American Impressionist Landscape Paintings

Mid-century Southern landscape of the historical Home possibly of the Artist and built by the Kentucky Governor John Breathitt for his daughter Jane (some historical accounts say) and later the McClean family lived there, in Russellville, Kentucky by Roberta Fisk McClean (American, 1882-1975). As we get the information confirmed we will update the description. Roberta painted numerous versions of the house and one example called it the Bowden House. There is a House that looks similar on E5th in Russellville called Governors Corner, but many look like the same structure of the time. Signed "R. McClean" in the lower left corner Presented in a giltwood frame. Artist's board size: 14"H x 19"W Framed size: 17.75"H x 22.5"W Born in Russellville, Kentucky, Roberta McClean...

An unsigned, early twentieth century oil showing a view of an old wooden wharf with longshoremen working. A well-composed work by an anonymous but skilled hand; painted circa 1925.

Wonderful mid century landscape of Ojai, California with charming stucco cottage and almond trees in bloom and mountains in background titled, "Storm over Ojai" by Margaret Anna Dobson (American, 1888-1981), 1959. Signed faintly, lower right. Signed in pencil "Margaret Dobson", titled "Storm Over Ojai" and dated "1959" on verso. Presented in vintage gilt-toned wood frame. Image size: 12"H x 16"W. Framed size: 14"H x 17.75"W. Margaret Dobson was a painter, illustrator, muralist, etcher. Born in Baltimore, MD on Nov. 9, 1888. Dobson studied at the Maryland Institute, PAFA, Fontainebleau School of Art (Paris), and Syracuse University. She studied privately with Daniel Garber, Cecilia Beaux, Violet Oakley, Emil Carlsen, Robert Vonnoh, Hugh Breckenridge, and others. She was active in London, England until 1933. She then settled in Los Angeles where she remained until her death on Jan. 20, 1981. Primarily a muralist, she also painted floral still lifes and landscapes of the Sierra and southern California. Member: NAC; Royal Society of Etchers (London); Laguna Beach AA; Women Painters of the West; Santa Monica AA; Calif. Art Club; LAAA; Artists of the SW. Exhibits: Fontainebleau, 1927 (prize); Egan Gallery (LA), 1933; Calif. PM Society, 1935, 1936; Ebell Club (LA) 1936 (1st prize); Academy of Western Painters, LACMA, 1937; Santa Cruz Art League, 1938; Friday Morning Club (LA), 1939; GGIE, 1939; Society for Sanity in Art, CPLH, 1944. Murals: Santa Monica Women's Club; Palace of Fontainebleau and Fontainebleau Hospital (France); Kaufman (TX) Post Office (Driving the Steers); Girl Scouts...

Wilson Irvine A Summer Afternoon, circa 1915 Signed lower left Oil on canvas 25 x 30 inches Provenance: Gift of the artist, c. 1930 Private Collection, Iowa, c. 1930 By Descent, Private Collection Iowa Private Collection, West Virginia, 2017 Exhibited: Art Institute of Chicago, Special Exhibitions: Paintings by John W. Alexander, Wilson Irvine, Edward Redfield, Maurice Sterne, Sculpture by Chester Beach...

A beautiful landscape oil painting depicting a stately tree with green mountains in the background by California artist Genevieve Rogers (American, 20th Century). Unsigned but acquir...

This artwork titled "Cottonwood Spring" c.1975 is an oil painting on hardboard by noted New Mexico artist Patricia Rose, 1934-2008 It is signed at the lower right corner by the artist. The artwork size is 22 x 28 inches, framed is 30 x 36 inches. Framed in original wooden beige and gold frame. It is in very good condition. About the artist. Patricia Rose 1934-2008 was a noted New Mexico landscape artist being a multi-winner in many competitions receiving several awards from the New Mexico State Fine Arts Competition including the Governor's Award. She has won the State Purchase Award four times. One of her works was presented to Mrs. Barbara Bush...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

"Fishing Boats, Gloucester, MA" is a 25" x 30" oil on canvas, New England harbor scene by Pennsylvania Impressionist painter and New Hope School member Antonio Martino. It is framed and signed "A P...

