Abstract Expressionist Landscape Paintings

This came from the collection of the Horace Richter Gallery These were done in the 1990's Hand signed and dated by the artist. Old Jaffa Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums. He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky. In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins. In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists. In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson...

Dusky Shore and Peach Panorama Diptych [2021] original Acrylic on unstretched canvas and mixed media on gessoed cardboard Image size: H:23.5 cm x W:47.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Dusky Shore and Peach Panorama Diptych is a collection of work by Luisa Holden...

Magdalena Morey Ocean Light 1 Original Cubist Inspired Landscape Painting Mixed Media on Canvas Canvas Size: H 50cm x W 50cm x D 4cm Sold Unframed (Please note that in situ images ar...

Undisturbed Calmness by Christina Sadler [2021] original Mixed Media on Canvas Image size: H:40 cm x W:80 cm Complete Size of Unframed Work: H:40 cm x W:80 cm x D:2cm Sold Unframed ...

Timelapse 1 by Emma Hartley [2021] original Oil on canvas Image size: H:36 cm x W:46 cm Complete Size of Unframed Work: H:30 cm x W:40 cm x D:2cm Frame Size: H:36 cm x W:46 cm x D:3...

Forest Walk [2021] original oil on wood Image size: H:53 cm x W:46 cm Complete Size of Unframed Work: H:53 cm x W:46 cm x D:3cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look During this last year I've been learning about the benefits of the Japanese practice of shinrin yoku, or Forest Bathing. Its no surprise that being in nature is good for both physical and mental wellbeing and to me this painting captures the sights, sounds and smells of the forest. Claire Chandler...

Coast [2020] original Oil Image size: H:93 cm x W:93 cm Complete Size of Unframed Work: H:90 cm x W:90 cm x D:4cm Framed Size: H:93 cm x W:93 cm x D:5cm Sold Framed Please note...

landscape acrylic marble powder on linen panel 50x100cm send in wood crate at cost Having the good fortune to live in this beautiful Breton country of North Finistère I can walk alon...

Dalmatia 18.0 x 24.0 x 0.75, 1.0 lbs Acrylic Hand signed by artist Artist's Commentary: "This is a great memory for me. This is based off a photo my husband took on our trip to ...

An abstract oil painting, loosely painted en plein air on a beach in the Hamptons. The painting captures a curling wave, just about to crash on the shore, the spray from the top of the wave watching in the wind off the ocean. The painting was done like a sketch done by impressionist artists back in the day, but on a much larger scale. Color notes jotted down urgently to capture the moment before it disperses like sea spray in the breeze. Yektai paints in a thick sculptural fashion...

Carrowteige I Mixed Media on Board 54.6 x 75.9 cm 21 1/2 x 29 7/8 in "I want to celebrate the subtlety and nuance, the sense of timelessness, strength and fragility, and to convey t...

This 16" x 12" oil on canvas abstract landscape by Masri conveys a dynamic and vigorous interpretation of a coastal scene. The artist uses a vivacious palette of blues, whites, and g...

Artist Unknown (20th century) New York City Skyline, 1950s Oil, watercolor and gouache on paper 13 1/2 x 19 1/2 inches A bright abstract skyline view of a metropolis on a blue / teal background with red, yellow, and blue lights...

A contemporary abstract expressionist acrylic painting by American female artist Rebecca Allan. Rebecca Allan is a New York-based visual artist known for her richly layered and chro...

In expressionist style, a house surrounded by trees and bushes is shown. The reduction to the essential reinforces the impression of the anonymous village. Henri Schäfer...

Deborah Wage paint mainly in oils and encaustic, occasionally watercolor. She is a representational artist which render things to look like actual things...

The simple rendering of environmental shapes are distinct and lend a textile quality to the scene, for which Zorach was known. The complimentary colors of purple and yellow accented ...

Original oil painting for those who love nautical art. It has a wooden frame and is in good condition. The artist's name is Oscar. It is signed.

Translated title: "Morning in Sao Paolo". Acrylic on canvas.

Minimalist abstract expressionism landscape in pastel shades of pink and yellow. The atmosphere is soft and warm, it evokes a landscap...

Mixed Media on Canvas "I am interested in the power art has to transgress boundaries. It can be in, at least, two places at once; inner and outer, real and imagined, present and pas...

Mixed Media on Canvas "I am interested in the power art has to transgress boundaries. It can be in, at least, two places at once; inner and outer, real and imagined, present and pas...

