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Roswell Morse Shurtleff
“Forest Light”

Circa 1895

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“Crashing Surf, Capri”
By Guido Odierna
Located in Southampton, NY
Large, impressive seascape of rolling surf pounding the rocky shore of Capri. Signed lower left by the Italian artist Guido Odierna. Circa 1975. Conditi...
Category

1970s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

“Bord de L’Eau”
Located in Southampton, NY
Here for your consideration is a wonderful oil on canvas painting by the well known French artist, Albert Regagnon. Titled verso, “Bord de L’’Eau” (The Riverside) Signed and dated lower left, 1906. Condition is excellent. Original period frame in fine condition. Mild wear consistent with age. Overall framed measurements are 20.5 by 24 inches. Provenance: Joseph M. de Gimme Gallery, Grosse Point, Michigan. (label verso) Albert Regagnon, French (1874-1961) Regagnon received many honors for his body of painting during his long and productive career, and exhibited regularly at the Paris Salons. Regagnons’ fascination for the Barbizon painters...
Category

Early 1900s Impressionist Landscape Paintings

Materials

Canvas, Oil

“Bodega Bay, California”
Located in Southampton, NY
Here for your consideration is a fine example of the painterly style of the well known Napa, California artist Paul Youngman. Signed by the artist lower...
Category

1980s Contemporary Landscape Paintings

Materials

Canvas, Oil

“A Summer’s Day”
By George Thompson Pritchard
Located in Southampton, NY
Original oil on canvas painting of a bucolic summer’s day. Beautifully executed with warm, rich tones and wonderful water reflections. The painting was painted circa 1935 by the well known artist, George Thompson Pritchard. Signed by the artist lower left. Condition is good; recently professionally cleaned. The painting is framed in its original gold leaf over carved wood period frame in very fine condition. Overall framed measurements are 34 by 39 inches. Provenance: Delray Beach Florida estate. Born in Havelock, New Zealand on April 11, 1878, George Thompson Pritchard studied in Auckland, New Zealand at the Academy of Art, at the Elam School of Art, and at the Melbourne Academy of Fine Arts in 1901. Upon arriving in San Francisco in 1906 in the aftermath of a devastating earthquake and fire, he produced many paintings during his three-year stay in the city. He then spent a few years in Milwaukee before journeying on to Paris for further art study at Académie Julian, and at the Vanderheldt Academy in Amsterdam from 1911 to 1914. During World War I, Pritchard lived in Canada, New York City, and Richmond, VA. In addition, he lectured and exhibited at colleges and universities throughout the Southern United States. In 1935, he settled in Southern California and had studios in Glendale and Santa Monica. He taught art at his studio and exhibited regularly with the Glendale and Santa Monica Art...
Category

1930s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

"Approaching Storm"
Located in Southampton, NY
Very well executed oil on canvas painting of a approaching storm and the churning surf pounding against the seaside rocks. In the manner of Frederick...
Category

1970s Post-Impressionist Landscape Paintings

Materials

Oil, Canvas

"Approaching Storm"
$760 Sale Price
45% Off
“Afternoon Shade”
By Rinaldo Skalamera
Located in Southampton, NY
Original oil on canvas painting by the well known marine artist, Rinaldo Skalamera. Signed lower right. Completed in 2020. Condition is excellent. Housed in a silver edge with bl...
Category

2010s American Realist Landscape Paintings

Materials

Canvas, Oil

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A Garden in Montone, France
By George Hobbs
Located in Fredericksburg, VA
George Hobbs’ A Garden in Montone, France invites viewers into a serene moment of everyday beauty nestled in the heart of the French countryside. The composition features a narrow la...
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Late 19th Century Hudson River School Landscape Paintings

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"America, " Edmund Coates, Hudson River School, Civil War, Skaters Sled Landscape
By Edmund C. Coates
Located in New York, NY
Edmund Coates (1816 - 1871) America, 1861 Oil on canvas 30 x 40 inches Provenance: Kennedy Galleries, New York Private Collection This 1861 painting shows deep symbolism with a sled reading "America" slipping down a hill. A versatile nineteenth-century painter, Edmund C. Coates created landscapes, seascapes, portraits, and history paintings. Born in England, Coates spent his adult life in New York City, where he was a frequent exhibitor at the National Academy of Design. Working in the style of the Hudson River School, Coates produced beautiful, idealized images of the lakes and mountains of the Hudson River Valley and the White Mountains of New Hampshire, as well as romantic visions of ancient Italian ruins. He was closer in dates to the second generation of the Hudson River school, which included Frederic Edwin...
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1860s Hudson River School Landscape Paintings

Materials

Oil, Canvas

"Harbour of Rio de Janeiro, Brazil, " Julius Montalant, Maritime Port Trade
Located in New York, NY
Julius Montalant (1823 - 1898) Harbour of Rio Janeiro, 1843-1850 Oil on canvas 17 x 24 inches Signed and dated lower right; conservator's inscription on the reverse Born in Virginia, probably Norfolk, Julius Montalant is known for his drawings and paintings inspired by his travels on board navy ships. Attached to the USS St. Louis around 1844-45, he sketched ports of call he visited, including Brazil, Chile, New Zealand, Australia, and China. Many of his works are held in the Museum of the U.S. Naval Academy. Navy records indicate his rank as 'C. Clerk', which may mean that he held a civilian position. During the 1850s he lived in Philadelphia, and in 1851-61 he exhibited at the Philadelphia Art Union and the Pennsylvania Academy of the Fine Arts. Included were paintings of North America, Greece...
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1850s Hudson River School Landscape Paintings