"Monkey Island, Portland, Jamaica 03.23.2021" by Nelson H. White, is a small scale oil painting of a seascape; blues, greens, and white make up the overall tone of the canvas. A hori...

This artwork "Landscape" c.1900 is a oil painting on canvas attributed to American impressionist artist Richard De Treville, 1864-1929. It is unsigned as many paintings done by this ...

An early twentieth-century, American School oil showing a view of a sailor caulking the seams of a substantial wooden sailing ship with a view beyond towards red-tiled houses beneath...

“Three Trees”, is an oil painting of an ordinary residential street, lined with tall skinny trees. Houses are blocks of color, which diagonally recede alon...

Gorgeous figurative landscape of a Carmel roadside grocer by Edda Maxwell Heath (American, 1874 - 1972). Signed and dated lower left corner. Presented in giltwood frame. Image, 20"H ...

A wonderful depiction of mountain lake landscape in the country side. For this beautiful depiction of the mountains, we find distinct elements that are unique to the earlier works of Marie Berger. Among other things, Marie Berger's art is notable for its surrealist elements. In Still Life with Figure in a Desert Landscape, for example, she combines the seemingly incongruous images of a foreground still life composition with the almost infinite lines of perspective of the desert environment. The final result is one of provoking imagery and emotion. With joyful colors, this piece is filled with bold brushstrokes and impressive marks. Comes housed in a gold tone wood frame decorated with finely carved botanical elements and it is ready to hang with wire on verso. Art measures 16 x 20 inches Framed measures 19 x 23 inches A native of Fort Worth, Marie Friedman Berger was born March 9, 1913, the daughter of Will and Minnie Cohen Friedman. She was a graduate of Central High School, now R. L. Paschal, and attended Washington University, St. Louis School of Art. Marie married Jack Henry Berger on June 21, 1939, in Dallas; a marriage that lasted nearly 61 years. Mr. Berger died in 2000. Marie was an internationally renowned artist. Her works have been published by the Metropolitan Art Gallery of New York and shown as one of America's only artists in Italian art galleries. She was a recipient of the annual Benedictine Art Award. For many years she worked along side her late husband operating the Fashion Furniture Gallery on Camp Bowie Blvd. Marie Berger was a longtime member of Beth-El Congregation and she was also a full member of the Texas Fine Arts Association (Regional Director) and the Texas Watercolor Society. Among the awards presented to her for her art were the Benedictine Award, New York, and the Texas Fine Arts Jurors Award. She also owned and managed the Marie Berger Gallery, Fort Worth, which promoted the works of many rising American and Mexican artists during the 1950's and 1960's. She studied at Texas Christian University, and then at the St. Louis School of Fine Art and at Washington University, Missouri, which was founded as the Saint Louis School and Museum of Fine Arts in 1879 as part of Washington University in St. Louis. Her most common media is the use of oil, acrylic, watercolor, etching, lithograph, collagraph. During her successful career, she exhibited internationally at such institutions as the Bateau Lavar Gallery, Rome, the Rassagna permanente d'arte contemporanea, Veterbo, Italy, the Laguna Gloria, Austin, Texas, the Oklahoma Art...

Frank Vincent DuMond (1865 - 1951) Train Trestle Oil on canvas 24 x 30 inches Signed lower left; estate stamped on the reverse Provenance: Estate of the...

Harry Leslie Hoffman (1871 - 1964) Bermuda Oil on board 16 x 12 inches Signed lower right; estate stamped on the reverse A man with strong academic art training, Harry Hoffman was judged by his peers to have done best with his landscapes when he painted what he saw and set aside the theories. He studied in Paris, worked at Yale University with John Ferguson Weir, and was a student at the Art Students League with Frank DuMond. But Willard Metcalf had the strongest influence, encouraging Hoffman to paint in the style of impressionism. In 1902, Hoffman went to Old Lyme, Connecticut, and stayed at the Florence Griswold...