Painting size: 22x28 inches, oil on illustration board on Masonite. Estate signature stamp on verso and L/R

Jean-François LARRIEU (1960) (France) is an artist born in 1960 The oldest auction result ever registered on the website for an artwork by this artist is a painting sold in 1991, at...

This is an abstract landscape painting by Bianca Wellwood. The colors are vibrant, but subtle. Frame: stretched, but unframed, further framing possib...

This meticulously planned, designed, and executed work depicts an ultra-wide angle view of a rock quarry/mine. The viewer looks down at close-up-stylized rock formations and then out at a horizon line with rust-colored mine trestles. Atherton hints at perspective with a broken white line that is wider in the foreground and tapers to a hairline as it recedes to the background. The work was done in 1951 at the height of America's most important art movement: Abstract Expressionism. John Atherton absorbs its influences but retains elements of representation. Atherton was an in-demand commercial artist who worked for most blue-chip clients. It is possible that this was an editorial assignment for Fortune Magazine. At the same time, Atherton was also a fine artist and the work could be an expression of pure creative pursuits. The work looks better in person and one can look at it for hours and not get bored. Look carefully and you may discover a deeper meaning in this painting of precisely arranged rocks. Signed lower right. Brooklyn Museum of Art, New York, sold to benefit the acquisitions program ____________________ From Wikipedia, the free encyclopedia John Carlton Atherton (January 7, 1900 - September 16, 1952) was an American painter and magazine illustrator, writer and designer. His works form part of numerous collections, including the Museum of Modern Art,[1] Whitney Museum of American Art and the Smithsonian American Art Museum.[2][3][4] Early Years He was the son of James Chester Atherton (1868-1928) and Carrie B. Martin (1871-1909). He was born in Brainerd, Minnesota.[5] His father was Canadian born. His parents relocated from Minnesota to Washington State, with his maternal grandparents whilst he was still an infant. He attended high school in Spokane, Washington. Career During his early years he never displayed an aptitude for art; rather, his first love being nature and the activities he relished there, mainly fishing and hunting. He enlisted in 1917, serving briefly in the U.S. Navy for a year during World War I. At the end of the war, determined to get an education he worked various part-time jobs, as a sign painter and playing a banjo in a dance band to pay his enrolment fee at the College of the Pacific and The California School of Fine Arts (now the San Francisco Art Institute). Once there, he also worked in the surrounding studios developing his oil painting techniques. A first prize award of $500 at the annual exhibition of the Bohemian Club in 1929, financed his one way trip to New York City, which helped to launch his career as an artist.[6] Atherton had aspired to be a fine artist, however his first paid jobs were for commercial art firms designing advertisements for corporations such as General Motors, Shell Oil, Container Corporation of America, and Dole. However, by 1936, encouraged primarily by friends, such as Alexander Brook, an acclaimed New York realist painter, he returned to the fine arts. Atherton continued to accept numerous commissions for magazine illustrations; such as Fortune magazine, and over the years he would paint more than forty covers for The Saturday Evening Post starting with his December 1942 design, “Patient Dog.” This picture is reminiscent of his friend Norman Rockwell ‘Americana style’ and captures a poignant moment of nostalgia, where a loyal dog looks toward a wall of hunting equipment and a framed picture of his owner in military uniform. Selected One person Exhibitions Atherton accomplished his first one-man show in Manhattan in 1936. His Painting, “The Black Horse” won the $3000 fourth prize from among a pool of 14,000 entries. This painting forms part of the Metropolitan Museum of Art collection in New York.[7] Atherton achieved recognition in New York City and elsewhere during the 1930s. Having exhibited at the Julien Levy Gallery in New York,[8] his paintings began to be collected by museums; including the Museum of Modern Art[9] and the Metropolitan Museum of Art. His reputation increased with his art deco stone lithograph poster for the 1939 New York World's Fair. In 1941, his design won first place in the Museum of Modern Arts “National Defense Poster Competition”. Selected Public Collections Fleming Museum of Art, Burlington, Vermont Albright-Knox Art Gallery,[10] Buffalo, NY Art Institute of Chicago,[11] Chicago Wadsworth Atheneum,[12] Hartford, CT Brooklyn Museum of Art, New York Metropolitan Museum of Art, New York The Museum of Modern Art,[13] New York Whitney Museum of American Art,[14] New York Pennsylvania Academy of the Fine Arts,[15] Philadelphia De Young Museum,[16] San Francisco Smithsonian American Art Museum,[17] Washington DC Butler Institute of American Art[18] Youngstown, OH The Famous Artists School Founded in 1948 in Westport, Connecticut, U.S.A. The idea was conceived by members of the New York Society of Illustrators (SOI), but due to the Society's legal status, could not be operated by it. SOI member Albert Dorne led the initiative to set up a separate entity, and recruited the support of Norman Rockwell, who was also an SOI member. For the founding faculty, Dorne recruited Atherton, as well as accomplished artists such as Austin Briggs, Stevan Dohanos, Robert Fawcett, Peter Helck, Fred Ludekens, Al Parker, Norman Rockwell, Ben Stahl, Harold von Schmidt and Jon Whitcomb.[19] He collaborated with Jon Whitcomb with the book “How I Make a Picture: Lesson 1-9, Parts 1”.[20][21] Society of Illustrators Atherton as an active member from his arrival in New York. The society have owned many of his works. Ex-collection includes: Rocking Horse (ca. 1949) [22] Atherton, as his peers had many of his works framed by Henry Heydenryk Jr.[23] Personal On November 2, 1926, he married Polly “Maxine” Breese (1903-1997).[24][25] They had one daughter, Mary Atherton, born in 1932. Atherton's often chose industrial landscapes, however found himself spending considerable time in Westport, Connecticut, with an active artistic community, and it became home for him, and his family. He then moved to Arlington, Vermont.[26] Norman Rockwell enlisted Atherton in what was to be the only collaborative painting in his career.[27] He was part of a group of artists including a Norman Rockwell, Mead Schaeffer and George Hughes who established residences in Arlington.[28] Atherton and Mead Schaeffer were avid fly fishermen and they carefully chose the location for the group,[29] conveniently located near the legendary Battenkill River. In his free time, Atherton continued to enjoy fly-fishing.[30] He brought his artistic talent into the field of fishing,[31] when he wrote and illustrated the fishing classic, “The Fly and The Fish”.[32] He died in New Brunswick, Canada in 1952,[33] at the age of 52 in a drowning accident while fly-fishing.[34] Legacy The Western Connecticut State University holds an extensive archive on this artist.[35] His wife, Maxine also published a memoir “The Fly Fisher and the River” [36] She married Watson Wyckoff in 1960. Ancestry He is a direct descendant of James Atherton,[37][38] one of the First Settlers of New England; who arrived in Dorchester, Massachusetts in the 1630s. His direct ancestor, Benjamin Atherton was from Colonial Massachusetts...

