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Serghei Ghetiu
A seascape with crushing waves II

2025

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Gentle Guardians
Located in Zofingen, AG
This painting depicts two horses in a tender interaction. Their figures are gracefully set against a warm, abstract background, creating an atmosphere of coziness and harmony. The co...
Category

2010s Realist Landscape Paintings

Materials

Canvas, Oil

The Silence of the Harbor
Located in Zofingen, AG
"The Silence of the Harbor" is a painting where boats are moored, immersing themselves in the silence of a secluded harbor. Everything around is filled with tranquility, only the gen...
Category

21st Century and Contemporary Realist Landscape Paintings

Materials

Canvas, Oil

Mysterious Forest From The Fairy Tales Of My Childhood - painting
Located in Zofingen, AG
Forest is one of the most mysterious places in the world. Peoples always believed that horrible and frightening creatures lived there. That's why they made up a lot of fairy tales de...
Category

2010s Realist Landscape Paintings

Materials

Canvas, Oil

Game with waves
Located in Zofingen, AG
From the series «Summer Memories» This painting depicts a little girl playing on the beach on a summer day. Her small figure is touchingly integrated into the vast blue of the water...
Category

2010s Realist Landscape Paintings

Materials

Canvas, Oil

Moment of Serenity
Located in Zofingen, AG
From the series «Summer Memories “ This painting captures the serene setting of a pool at a villa in the Tuscan region of Italy. The tranquil blue water reflects the surrounding lan...
Category

2010s Realist Landscape Paintings

Materials

Canvas, Oil

Horses
Located in Zofingen, AG
The most ordinary rural landscape. A quiet life among nature. This place is a good place to relax after the hustle and bustle of the city. • Includes a certificate of authenticity si...
Category

2010s Realist Landscape Paintings

Materials

Canvas, Oil

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This is a Real Place! 1: large painting of lake or river w/ blue water & bridge
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"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...
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