Guy C. Wiggins (1883 - 1962) Locomotive Train in Snowstorm, 1957 Oil on paperboard 8 x 10 inches Signed lower left; signed and dated on the reverse Guy Carleton Wiggins is best known for his impressionistic snow scenes of New York in 1920's. Wiggins lived in Old Lyme and Essex where he operated an art school. The Connecticut country-side was conducive to his impressionist technique of plein-air painting and broken brushwork.  Ironically, although his work includes many fine Connecticut landscapes, he is best remembered for some snow scenes of New York City. Like many other American Impressionists, Wiggins had one foot in the city and the other in the country (Vermont Hillside, South Londonderry).  Wiggins was born in Brooklyn, New York, went to England with his family as a boy, received an English grammar school education, and traveled widely abroad. He was the son of a prominent artist, Carleton Wiggins, a painter in the Barbizon style who studied with George Inness and admired Anton Mauve and Dwight Tryon...

Charming winter landscape in cool colors of a snowy farm scene in the mountains by an unknown artist. Signed "Fiiak" or "Fijak" "Kirk" and dated '81 lower right. Unframed. Image size...

Frederic Milton Grant (1886 - 1959) Low Tide, 1916 Oil on canvas 16 1/4 x 18 1/8 inches Signed and dated lower right Housed in a Stanford White Newcomb-Macklin frame. Exhibitied: Ar...

Serene landscape by notable California artist Tom Olson (American, b. 1927). Signed and dated in the lower right corner. Titled on verso in upper right corne...

'The New 42nd Street' 2004-2005 by American artist, Lawrence Kelsey. Gouache, 8 x 10.25 in. / Frame: 16.5 x 20.5 in. Depicting a night view of 42nd Street in New York City, this impr...

Turn of 20th Century American Impressionist Chicago Landscape -- Frost Bound Luminous turn of the century American Impressionism landscape of Chicago in winter titled "Frost Bound" by Henning Ryder (Swedish/American, 1869-1939), circa 1900. Signed lower right corner. Exhibited in the 1915 Panama Pacific...

An impressionistic painting of a landscape. Thick loose brushstrokes of green represent the healthy foliage of summer. A blue body of water behind the trees reflects the brightness of the blue sky dotted with puffy white clouds. The sunny summer day is visible in the background while the viewer is positioned where there is shade, as seen by the shadows on the green grass of the foreground. Framed in a white washed natural wood floating frame. Framed dimensions: 31 x 21 inches Kelly Carmody has exhibited at venues including the Portrait Society of America and the Art Students League. Most recently, she was selected for the 2015 BP Portrait Award Show at the National Portrait Gallery in London and the 2016 Outwin Boochever Award at the National Portrait Gallery in Washington D.C. In addition, the historic Guild of Boston Artists elected her to become a member in 2015, she won the Edmund C. Tarbell Award in her first juried members show. The winning portrait is on the cover of July/August edition of Fine Art Connoisseur. In June of 2015 she received the Blanche E. Colman Award. She was invited to exhibit in the 2016 American Masters show at the Salmagundi Club. She currently has work at the Sloane Merrill Gallery in Boston, the Guild of Boston Artists, and the Ann Long Gallery in Charleston, SC. Publications that have featured her work include American Art Collector, Fine Art Connoisseur, International Artist Magazine, Fine Art Today, Southwest Art, Studio Visit Magazine, Boston Magazine, and The Boston Globe. Carmody has won grants from the Ludwig Foundation, Turkey Land Cove Foundation, and Massachusetts Cultural Council, as well as receiving an Edward G. McDowell Travel Grant and the Walter Feldman...

