Titcomb Village Green Signed lower left Oil on canvas 24 x 20 inches A native of Windham, New Hampshire, upon graduation from high school, Titcomb studied at the Massachusetts Normal Art School, before accepting a position as a drawing teacher in the public schools of Brockton, Massachusetts, where she remained for fourteen years before resigning, in 1889, to study painting at the School of the Museum of Fine Arts, Boston. Her instructors there included Edmund Charles Tarbell, Philip Leslie Hale, and Frank Weston Benson. In the 1890s she went to Paris to study with Jules Joseph Lefebvre and to travel. She then returned to Boston, taking studio space at the Harcourt Studios, where all three of her teachers kept space. In 1895 she became a member of the Copley Society and began exhibiting locally; from 1904 to 1927 she showed work in 29 exhibits at the Pennsylvania Academy of the Fine Arts. She began signing her name as "M. Bradish Titcomb" in 1905 to avoid prejudice against her gender. The same year saw her making a sketching trip to the artists' colony at Old Lyme, Connecticut, a center for the American Impressionists; this trip seems to have cemented her interest in the style. In 1915, Titcomb's Portrait of Geraldine J. – the mother of actress Jane Russell – was shown at the Corcoran Gallery of Art and purchased by President Woodrow Wilson; another portrait, of Frank P. Sibley, was reproduced in the Boston Globe. During this period her work was shown in a traveling exhibition with that of Cecilia Beaux, Lydia Field Emmet, Jean MacLane...