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Canvas, Oil

"Birch Tree in Maine, " Hudson River School Antique Landscape, White Mountains
By Harrison Bird Brown
Located in New York, NY
Harrison Bird Brown (1831 - 1915) Birch Tree in Maine, New England, 19th Century Oil on canvas 25 x 13 1/8 inches Initialed lower left Provenance: Portland International Galleries, Maine Mr. and Mrs. Walter M. Jeffords, Jr., Saratoga Springs, New York and Lexington, Kentucky (President of Brooklyn Borough Gas Company) Private Collection, Chicago Exhibited: Portland Maine, Portland Museum of Art, 58 Maine Paintings 1820-1920: Selections from the Collection of Mr. and Mrs. Walter M. Jeffords, Jr., May 20 - June 20, 1976, cat. no. 11. The above catalogue listing this vertical landscape will be included with your purchase. "Mr. Brown has succeeded fully in accomplishing that which Mr. John Ruskin, in speaking of J. M. W. Turner's sea views, said no painter had yet accomplished; that is, the representation of the creamy foam which the storm lashes up from the waves along a rocky shore." Harrison Bird Brown was born in 1831 in Portland, Maine, and is best known for his White Mountain landscapes and marine paintings of Maine...
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Late 19th Century Hudson River School Landscape Paintings

Materials

Oil, Canvas

"Western Lake Landscape, " John Fery, Hudson River School View
By John Fery
Located in New York, NY
John Fery (1859 - 1934) Western Lake Landscape, circa 1920 Oil on canvas 21 x 23 1/4 inches Signed lower left Provenance: Private Collection, New York Born in Austria, John Fery earned a strong reputation for dramatic paintings of western mountain landscape in the United States. Glacier National Park in northwest Montana was a popular subject for him. He was raised in a prominent, wealthy family that lived on an estate about nineteen miles northeast of Salzburg. His mother was Hungarian, and his father was born in Bohemia. S ome sources have written that he studied art in Dusseldorf, Germany with Peter Jansen, and also in Munich, Venice and Karlsruhe. But his "name does not appear in the records of the major art schools in any of these places, nor is there any record of his name at either the Vienna or Budapest academies." (Merrill 26) It is possible, however, that he received private instruction, and because of the sophistication of his painting, sources think it unlikely that he was self taught. An early interest in wilderness scenery led him to painting American landscapes and hunting scenes. In the mid 1880s, he came to America and lived in the German community in Milwaukee, and then in 1886, brought his family to the United States. His wife, Mary Rose Kraemer (1862-1940), was born in Switzerland, and they had one child born near Munich and two others born in the United States. From 1886 to 1888, they lived in New York, and by 1890, Fery had made his first trip West. He visited Yellowstone Park in 1891, and indicated in his writings that he had been there even earlier. From 1892 to 1893, he led European nobility on hunting expeditions to the American Northwest, made possible by the completion of the Northern Pacific Railroad...
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1920s Hudson River School Landscape Paintings

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"A Cloudy Day, " View of Montclair, New Jersey, Tonalist, Barbizon Scene
By George Inness
Located in New York, NY
George Inness (1825 - 1894) A Cloudy Day, 1886 Oil on canvas 25 x 30 inches Signed and dated lower center Provenance: The artist Estate of the above Fifth Avenue Galleries, New York, Executor's Sale of Paintings by the Late George Inness, N.A., February 12 - 14, 1895, Lot 132 Joseph H. Spafford, acquired from the above Mrs. Spafford, by bequest from the above Leroy Ireland, New York, 1951 Ernest Closuit, Fort Worth, Texas Meredith Long & Company, Houston, Texas, circa 1960 Private Collection Shannon's Fine Art, American and European Fine Art Auction, October 27, 2016, Lot 42 Exhibited: New York, American Fine Arts Society, Exhibition of the Paintings Left by the Late George Inness, December 27, 1894, no. 90.  Literature: LeRoy Ireland, The Works of George Inness: An Illustrated Catalogue Raisonne, Austin, Texas, 1965, p. 336, no. 1324, illustrated. Michael Quick, "George Inness: A Catalogue Raisonne," Vol. II, New Brunswick, New Jersey, 2007, pp. 282-83, 311, no. 966, illustrated.  George Inness, one of America's foremost landscape painters of the late nineteenth century, was born in 1825 near Newburgh, New York. He spent most of his childhood in Newark, New Jersey. He was apprenticed to an engraving firm until 1843, when he studied art in New York with Regis Gignoux, a landscape painter from whom he learned the classical styles and techniques of the Old Masters. In 1851, sponsored by a patron, Inness made a fifteen-month trip to Italy. In 1853 he traveled to France, where he discovered Barbizon landscape painting, leading him to adopt a style that used looser, sketchier brushwork and more open compositions, emphasizing the expressive qualities of nature. After working in New York from 1854 to 1859, he moved to Medfield, Massachusetts, and four years later to New Jersey, where through a fellow painter he began to experiment with using glazes that would allow him to fill his compositions with subtle effects of light. Duncan Phillips remarked on Inness’s mellow light as a unifying force, saying, “…he was equipped to modernize the grand manner of Claude and to apply the methods of Barbizon to American subjects." At this time also, Inness developed an interest in the religious theories of Emanuel Swedenborg...
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1880s Hudson River School Landscape Paintings

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