Bold desert scene with Apaches on horseback by Marco Antonio Gomez (Mexican, 1910-1972). Three riders pause at the top of a hill with several riders trailing behind them. The desert stretches into the distance behind them, terminating in a range of mesas. The sunset is glowing behind the horizon, lighting up the bottom portion of the sky, with dark blue clouds hanging overhead. Signed in the lower right corner. Titled and signed on verso. Canvas size: 24"H x 30"W He was the pupil of his father, a famous Mexican portrait painter who moved his family to northern Arizona in 1918. There in quite untamed country, Marco rode and played with Indian children and learned about their culture. He studied at Chouinard's Art Center in Los Angeles and with Martin Syverston. Marco Antonio Gomez "Tony" was born in Durango...

Vibrant modernist self-portrait by California artist Sandra Lobue-Erba (American, 1945-2007). Signed lower middle edge. Unframed. Image: 21"H x 20"W. Provenance: Purchased from art...

Emile Albert Gruppe (1896 - 1978) View of Boats in Gloucester Harbor, Cape Ann, Massachusetts circa 1925 Oil on canvas 25 x 30 inches Signed lower right Emile Gruppe was an unusually prolific artist. He was at his easel almost every day and created thousands of paintings over a career that lasted 60 years. At his peak, he was completing almost 200 oil paintings a year. Yet he has never failed to find an audience for his depictions of New England in autumn and winter, or his harbor scenes of Rockport and Gloucester in Massachusetts. Gruppe was born in 1896 in Rochester, New York to an artistic family--his father, brother, sister and nephew were all artists. Emile spent his youth in Katwyk an Zee, a fishing village in Holland, where his father, Charles Gruppe, worked as both an artist and an art dealer. Emile lived in the Netherlands until he was 17, when the family returned permanently to the United States to avoid World War I. In New York City, Gruppe attended classes at the National Academy of Design and at the Art Students League, where he studied under Charles Chapman and George Bridgman. He also studied with John Carlson in Woodstock, New York, where he gained an appreciation for outdoor painting. Carlson “turned me into a painter,” he later said. Gruppe helped found the Rockport Art Association in 1921, but he is most closely linked to Gloucester where he lived from about 1940 until his death. He operated the Gloucester School of Painting from the 1940s into the 1970s and helped turn the Rocky Neck area of East Gloucester into a world-famous art colony. The school boasted an impressive faculty but Gruppe’s own exuberant plein-air demonstrations were often the highlight of the week. Gloucester, with its fleet of whimsically painted fishing vessels, crowded wharf buildings and shacks, and picturesque inhabitants, never ceased to fascinate Gruppe. He also helped popularize Rockport’s famous fishing shack known as Motif #1, sometimes called “the most often-painted building in America.” By the 1940s, Gruppe was one of the most prominent of the Cape Ann artists...

'Signs and Lights on Broadway' 2005 by American artist, Lawrence Kelsey. Gouache, 7.5 x 10 in. / Frame: 16.5 x 20.5 in. Depicting a night view of New York City, this impressionistic...

Beautiful mid-century winter landscape of the sun rising over a forest stream covered in fresh snow by Genevieve Clibborn (American, 1892-1982). Presented in a rustic ornate, faux wood frame. Image, 12"H x 16"W. Genevieve Idell Booth Clibborn was born in Washington on January 6, 1896. She lived most of her life in Salinas, California (East of the Monterey Peninsula). She painted and exhibited widely in that area. An award-winning artist, she was primarily self-taught and was known for her tree studies. She was a member of the Santa Cruz Art League. She was also a famous evangelist who preached at revivals in the United States, Canada and Australia. Her husband was William Booth-Clibborn, grandson of the founder of the Salvation Army...

Gorgeous plein air oil painting of Pacific Ocean as viewed from top of Santa Cruz Mountains, showing the tree-line and distant ocean in the soft t...