At the height of Abstraction Expressionism, overlooked Academic Artist John Atherton created a wonderfully complex painting that embodies many of the characteristics of what was going on in Mid-Century American Art. The work is simultaneously abstract as it is representational. Like a Bento Box, it's divided into sections by dividers. On close inspection, each section stands on it's own as a beautiful mini-painting yet coalesces as part of the whole. From a distance, it is eye-pleasing, but as the view gets closer and closer, new structures and details gloriously reveal themselves. This is an important painting and not unlike the work of Joaquín Torres-García. It was done in the last year of the artist's life. Signed lower right. Canvas is relined. Framed size: 30 x 41.25. The work is best viewed with top gallery lights to bring out color. Color will look different under different lighting conditions. Atherton exhibited at the famous Julien Levy Gallery in New York and his fine art is mainly associated with Magic Realism. He participated in the seminal 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. The Museum of Modern Art has 4 Atherton paintings in its collection. As an Illustrator, Atherton did covers for the Saturday Evening Post, Fortune and Holiday Magazine...

"Landscapes of the Soul and of the Mind XV " is a 40 x 40 inches, original, abstract landscape by American master colorist painter Al Lachman. The artwork is a gallery wrapped canvas, signed "Lachman" in the lower left. It is part of the artist's series "Landscapes of the Soul and of the Mind". The artist puts his thumb upon the pulse of life and records it. In that mystical beat lies the unknown, and he would but make it known. Being both, innovator and spectator, he exists as an intrinsic part of that rhythm. Each painting begins with a premise, and I rarely use the same one twice. It is based on what I see and what I am feeling at that moment. I do not think that painting is about technique. It is about a particular perception of the world around us. The premise creates the periphery of my intent. It is a limitation that gives birth to the creative forces within. - Al Lachman Born in 1936 in the Bronx, NY, Alan Lachman...

Therese James steps away from her usual style and branches into an area of very loose almost abstract sea and landscapes .

