Theodor von Hörmann

Morgen an der Seine, 1888 by Theodor von Hörmann, Austrian, Oil on Board

1888

Arvid Frederick Nyholm (Swedish-American, 1866-1937) Signed: A Nyholm (Lower, Right and Lower, Left) " Mother and Child in a Landscape ", circa 1910-1920 Oil on Canvas 25" x 30"...

Carl Hoerman (American, 1885-1955) Signed: Carl Hoerman (Lower, Right) " Fiesta, Taxco ", circa 1930s Oil on Canvas 28" x 31" Housed in a 2" Tooled g...

Louis Aston Knight (French/American, 1873-1948) Signed: Aston Knight (Lower, Right) " River in France ", circa 1920 Oil on Canvas 21 3/4" x 18" Housed in a 3 1/2" Ornamented Fra...

Edwin Wappler (American, 1887 - 1973) Signed: Edwin Wappler (Lower, Left) " Along the Creek ", c. 1920s-1930s (Possibly Tennessee) Oil on Canvas, Laid on Masonite 20" x 24" Hou...

Gerhard Arij Ludwig Morgenstjerne Munthe (German/Dutch, 1875 - 1927) Signed: G. M. Munthe 24. (Lower, Left) " Bomschuiten at sunset ", 1924 Oil on Canvas 22 1/2" x 16 3/4" Hous...

Marilyn H. Dwyer (American, 1931 - 2001) Signed: Marilyn H. Dwyer (Lower, Right) " Until Next Time ", 1966 " Pottstown Train Station " Dated: 4 - 30 - 66 (on Verso) Oil on Illust...

Tonalist landscape oil painting by Robert Cairns Dobson, American oil painting on academy board. In a well matched original frame. Signed and monogrammed lower left, early 20th centu...

Ralph Reuben/Ruben Stubbs (English, 1824-1879) Low Tide at Sunset • 19thC Oil on artist board (card) ca. 21 x 36.5 cm • Signed bottom right and verso Biografie: Stubbs Ralph Reu...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...

Attributed by Wilhelm von Gegerfelt (1844—1920). The disheveled crowns of the trees indicate to us the raging wind, and the evening sky in the background...

Peter Kurbatov (1907 – 1985), was a talented painter, graphic artist and writer. He lived a truly eventful life full of creative exploration. Despite the fact that this landscape was...

Alfred de Breanski, Sr. (British) is one of the most renowned 19th century landscape artists, known for his plein art style, both realistic and idyllic. Breanski set up his easel across the Scottish Highlands, Wales and rural England as in this gem, titled 'A Suffolk Landscape...