Eugène Laurent Vail (1857 - 1934) Soir de Novembre, Dordrecht Oil on canvas 19 1/4 x 25 3/4 inches Signed lower left; titled in two places on the stretcher with various other inscriptions, stamped "MADAME G:VAIL A" and inscribed "177" in ink and "#43" in pencil on a partial label from Garde-Meuble Maple affixed to the stretcher Eugene Vail (Saint-Servan, France September 29, 1857 - Paris, December 28, 1934), the son of a French mother and an American father, Lawrence Eugene Vail, studied at the Stevens Institute of Technology in Hoboken, New Jersey (where Alfred Stieglitz was born in 1864) and graduated with a degree in mechanical engineering in 1877. Then he became a student of William Merritt Chase and J. Carroll Beckwith at the Art Students League before returning to France. He entered the Ecole des Beaux-Arts in 1882 where he was instructed by Alexandre Cabanel, Raphaël Collin, and Dagnan-Bouveret (1852-1929), known as an extreme naturalist. When Bastien-Lepage died in 1884, Dagnan-Bouveret became the leader of the Naturalist School. He definitely made an indelible impression on Vail. According to Louise Cann, Vail soon became an independent painter working at Pont-Aven and Concarneau. It is difficult to determine when he separated from his teachers since he is listed as a student whenever he exhibited at the Paris Salon — that is, until 1899 when he dropped the mention of élève. A picture of a peasant girl, Seulette was his Salon debut painting in 1883, the same year that he sent two scenes of Brittany to the Pennsylvania Academy of the Fine Arts' exhibition, which documents his stay in that region. The next year he exhibited in the Salon: Fishing Port, Concarneau, which went to the Luxembourg Museum (it is now in the Musée Municipal of Brest). It has the Naturalist brown and gray palette and tonalist atmosphere but already shows that Vail had direct experience with scenes of life in coastal villages: "So convincing was his familiarity with the French coast that the critic Thiébault-Sisson claimed him as a Frenchman and declared that no American marine painter could touch his skill." (Maureen C. O'Brien, in Blaugrund, 1989, p. 218). In 1885, Vail exhibited Inner Port at Dieppe and in the following year On the Thames (Private collection), which later won him the Grand Diploma of Honor from an international jury in Berlin in 1891. Widow, the title of Vail's entry in the Salon of 1887 (unlocated), is a striking image of a woman standing on a beach, looking out to the expanse of the ocean where her husband obviously met his end. The innocent child who looks at us may have the same fate in store for him. Then in 1888, Vail completed his masterpiece, Ready, About! a "wall-size" 94 x 125½ inch canvas. The painting won a first-class gold medal in the Salon of 1888, then at the Paris Universal Exposition of 1889, Vail won another gold medal. The first precedent that comes to mind is Théodore Géricault's colossal Raft of the Medusa of 1819 (Louvre), the celebrated romantic image of castaways about to be rescued after being lost at sea. But while Géricault presents a massive, sculpturesque group of figures struggling on a raft just beyond our designated viewing space, Vail pulls the viewer into the picture, or more exactly, extends the diagonally rocking boat into the spectator's area, vividly anticipating the effects of cinematography. There is no more effective way to engage the spectator's attention and sympathies, and the illusionism is especially effective in this life-size picture. Vail's vigorous brushwork — a uniform use of rectangular strokes — adds to the motion-filled, dynamic actuality of this image, and the overall green-gray tonalities evoke the constantly menacing, cold and wet travails in the life of the fishermen in the Atlantic's rough waters. Theodore Child (1889, p. 518) wrote about this painting: "very beautiful in color, and amongst the very strongest and best pictures of this kind in the Exhibition." Dordrecht (unlocated) was Vail's painting exhibited at the Pennsylvania Academy in 1892, and in the following year he showed Fisherman — The North Sea at the Paris Salon, the same year in which he re-exhibited Dordrecht and On the Thames at the World's Columbian Exposition in Chicago. Vail won the coveted Légion d'Honneur in 1894. Some of his paintings found their way to European museums, for example, Soir de novembre (Odessa Museum) and Soir de Bretagne (Museo d'Arte Moderna, Venice). The latter was exhibited at the Exposition Universelle of 1900 in Paris. Also there was Voix de la mer (Voices of the Sea), which we identify as the painting that appears in an interior view of the American section, just to the right of a doorway (fig. 20 in Fischer, 1999), a simple marine painting. Some time after 1900, Vail turned to both impressionism and post-impressionism but no one seems to have charted this course. His Autumn near Beauvais, illustrated in International Studio (1902, p. 211), The Flags, St. Mark's Venice (1903; National Gallery of Art), and Grand Canal, Venice, ca. 1904 (Museum of Art, Rhode Island School of Design) demonstrate an impressionist technique with broken color. Mandel (1977, p. 202) wrote on the latter: "applied in short strokes juxtaposing brilliant hues of orange, blue, white, black and red, with a strong interplay between the warm pink tones of the walls and the green shadows of the black boats which are silhouetted against them." Cann (1937) believed that in Venice, Vail "found his true self." The Flags forecasts the Armistice Day pictures by Hassam and others, painted fifteen years later. Vail became involved in the Society of American Artists in Paris and the Société Internationale de Peinture et de Sculpture, whose membership included Frank Brangwyn, Charles Cottet (1863-1924), the famous Naturalist sculptor Constantin Meunier (1831-1905), Frits Thaulow...