Amazonas II 51 X 31.4 The white and Orange lights are reflections over the opaque and brown waters of the Amazon River. The Palm tree are inverted reflective images over the water. ...

"It Is Right, It Should Be So" is a 44 x 56 inches, original, abstract landscape by American master colorist painter Al Lachman. The artwork is a gallery wrapped canvas, signed "Lachman" in the lower right. The artist puts his thumb upon the pulse of life and records it. In that mystical beat lies the unknown, and he would but make it known. Being both, innovator and spectator, he exists as an intrinsic part of that rhythm. Each painting begins with a premise, and I rarely use the same one twice. It is based on what I see and what I am feeling at that moment. I do not think that painting is about technique. It is about a particular perception of the world around us. The premise creates the periphery of my intent. It is a limitation that gives birth to the creative forces within. - Al Lachman Born in 1936 in the Bronx, NY, Alan Lachman...

Antonio Ugarte paints water as a reflection of the spirit, a form of meditation. He sees water as “a primordial element” in life and the physical environment as a source of both ener...

"Landscapes of the Soul and of the Mind XIV " is a 40 x 40 inches, original, abstract landscape by American master colorist painter Al Lachman. The artwork is a gallery wrapped canvas, signed "Lachman" in the lower left. It is part of the artist's series "Landscapes of the Soul and of the Mind". The artist puts his thumb upon the pulse of life and records it. In that mystical beat lies the unknown, and he would but make it known. Being both, innovator and spectator, he exists as an intrinsic part of that rhythm. Each painting begins with a premise, and I rarely use the same one twice. It is based on what I see and what I am feeling at that moment. I do not think that painting is about technique. It is about a particular perception of the world around us. The premise creates the periphery of my intent. It is a limitation that gives birth to the creative forces within. - Al Lachman Born in 1936 in the Bronx, NY, Alan Lachman...

Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in ...

Desertscape #4, Original Contemporary Abstract Expressionist Landscape Painting, 2022 14" x 17" (HxW) Acrylic on Paper Hand-signed and dated by the artist. This abstract expressionist work by artist Simona Gocan...

This original modern landscape painting of Denali National Park, Mount McKinley, Alaska is a bold vivid work of contemporary art. The original large-sca...

In this affecting composition, Yektai combines the dynamism of the abstract expressionist style with the soft, meditative qualities of Monet's waterlilies. Yektai first paints the canvas with loose strokes of rich deep greens. A pinkish red abstract form takes center stage - ang highlights of yellow flank the edges. Then he pours a clear-grade liquid resin onto the painted canvas and lets it harden into a glassy surface. Finally, he uses linear brushstrokes connecting colors into forms, in the typical impressionist style. Yektai varies the volume in which he applies paint, from thin and dry to sopping wet and thick. This process allows for a more three-dimensional experience of the painting. One can see through layers which build-up to create the flurry of brushstrokes. The reflective surface makes space for the viewer to see themselves in the painting, looking back at them. A contemporary notion. Framed dimensions: 29 x 23 inches Artist Bio Darius Yektai was born in Southampton NY, in 1973. He lives and works out of his home and studio in Sag Harbor. He grew up in a cultural home of art and artists, with his Greek-American Mother, and his Father, Manoucher Yektai...

Abstract landscape painting by British contemporary artist Alanna Eakin. Alanna Eakin (b.1988) is a British painter. She lives in London and works from her studio in Wimbledon. Gra...

Claire's abstract landscape paintings, inspired by the Norfolk countryside in England, are uplifting and soulful paintings brightening walls and homes with their vibrancy of colour a...

Faith 02, Original Contemporary Colorful Abstract Expressionist Boat Painting 24" x 48" x 2" (HxWxD) Acrylic on Canvas Pools of vibrant color pool together in an inky rainbow in the background of this water-inspired expressionist painting. The horizontal painting is sectioned off vertically with clean lines of color differentiations. Four boats sit atop the water, two depicted in a cool toned blue and white and two in a warmer red and orange color palette. Artist Commentary: FROM THE BOAT SERIES - " FAITH 02" Painting Size - 36 x 36 inches HAND PAINTED original stretched on RAW canvas - signed + sealed. Copyright ©POOVI ART All rights reserved. About the Artist: Poonam Choudhary...

