Stephanie Buer

The Hive

2021

Judd Mercer’s 2025 painting "Erosion" is a luminous oil on panel landscape that captures the raw majesty of a high alpine lake nestled beneath rugged mountain peaks. This original, h...

Judd Mercer’s Life Springs Forth is a striking original oil painting on wood panel, completed in 2025. This vertical landscape composition captures the dynamic flow of a mountain str...

Judd Mercer’s "Transmission" (2024) is an original, handmade oil painting rendered on panel, capturing a luminous moment of human presence within the wild. Measuring 24 x 24 inches (...

Judd Mercer’s This Too Shall Pass (2024) is an original, handmade oil painting capturing a moment of quiet grandeur in the high alpine. Painted in oil on panel, this work measures 24...

This painting (oil on paper applied to wood panel, 18 x 12, 5 cm) is a valuable example of the production of small-format works, thus aimed at a private audience, which was very comm...

Kevin Weckbach's (US based) "Galisteo Basin" is an original, hand-made oil painting that depicts a landscape with craggy rocks and bushes. Artist Statement: "Subject matter to me i...

This painting was part of a series of foxglove studies that I created while hiking in the Olympic peninsula in Washington in July of 2021. The Foxglove were growing wild...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...