Signed lower right: Hayley Lever; on verso: Moon Rise / Brittany / FRANCE / Hayley Lever

Dynamic mid-century seascape of Pacific waves crashing against the rocks by California artist Elsie Grace (American, 1930-2013), Circa 1960. Sea spray shooting into the air, transluc...

Vibrant antique landscape of a vibrant sunset with rugged waves and rocks in foreground beautifully framing sunset. Circa 1940s. Signed "Louie" on verso. Condition: Good; minor craqu...

Gorgeous early 20th Century Palm Springs landscape by Edward Marion Langley (American, 1870-1949), 1913. Signed lower right corner. Titled "Palm Springs" and dated "'13" on verso. Unframed. Condition: Very Good; Previous restoration included relining; newly cleaned and retouched. Image size: 18"H x 22"W. Born in London, England on March 27, 1870. When quite young Langley was abandoned by his parents in Australia. Making his way to Canada, he traveled alone by canoe down to the Gulf of Mexico. In Chicago he worked with Wm Selig in developing the motion picture camera and became a U.S. citizen in 1904. Before that he had played trumpet in the Illinois State Guard for many years. Sometime before 1917 he came to Hollywood, CA with Selig where they produced the pioneer epic, 'The Spoilers." A few years later Langley became art director for the Fairbanks Studio on such films as "Thief of Bagdad...

"Meadow in Spring" is a 14" x 20" oil on canvas landscape by American impressionist painter Roy Cleveland Nuse. The painting is signed and dated "Nuse 13" in the lower right and it c...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. The Homestead and other paintings below were painted in 2022 by Texas artist Joan Breckwoldt.. They were painted in Texas and have custom made frames. Their finished frame size is 11.75"x14.75".All painted plein air in oil. All are Texas scenes, "Texas Hill Country". All are custom framed ready to hang. Joan Breckwoldt is an American contemporary artist living in Houston, Texas. Her training has a foundation of traditional methods and she enjoys the challenge of using traditional painting methods to create contemporary works. Joan has studied at the University of Texas at Austin, The Art League of Houston, and the Konigs Schule in the Hague, the Netherlands. She is represented by the Jack Meier Gallery...

Gorgeous home overlooking the desert by Barbara Wilson (American, 20th Century). From a collection of her works, unsigned and unframed. Image size, 20"H x 16"L.

Beautiful contemporary impressionist depiction of the historical Redman House in Watsonville, CA, by an unknown artist (20th Century). Titled "The Redman House Watsonville", dated "11/22/06" and initialed (illegible) on verso in pencil. No frame. Redman Hirahara Farmstead is a complex including a historic house designed by William Weeks (1897) and a vernacular barn in the Pajaro Valley, south of Watsonville, California. A Japanese American owned farm which was maintained by local citizens during the internment of Japanese Americans in World War II and was returned to the Hirahara family after the war, it is on the National Register of Historic Places. The barn included a living unit...