"Landscapes of the Soul and of the Mind XVII " is a 44 x 56 inches, original, abstract landscape by American master colorist painter Al Lachman. The artwork is a gallery wrapped canvas, signed "Lachman" in the lower right. It is part of the artist's series "Landscapes of the Soul and of the Mind". The artist puts his thumb upon the pulse of life and records it. In that mystical beat lies the unknown, and he would but make it known. Being both, innovator and spectator, he exists as an intrinsic part of that rhythm. Each painting begins with a premise, and I rarely use the same one twice. It is based on what I see and what I am feeling at that moment. I do not think that painting is about technique. It is about a particular perception of the world around us. The premise creates the periphery of my intent. It is a limitation that gives birth to the creative forces within. - Al Lachman Born in 1936 in the Bronx, NY, Alan Lachman...

Calm Waters oil on canvas 60 X 72 Antonio Ugarte paints water as a reflection of the spirit, a form of meditation. He sees water as “a primordial element” in life and the physical e...

Eric Friedmann The Calendar, 2018 Acrylic polymer and pigment on canvas 48 x 36 inches (diptych) International Fine Arts Consortium and IFAC Athina present Eric Friedmann in his pre...

Denise BOURDOUXHE Half of Sun and Moon Oil on canvas Signed 73 x 92 cm (36.2 x 28.7 inches) Denise BOURDOUXHE Born in 1925, died in 1990, Denise Bourdouxhe was a French artist. Den...

Abstract expressionist Ann Shogren depicts vivid landscapes and paints tapestries of colors that have simultaneously calming and rejuvenating effects on her audiences. Having lived in Iowa, Utah, and the California Wine Country, Shogren draws inspiration from the landscapes that surround her, creating energetic, colorful compositions that seem to have their own life upon the canvas. Shogren lives and works in Paso Robles...

Lost Seas Oil on Canvas 26 3/4 x 26 3/4 in 68 x 68 cm "Paul's paintings are abstract and expressionistic his paintings are refreshingly individual and unique. We can see the brushstrokes, the palette knife, and the paint - which, combined with his rich palette, result in stunning semi-abstract paintings." Jo Baring - Curator of the Ingram Collection UK artist Paul Bennett...

Squares is a bridge between Mondrian and the Hard-edge abstraction movement. Clearly, this is a very early work because the artist has not yet found his mature style. The flat squares of uneven proportion, are in a formal but off-axis vertical /horizontal grid structure. Perhaps it's the artists take on a "drunk Mondrian" where the squares stumble to align themselves. Each square shape is different in shape and color and with visible brushstrokes and light impasto. Look carefully at the gray squares. They all have a slightly different hue. The squares are all unique individuals and not a repetition To Goodnough this was his departure from his influencer. Squares show the influence of his teachers including Hans Hofman...

"Beach Season" Abstract Painting 39" x 59" inch by Ahmed Dafrawy Dafrawy’s fine arts academic background started in 2014 when he received the certificate of drawing course completion from the Faculty of Art & Education located in Zamalek Cairo, Egypt. Granting him his first appearance during 2015, in the Faculty of Art & Education exhibition at El Sawy Culture Wheel Centre located in Zamalek. Ever since, Dafrawy’s artworks have been exhibited, noticed, and recognized by collectors, artists, and curators with an early certificate of recognition from the minister of culture Emad Abu Ghazy at Lamasatt Art Gallery located in downtown, Cairo, during the same year. Born in 1982, the Egyptian artist started exploring art at an early age. At the age of 11, he won the Princess Nouf award at a drawing competition in the kingdom of Saudi Arabia...

"Moonscape" is an original acrylic painting on canvas by Helen Hulsey. Moonlight is often described as romantic and radiant. Hulsey's use of glitter and iridescence in addition to th...

An abstract oil painting, loosely painted en plein air in a field in the Hamptons. Back in his studio, the artist poured a thin layer of epoxy resin on top of the exposed linen and o...

Jacques GERMAIN (1915-2001) Untitled Circa 1970 Ink on Paper Signed J.G Born in Paris in 1915, worked with Fernand Léger and Amédée Ozenfant at the Académie Moderne in 1931, we...

A tribute to the Long Island beach, a gold sky shimmers onto the smooth beach with houses in the distance. The car tracks remind us of the surfers and fishermen who frequent the area all year round. Artist Bio Darius Yektai was born in Southampton NY, in 1973. He lives and works out of his home and studio in Sag Harbor. He grew up in a cultural home of art and artists, with his Greek-American Mother, and his Father, Manoucher Yektai...

A representational abstract depiction of "Silver Pond" on Long Island. Darius Yektai dives back into his popular "Silver Pond" palette in this dreamy waterscape. He paints his canvas...