Signed lower right, 'Edward Norton Ward' (American, born 1928) and painted circa 1960; additionally signed, verso, and titled 'Heavy Seas, Pt. Lobos'. A substantial evening seascape showing dramatic breakers rolling in towards the the rocky coast near Point Lobos, California. This plein-air Impressionist painter first attended the University of California in Los Angeles and subsequently studied with Joshua Meador. Over the course of a long career, he has exhibited widely and with success and has been the recipient of numerous medals, prizes and juried awards. Edward Norton Ward was a charter member of the Society of American Impressionists; he is also a member of the California Art Club and has served as president of the Carmel Art...

Idyllic and charming naïve landscape of a red farmhouse on a country lane surrounded by mountains by an unknown artist named Cora (American, 20th Centu...

Wonderful and dynamic western painting of two wild fighting stallions by listed artist Bernard Preston Thomas (American, 1918-1992), dated 1951. Signed and dated lower left corner and on verso. Image size: 28"H x 36"W. Presented in rustic painted frame size: 34"H x 41"W x 3"D. Originally from Sheridan, Wyoming, he loved football and art, giving up the sport to concentrate on a career in art. Thomas graduated from Woodbury College in Los Angeles with a Bachelor of Science degree, earning the Leo Youngsworth Award for outstanding senior art student at Woodbury. He became a camouflage technician at the outbreak of WWII and caught the attention of General Patton...

Gorgeous mid century impressionist seascape of Southern California coastal rocks and waves by Georgia Crittenden Bemis (American, 1908-2008), 1939. Signed lower left corner and on verso. Presented in gilt-toned gesso frame of period. Image size: 30"H x 36"W. Framed size; 34"H x 40"L. Painting was exhibited at the San Diego Fine Arts Gallery, 1939. Georgia Crittenden Bemis was born in Delano, MN on Jan. 13, 1908. Bemis moved to San Diego, CA in 1928. She studied there at the Academy of Fine Arts and with Pauline DeVol, Charles Reiffel, Otto Schneider...

A beautiful American Impressionist oil painting of two Cypress trees upon a hilltop in Monterey, California by Virginia Shackles (American, 1921-2020...

Leigh Ann Van Fossan's "Morning Sail" is an original, handmade oil painting that depicts sailboats sailing on tumultuous waves as a pastel daybreak arches overhead.

A charming depiction of Washington Square Park with figures in the snow. A cozy impressionistic street scene with colors of cobalts, red, and burnt sienna's. An iconic street scene w...

Alan Bray’s landscape paintings of his native, central Maine explore the ever-ebbing dynamic between nature and humanity. His paintings capture an asymmetrical pas de deux. Painted with uncompromising precision by his quick-drying casein tempera paint, Bray’s trailheads, shorelines, and vast horizons show evidence of previous human presence as it succumbs to natural growth. Bray’s stylized scenes center on these afterimages of human interference as well as other natural phenomena. Inundated with detail, nature reclaims swaths of scarred land, fallen trees, and dilapidated structures, returning them to their wild form. Natural phenomena such as wild overgrowth, animal tracks, mysterious forms, bogs, and mist are resplendently captured as homage to the rugged and uninhabited corners of secluded Maine. Alan Bray builds his landscapes with numerous layers of quick-drying casein tempera. Often used in Italian Renaissance painting...

Boat Yard is an oil painting that was done plein aire around San Leon, Texas. San Leon has been a fishing community for years and every morning the boats go out and pray for a profit...

An oil painting, painted en plein air at the marina on Three Mile Harbor, in The Springs, East Hampton. An overcast sky serves as the backdrop for sa...

Herman N. Hyneman (1849 - 1907) Elegant Lady in Winter, Trinity Church, New York City Oil on canvas 22 x 15 inches Signed lower right Provenance: Freemans, 2005, Lot 76 Herman N. Hyneman was a noted American portrait and figure painter with ties to both Philadelphia and New York. He was born July 27,1849 to Leon and Adeline Hyneman in Philadelphia. ("Who Was Who in American Art" lists his birth date as either 1849 or 1859, but we have confirmed that the birth date is 1849). Virtually nothing is known about his early years, but given the fact that the family resided in a wealthy section of Philadelphia and the fact that he traveled to Paris to study in the studio of Leon Bonnat when he was but 20 years old, it is presumed that the family was financially comfortable if not well to do. Hyneman exhibited at the Paris Salon in 1879 and 1881, which was quite an accomplishment given his tender age. He returned to the United States in 1882 and after a year in Philadelphia, he established a studio at 58 West 57th Street, New York, NY, where he painted portraits to support himself and scenes of beautiful fair-skinned women walking in the snow to exhibit at major exhibitions throughout the United States. Hyneman exhibited at the the Brooklyn Art Association in 1882, 1883 and 1884 and at the Pennsylvania Academy of Fine Arts in 1883 and 1888. Beginning in 1882 and continuing up until 1905, he exhibited regularly at the National Academy of Design. Despite the fact that he exhibited fourteen paintings at the National Academy over a span of three different decades, he was never elected as a member. In the 1880's his paintings sold for between $100 and $1500, which were substantial sums for that period. Hyneman also exhibited at the Salmagundi Club and the Philadelphia Art Club and was a member of each organization. He won a medal at the American Art Society in 1904 and also exhibited at the Chicago Art Institute. A handwritten label on one of his paintings indicates that he also exhibited in Budapest, Hungary. In 1892, Hyneman married the noted artist Juliet Jolley (aka Jolly), who had previously modeled for him. Thereafter, they shared a studio and on at least one occasion exhibited together. The February 5, 1896 edition of the "New York Times" reported on a "pleasant studio reception" at 58 West 57th Street where the paintings of both Herman and Juliet were shown to members of New York Society including Mr. And Mrs. Edwin Blashfield. At least one of Hyneman's Painting " A Sensation on Wall Street" which depicted a lovely young woman in fur coat with Muff in front of the Stock Exchange, was made into a post card and reproductions of his paintings are known to exist, although not plentiful. At least one etching is known, "Desdemona," which was reproduced in a book by Frederic Stokes. Herman Hyneman...

EDWARD DUFNER (1872-1957) Midsummer, c. 1920 Oil on canvas 20 x 24 inches Signed at lower right: Edward Dufner N.A. Titled on handwritten label Period Arts & Crafts frame With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

Charming landscape of a house with a red roof on a tree lined country road, surrounded by a beautiful mountain setting with blooming spring wildflowers, by an unknown artist named Co...

Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. With a high level of technical virtuosity Keifer creates...

Painted en plein air, a group of kayaks rest on a beach. This contemporary landscape painting is charming and relatable. Painted on a beach in New York's famous summer destination fo...

Cheerful landscape of a vivid blue lake surrounded by trees on a bright, sunny day by San Francisco artist Frederico Domondon (Filipino-American, b.1964). "Fred Domondon" under gess...

Beautifully detailed mid-century coastal landscape of Pillar Point Fishing Dock near Half Moon Bay, California by William Winthrop Ward (American, 1901-1985). Signed lower left: "W. ...

"Jamaican Scene 03.30.2021" by Nelson H. White, is an abstraction of a landscape in Jamaica. One can see the suggestion of natural light peeking through the loose rendering of trees....

Lively and vibrant landscape by an unknown artist. The fields are depicted in a multitude of colors and textures, indicating a variety of wildlife. In the lower right corner, a singl...

Wonderful early 20th century California landscape of cypress trees and colorful wildflowers dotting the beautiful Monterey coast, with a glimpse of the deep blue Pacific and a soft lavender hue in the sky along the horizon, by San Francisco artist Bertha Elizabeth Stringer Lee (American, 1869-1937). Signed "Bertha S. Lee" lower right. Displayed in a rustic wood frame. Image size: 7.5"H x 9.75"W. A painter of California landscapes especially in the Bay Area, Monterey, and Lake Tahoe, Bertha Lee...